Kyrie - Fons bonitatis (Anonymous): Difference between revisions
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'''Description:''' A troped Kyrie transcribed from the Trent manuscript tr93. Only three verses are put in polyphony, you can find the full text of the trope in the text section. The time signature, notes' values and colourings are as in the manuscript. The perfect notes and a perfect rest are dotted and ties are used for notes' value that cannot be exactly represented. The middle voice is derived from the Superius, a 4th below, following the prescription “faburton” (faux bourdon) at the end of the Tenor. The coloured notes are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves – the right downstemmed notes are longæ. The “musica ficta” suggestions are in the MIDI and MusicXML files. | '''Description:''' A troped Kyrie transcribed from the Trent manuscript tr93. Only three verses are put in polyphony, you can find the full text of the trope in the text section. The time signature, notes' values and colourings are as in the manuscript. The perfect notes and a perfect rest are dotted and ties are used for notes' value that cannot be exactly represented. The middle voice is derived from the Superius, a 4th below, following the prescription “faburton” (faux bourdon) at the end of the Tenor. The coloured notes are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves – the right downstemmed notes are longæ. The “musica ficta” suggestions are in the MIDI and MusicXML files. | ||
Revision as of 11:46, 1 September 2016
Music files
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- CPDL #24259:
- Editor: Renato Calcaterra (submitted 2011-08-27). Score information: A4, 2 pages, 80 kB Copyright: CPDL
- Edition notes: MusicXML file is zipped.
General Information
Title: Kyrie - Fons bonitatis
Composer: Anonymous
Number of voices: 3vv Voicing: SAT
Genre: Sacred, Troped Kyrie
Language: Latin
Instruments: A cappella
Description: A troped Kyrie transcribed from the Trent manuscript tr93. Only three verses are put in polyphony, you can find the full text of the trope in the text section. The time signature, notes' values and colourings are as in the manuscript. The perfect notes and a perfect rest are dotted and ties are used for notes' value that cannot be exactly represented. The middle voice is derived from the Superius, a 4th below, following the prescription “faburton” (faux bourdon) at the end of the Tenor. The coloured notes are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves – the right downstemmed notes are longæ. The “musica ficta” suggestions are in the MIDI and MusicXML files.
External websites:
Original text and translations
Latin and 
Greek text
Kyrie, fons bonitatis, Pater ingenite a quo bona cuncta procedunt, eleison.
Kyrie, qui pati natum mundi pro crimine, ipsum ut salvaret, misisti, eleison.
Kyrie, qui septiformis dans dona pneumatis, a quo cælum, terra replentur, eleison.
Christe, unice Dei Patris genite, quem de Virgine nasciturum mundo mirifice sancti predixerunt prophetæ, eleison.
Christe hagie, cæli compos regiæ, melos gloriæ cui semper astans pro numine angelorum decantat apex, eleison.
Christe cælitus, adsis nostris precibus, pronis mentibus quem in terris devote colimus, ad te pie Iesu clamamus, eleison.
Kyrie, spiritus alme, cohærens Patri natoque, unius usiæ consistendo, flans ab utroque, eleison.
Kyrie, qui baptizato in Iordanis unda Christo, effulgens specie columbina apparuisti, eleison.
Kyrie, ignis divine, pectora nostra succende, ut digni pariter decantare possimus semper, eleison.