Missa pro defuncto Archiepiscopo Sigismundo (Johann Michael Haydn): Difference between revisions
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::4. Quam olim Abrahae | ::4. Quam olim Abrahae | ||
:::bar 11 tenor: bar 11 to 13 beat 2 "se-", beat 3: "-mi-", beat 4: "-ni" | :::bar 11 tenor: bar 11 to 13 beat 2 "se-", beat 3: "-mi-", beat 4: "-ni" | ||
::8. Agnus Dei | |||
:::bar 11 tenor: "qui-" is G | |||
::9. Cum sanctis tuis in aeternum | ::9. Cum sanctis tuis in aeternum | ||
:::bar 33-40 SATB: "pi-us" <-> "qui-a" | :::bar 33-40 SATB: "pi-us" <-> "qui-a" | ||
Line 42: | Line 44: | ||
:::bar 41-42 soprano: "pi-us" | :::bar 41-42 soprano: "pi-us" | ||
:::bar 43-44 soprano: "es, in ae-ter-num" | :::bar 43-44 soprano: "es, in ae-ter-num" | ||
:::bar 41-42 tenor, bass: "pi - - us" | :::bar 41-42 tenor, bass: "pi -" "- us" | ||
:::bar 89-106 SAB: text completely different, tenor is the same | :::bar 89-106 SAB: text completely different, tenor is the same | ||
:::bar 103 tenor: "qui -" "a -" "pi -" "us -" | |||
:::bar 110-114 is Instrumental | :::bar 110-114 is Instrumental | ||
:::bar 115-120 is Solo | :::bar 115-120 is Solo |
Revision as of 20:26, 25 October 2022
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Finale 2014 | |
File details | |
Help |
Complete work:
- Score information: A4, 16 pages, 722 kB
- Score information: A4, 11 pages, 397 kB
- Score information: A4, 5 pages, 216 kB
- Score information: A4, 3 pages, 120 kB
- Score information: A4, 5 pages, 200 kB
- Score information: A4, 4 pages, 150 kB
- Score information: A4, 5 pages, 221 kB
- Score information: A4, 6 pages, 212 kB
- Score information: A4, 13 pages, 480 kB
- Editor: Michael Gibson (submitted 2008-03-16). Copyright: CPDL
- Edition notes: Includes a keyboard version of the original accompaniment.
- Differences to the Choral score (Carus 50.321/05)
- 1. Kyrie:
- bar 50-54: Carus has another SATB arrangement
- bar 65 tenor: text distribution "son, e - - lei"
- 2. Dies irae
- bar 90 tenor: "Rex" is B-flat
- bar 102-115 tenor, bass: same text as soprano and alto
- bar 107 tenor: "-e" is an eighth note, "il-" is a quarter note
- bar 180 bass: "-ne-" is E-flat
- bar 264-271 tenor: only one long "A-...-men"
- bar 265-273 bass: only one long "A-...-men"
- 4. Quam olim Abrahae
- bar 11 tenor: bar 11 to 13 beat 2 "se-", beat 3: "-mi-", beat 4: "-ni"
- 8. Agnus Dei
- bar 11 tenor: "qui-" is G
- 9. Cum sanctis tuis in aeternum
- bar 33-40 SATB: "pi-us" <-> "qui-a"
- bar 35-40 soprano: text like alto
- bar 41-42 soprano: "pi-us"
- bar 43-44 soprano: "es, in ae-ter-num"
- bar 41-42 tenor, bass: "pi -" "- us"
- bar 89-106 SAB: text completely different, tenor is the same
- bar 103 tenor: "qui -" "a -" "pi -" "us -"
- bar 110-114 is Instrumental
- bar 115-120 is Solo
- bar 119 tenor: "lu-" is C
- 1. Kyrie:
General Information
Title: Missa pro defuncto Archiepiscopo Sigismondo
Composer: Johann Michael Haydn
Number of voices: 4vv Voicing: SATB + SATB soli
Genre: Sacred, Requiem, Mass
Languages: Greek, Latin
Instruments: Originally, orchestra
First published: written 1771
Description: This work was written in 1771 when Michael Haydn was Director of Music for the Archbishop of Salzburg. The Mozart family were active in Salzburg at that time, and this Requiem clearly had a profound effect on the young Mozart, whose own Requiem of some 20 years later shows the influence of this earlier work.
External websites:
- This is a different work from the unfinished Requiem of 1806 at IMSLP
Original text and translations
Original text and translations may be found at Requiem.