Single chant "Dixit Dominus" (Erik Satie): Difference between revisions

From ChoralWiki
Jump to navigation Jump to search
m (Text replacement - " \'\'\'Description\:\'\'\' (.*) (.*) (.*) (.*) (.*) \'\'\'External" to "{{Descr|$1 $2 $3 $4 $5}} '''External")
m (Text replacement - "'''External websites:''' ==Orig" to "{{#ExtWeb:}} ==Orig")
Line 18: Line 18:
#In the last bar, the last syllable only should be sung to the second minim.
#In the last bar, the last syllable only should be sung to the second minim.
#It should be borne in mind that Satie's original is essentially harmonized plainsong. To maintain this plainsong feel in the Anglican chant version, all notes should be approximately the same length, except for those of the final bar, which should both be more or less doubled.}}
#It should be borne in mind that Satie's original is essentially harmonized plainsong. To maintain this plainsong feel in the Anglican chant version, all notes should be approximately the same length, except for those of the final bar, which should both be more or less doubled.}}
'''External websites:'''
{{#ExtWeb:}}
==Original text and translations==
==Original text and translations==
{{Textless}}
{{Textless}}

Revision as of 18:06, 8 April 2021

Music files

L E G E N D Disclaimer How to download
ICON SOURCE
Icon_pdf.gif Pdf
File details.gif File details
Question.gif Help
  • (Posted 2010-07-24)  CPDL #22009:   
Editor: Daniel Trott (submitted 2010-07-24).   Score information: A4, 1 page, 590 kB   Copyright: CPDL
Edition notes:

General Information

Title: Single chant "Dixit Dominus"
Composer: Erik Satie

Number of voices: 4vv   Voicing: SATB

Genre: SacredAnglican chant
Instruments: Organ or a cappella

First published: 2010
Description: Adaptation of Satie's Dixit Dominus, from his Messe des Pauvres. In addition to the usual rules of Anglican chant, the following is advised:

  1. In the first bar, the first syllable should be sung to the crotchet, and all others to the dotted minim.
  2. In the sixth bar, the last two notes should be treated as one, making a melisma of the last syllable sung in that bar (unless a dot in the text causes more than one syllable to fall to those crotchets).
  3. In the last bar, the last syllable only should be sung to the second minim.
  4. It should be borne in mind that Satie's original is essentially harmonized plainsong. To maintain this plainsong feel in the Anglican chant version, all notes should be approximately the same length, except for those of the final bar, which should both be more or less doubled.

External websites:

Original text and translations

No underlay text available on the score.