Que cuando se engendra la perla divina (Francisco Valls): Difference between revisions
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==Music files== | ==Music files== | ||
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'''Description: '''From "Mapa Armonico Practico". Facsimile manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas. Score uses non-standard notation including void notes and (it seems) different colours to indicate values of notes (facsimile is monochrome). | '''Description: '''From "Mapa Armonico Practico". Facsimile manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas. Score uses non-standard notation including void notes and (it seems) different colours to indicate values of notes (facsimile is monochrome). | ||
The composer introduces the work with these words: "El que se sigue es un fragmento de un villancico de Nuestra | The composer introduces the work with these words: "El que se sigue es un fragmento de un villancico de Nuestra Señora, a 4. Van trocadas las cuatro vozes ocho compases, que es lo que permite la cadencia de la composición, que siendo para cantarse, no debe ir tan atada a las reglas, por las razones dichas en otra parte." | ||
'''External websites: ''' | '''External websites: ''' | ||
Revision as of 06:02, 1 January 2008
Music files
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CPDL #13522:
Sibelius 2
- Editor: Jonathan Goodliffe (added 2007-01-30). Score information: A4 (landscape), 3 pages, 52 kbytes Copyright: CPDL
- Edition notes: Value of notes halved.
General Information
Title: Que cuando se engendra la perla divina
Composer: Francisco Valls
Number of voices: 4vv Voicing: SSAT
Genre: Sacred, Villancicos
Language: Spanish
Instruments: Continuo
Published: 1742
Description: From "Mapa Armonico Practico". Facsimile manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas. Score uses non-standard notation including void notes and (it seems) different colours to indicate values of notes (facsimile is monochrome).
The composer introduces the work with these words: "El que se sigue es un fragmento de un villancico de Nuestra Señora, a 4. Van trocadas las cuatro vozes ocho compases, que es lo que permite la cadencia de la composición, que siendo para cantarse, no debe ir tan atada a las reglas, por las razones dichas en otra parte."
External websites:
Original text and translations
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