In convertendo (Orlando di Lasso): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2017-02-26}} {{CPDLno|43295}} [[Media:Lassus_In_convertendo.pdf|{{pdf}}]] [[Media:Lassus_In_convertendo.midi.zip|{{mid}}]] [[Media:Lassus_In_convertendo.ly|{{ly}}]]
*{{PostedDate|2017-02-26}} {{CPDLno|43295}} [[Media:Lassus_In_convertendo.pdf|{{pdf}}]] [[Media:Lassus_In_convertendo.midi.zip|{{zip}}]] (MIDI)[[Media:Lassus_In_convertendo.mxl|{{XML}}]] [[Media:Lassus_In_convertendo.ly|{{ly}}]]
{{Editor|Pothárn Imre|2017-02-26}}{{ScoreInfo|A4|9|144}}{{Copy|CPDL}}
{{Editor|Pothárn Imre|2017-02-26}}{{ScoreInfo|A4|9|139}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from Selectissimae cantiones, 1579. Original pitch and note-values.
:{{EdNotes|Transcribed from Selectissimae cantiones, 1579. Original key and note-values.}}


==General Information==
==General Information==
Line 10: Line 10:
{{Lyricist|}}
{{Lyricist|}}


{{Voicing|8|SATB.SATB}}<br>
{{Voicing|8|SATB.SATB}}
{{Genre|Sacred|Motets}}
{{Genre|Sacred|Motets}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|1565}}, ''[[Modulorum 4, 5, 6, 7, 8, & 10 vocibus (…) secundum volumen (Orlando di Lasso)|Modulorum … modulatorum secundum volumen, 4–8, 10vv]]'', Paris.
{{Pub|1|1565|in ''{{NoCo|Modulorum 4-10 vocibus secundum volumen}}''|no=24}}
 
{{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=1.43}}
'''Description:''' The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir.
{{Pub|3|1568|in ''[[Novi thesauri musici (Pietro Giovannelli)]]''|vol=Liber 4|no=14}}
 
{{Pub|4|1572|in ''{{NoCo|Moduli 4-8vv}}''|no=17}}
'''External websites:'''
{{Pub|5|1578|in {{NoComp|Selectae cantiones octo et septum vocum|Nikolaus Wyriot}} (Strasbourg: Wyriot)|no=1}}
{{Pub|6|1579|in ''{{NoCo|Selectissimae cantiones 1579}}''|no=52}}
{{Pub|7|1603|in {{NoComp|Florilegium selectissimarum cantionum|Erhard Bodenschatz}}|no=40}}
{{Pub|8|1604|in ''{{NoCo|Magnum opus musicum}}''|no=505}}
{{Pub|9|1618|in ''[[Florilegium Portense]]''|vol=Volume 1|no=40}}
{{Pub|0|1592-1685|(copied 1625-1637) in ''[[Löbau partbooks]]''|no=92|ms=ms}}
{{Descr|The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir.}}
{{#ExtWeb:}}


==Original text and translations==
==Original text and translations==

Latest revision as of 17:15, 10 April 2023

Music files

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  • (Posted 2017-02-26)  CPDL #43295:    (MIDI)   
Editor: Pothárn Imre (submitted 2017-02-26).   Score information: A4, 9 pages, 139 kB   Copyright: CPDL
Edition notes: Transcribed from Selectissimae cantiones, 1579. Original key and note-values.

General Information

Title: In convertendo (2nda pars Convertere Domine)
Composer: Orlando di Lasso
Lyricist:

Number of voices: 8vv   Voicing: SATB.SATB
Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1565 in Modulorum 4-10 vocibus secundum volumen, no. 24
    2nd published: 1568 in Selectissimae cantiones, no. 1.43
    3rd published: 1568 in Novi thesauri musici (Pietro Giovannelli), Liber 4, no. 14
    4th published: 1572 in Moduli 4-8vv, no. 17
    5th published: 1578 in Selectae cantiones octo et septum vocum (Strasbourg: Wyriot), no. 1
    6th published: 1579 in Selectissimae cantiones 1579, no. 52
    7th published: 1603 in Florilegium selectissimarum cantionum, no. 40
    8th published: 1604 in Magnum opus musicum, no. 505
    9th published: 1618 in Florilegium Portense, Volume 1, no. 40
    Manuscript 1592-1685 (copied 1625-1637) in Löbau partbooks, no. 92
Description: The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir.

External websites:

Original text and translations

Original text and translations may be found at Psalm 126.