In convertendo (Orlando di Lasso): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2017-02-26}} {{CPDLno|43295}} [[Media:Lassus_In_convertendo.pdf|{{pdf}}]] [[Media:Lassus_In_convertendo.midi.zip|{{ | *{{PostedDate|2017-02-26}} {{CPDLno|43295}} [[Media:Lassus_In_convertendo.pdf|{{pdf}}]] [[Media:Lassus_In_convertendo.midi.zip|{{zip}}]] (MIDI)[[Media:Lassus_In_convertendo.mxl|{{XML}}]] [[Media:Lassus_In_convertendo.ly|{{ly}}]] | ||
{{Editor|Pothárn Imre|2017-02-26}}{{ScoreInfo|A4|9| | {{Editor|Pothárn Imre|2017-02-26}}{{ScoreInfo|A4|9|139}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Transcribed from Selectissimae cantiones, 1579. Original key and note-values.}} | ||
==General Information== | ==General Information== | ||
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{{Lyricist|}} | {{Lyricist|}} | ||
{{Voicing|8|SATB.SATB}} | {{Voicing|8|SATB.SATB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|1565|in ''{{NoCo|Modulorum 4-10 vocibus secundum volumen}}''|no=24}} | ||
{{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=1.43}} | |||
''' | {{Pub|3|1568|in ''[[Novi thesauri musici (Pietro Giovannelli)]]''|vol=Liber 4|no=14}} | ||
{{Pub|4|1572|in ''{{NoCo|Moduli 4-8vv}}''|no=17}} | |||
{{Pub|5|1578|in {{NoComp|Selectae cantiones octo et septum vocum|Nikolaus Wyriot}} (Strasbourg: Wyriot)|no=1}} | |||
{{Pub|6|1579|in ''{{NoCo|Selectissimae cantiones 1579}}''|no=52}} | |||
{{Pub|7|1603|in {{NoComp|Florilegium selectissimarum cantionum|Erhard Bodenschatz}}|no=40}} | |||
{{Pub|8|1604|in ''{{NoCo|Magnum opus musicum}}''|no=505}} | |||
{{Pub|9|1618|in ''[[Florilegium Portense]]''|vol=Volume 1|no=40}} | |||
{{Pub|0|1592-1685|(copied 1625-1637) in ''[[Löbau partbooks]]''|no=92|ms=ms}} | |||
{{Descr|The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== |
Latest revision as of 17:15, 10 April 2023
Music files
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- Editor: Pothárn Imre (submitted 2017-02-26). Score information: A4, 9 pages, 139 kB Copyright: CPDL
- Edition notes: Transcribed from Selectissimae cantiones, 1579. Original key and note-values.
General Information
Title: In convertendo (2nda pars Convertere Domine)
Composer: Orlando di Lasso
Lyricist:
Number of voices: 8vv Voicing: SATB.SATB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 1565 in Modulorum 4-10 vocibus secundum volumen, no. 24
2nd published: 1568 in Selectissimae cantiones, no. 1.43
3rd published: 1568 in Novi thesauri musici (Pietro Giovannelli), Liber 4, no. 14
4th published: 1572 in Moduli 4-8vv, no. 17
5th published: 1578 in Selectae cantiones octo et septum vocum (Strasbourg: Wyriot), no. 1
6th published: 1579 in Selectissimae cantiones 1579, no. 52
7th published: 1603 in Florilegium selectissimarum cantionum, no. 40
8th published: 1604 in Magnum opus musicum, no. 505
9th published: 1618 in Florilegium Portense, Volume 1, no. 40
Manuscript 1592-1685 (copied 1625-1637) in Löbau partbooks, no. 92
Description: The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir.
External websites:
Original text and translations
Original text and translations may be found at Psalm 126.