Jesu nostra redemptio (Tomás Luis de Victoria): Difference between revisions

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m (Text replace - ''''Composer:''' Tomás Luis de Victoria<br>' to '{{Composer|Tomás Luis de Victoria}}')
m (Text replace - ''''Copyright:''' Personal<br>' to '{{Copy|Personal}}')
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*'''CPDL #8118:''' [http://www.upv.es/coro/victoria/partituras.html {{pdf}}] [http://www.upv.es/coro/victoria/partituras.html {{mid}}] [http://www.upv.es/coro/victoria/partituras.html Lilypond]
*'''CPDL #8118:''' [http://www.upv.es/coro/victoria/partituras.html {{pdf}}] [http://www.upv.es/coro/victoria/partituras.html {{mid}}] [http://www.upv.es/coro/victoria/partituras.html Lilypond]
:'''Editor:''' [[User:Nancho Alvarez|Nancho Alvarez]] ''(added 2004-10-19)''.&nbsp;&nbsp;&nbsp;'''Score information:''' A4,  kbytes&nbsp;&nbsp;&nbsp;'''Copyright:''' [[ChoralWiki:Personal|Personal]]<br>
:'''Editor:''' [[User:Nancho Alvarez|Nancho Alvarez]] ''(added 2004-10-19)''.&nbsp;&nbsp;&nbsp;'''Score information:''' A4,  kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}
:'''Edition notes:''' listed alphabetically under 'Hymnos'. full score and individual parts available as midi files, also available as Postscript file.
:'''Edition notes:''' listed alphabetically under 'Hymnos'. full score and individual parts available as midi files, also available as Postscript file.



Revision as of 07:10, 15 November 2008

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Editor: Nancho Alvarez (added 2004-10-19).   Score information: A4, kbytes   Copyright: Personal
Edition notes: listed alphabetically under 'Hymnos'. full score and individual parts available as midi files, also available as Postscript file.

General Information

Title: Jesu Nostra Redemptio
Composer: Tomás Luis de Victoria

Number of voices: 4vv   Voicing: SATB

Genre: Sacred, Motet

Language: Latin
Instruments: a cappella
Published:

Description:

External websites:

Original text and translations

The plainchant in this edition has been notated a third too low, or to put it another way, the F clef should appear on the middle line of the stave. Hence the apparently odd mode. (For confirmation of this, see the cantus firmus in the polyphony, or compare Liber Hymnarius). Mick Swithinbank