La Martinella (Johannes Martini): Difference between revisions
m (Text replacement - " \'\'\'External websites:\'\'\' (.*) \=\=" to " {{#ExtWeb: $1}} ==") |
(Pub templates) |
||
(3 intermediate revisions by 2 users not shown) | |||
Line 3: | Line 3: | ||
*{{PostedDate|2012-03-23}} {{CPDLno|25808}} [[Media:Joh_Martini-La_Martinella.pdf|{{pdf}}]] [[Media:Joh_Martini-La_Martinella-MID.zip|{{Zip}}]](MIDI) [[Media:Joh_Martini-La_Martinella-XML.zip|{{Zip}}]](XML) | *{{PostedDate|2012-03-23}} {{CPDLno|25808}} [[Media:Joh_Martini-La_Martinella.pdf|{{pdf}}]] [[Media:Joh_Martini-La_Martinella-MID.zip|{{Zip}}]](MIDI) [[Media:Joh_Martini-La_Martinella-XML.zip|{{Zip}}]](XML) | ||
{{Editor|Renato Calcaterra|2012-03-23}}{{ScoreInfo|A4|4|155}}{{Copy|CPDL}} | {{Editor|Renato Calcaterra|2012-03-23}}{{ScoreInfo|A4|4|155}}{{Copy|CPDL}} | ||
: | :{{EdNotes|The MIDI and the source (MusicXML) files are zipped}} | ||
==General Information== | ==General Information== | ||
Line 9: | Line 9: | ||
{{Composer|Johannes Martini}} | {{Composer|Johannes Martini}} | ||
{{Voicing|3|ATB}} | {{Voicing|3|ATB}} | ||
{{Genre|Secular|Unknown}} | {{Genre|Secular|Unknown}} | ||
{{Language|Unspecified}} | {{Language|Unspecified}} | ||
{{Instruments|unknown}} | {{Instruments|unknown}} | ||
{{Pub|1|}} | {{Pub|0|post 1445|in the ''[[Trent codices|Trent codices 89]]''|ms=ms|no=89-283}} | ||
{{Pub|0|post 1445|in the ''[[Trent codices|Trent codices 91]]''|ms=ms|no=91-222}} | |||
{{Pub|1|1538|in {{NoComp|Trium vocum carmina|Heironymous Formschneider}} (Hieronymous Formschneider)|no=36}} | |||
{{Descr|A Rondeau transcribed from the Trent manuscripts tr89 and tr91, both versions are provided. The time signatures, notes' values accidentals and colourings are as in the manuscript. The section beginning with the number “3” is in “proportio sesquialtera” (3 vs. 2). The coloured notes in “tempus imperfectum” are in “proportio sesquialtera”, those in “proportio sesquialtera” are “hemiolæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The "musica ficta" suggestions are in the MIDI and MusicXML files.}} | {{Descr|A Rondeau transcribed from the Trent manuscripts tr89 and tr91, both versions are provided. The time signatures, notes' values accidentals and colourings are as in the manuscript. The section beginning with the number “3” is in “proportio sesquialtera” (3 vs. 2). The coloured notes in “tempus imperfectum” are in “proportio sesquialtera”, those in “proportio sesquialtera” are “hemiolæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The "musica ficta" suggestions are in the MIDI and MusicXML files.}} | ||
{{#ExtWeb: | {{#ExtWeb: |
Latest revision as of 16:43, 2 April 2022
Music files
ICON | SOURCE |
---|---|
Zip file | |
File details | |
Help |
- Editor: Renato Calcaterra (submitted 2012-03-23). Score information: A4, 4 pages, 155 kB Copyright: CPDL
- Edition notes: The MIDI and the source (MusicXML) files are zipped
General Information
Title: La Martinella
Composer: Johannes Martini
Number of voices: 3vv Voicing: ATB
Genre: Secular, Unknown
Language: Unspecified
Instruments: unknown
Manuscript post 1445 in the Trent codices 89, no. 89-283
Manuscript post 1445 in the Trent codices 91, no. 91-222
First published: 1538 in Trium vocum carmina (Hieronymous Formschneider), no. 36
Description: A Rondeau transcribed from the Trent manuscripts tr89 and tr91, both versions are provided. The time signatures, notes' values accidentals and colourings are as in the manuscript. The section beginning with the number “3” is in “proportio sesquialtera” (3 vs. 2). The coloured notes in “tempus imperfectum” are in “proportio sesquialtera”, those in “proportio sesquialtera” are “hemiolæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The "musica ficta" suggestions are in the MIDI and MusicXML files.
External websites:
Original text and translations
No underlay text available on the score.