Talk:Funeral Music for Queen Mary, Z 860 (Henry Purcell): Difference between revisions
(added signature) |
No edit summary |
||
(4 intermediate revisions by 2 users not shown) | |||
Line 1: | Line 1: | ||
;6530 | |||
<poem> | |||
Thou knowest, Lord | |||
Bar 10: ''Lod'' for ''Lord'' in all parts. | |||
Bar 14: ''an'' for ''and'' in all parts. | |||
</poem> | |||
[[User:Jamesgibb|Jamesgibb]] ([[User talk:Jamesgibb|talk]]) 16:47, 18 November 2014 (UTC) | |||
;4017 | |||
<poem> | <poem> | ||
Soprano, page 1, bar 7, 3rd note, possibly A natural (compare bar 8, 1st note) | Soprano, page 1, bar 7, 3rd note, possibly A natural (compare bar 8, 1st note) | ||
Line 20: | Line 28: | ||
</poem> | </poem> | ||
Finally, the basso continuo part frequently is notated in the wrong clef; if the clef were changed so that the top line were C an octave below middle C, the part would then be correct in the following bars: 5–7, 9–12, 77 —[[User:Pml|Pml]] 23:03, 19 November 2007 | Finally, the basso continuo part frequently is notated in the wrong clef; if the clef were changed so that the top line were C an octave below middle C, the part would then be correct in the following bars: 5–7, 9–12, 77 —[[User:Pml|Pml]] 23:03, 19 November 2007 | ||
== Morley? Purcell? == | |||
I am hearing a rumor that some of the music in this set is in fact by Thomas Morley, not Purcell. Can anyone confirm? --[[User:Wspencer11|Wspencer11]] ([[User talk:Wspencer11|talk]]) 15:41, 25 January 2013 (UTC) |
Latest revision as of 16:47, 18 November 2014
- 6530
Thou knowest, Lord
Bar 10: Lod for Lord in all parts.
Bar 14: an for and in all parts.
Jamesgibb (talk) 16:47, 18 November 2014 (UTC)
- 4017
Soprano, page 1, bar 7, 3rd note, possibly A natural (compare bar 8, 1st note)
Bass, page 1, bar 10, all notes should be minor third lower, G
Tenor, page 2, bar 14, underlay should be: and is cut
Soprano, page 2, bar 17, underlay should be: and is cut
Tenor, page 3, bar 20, underlay should be: com-eth up, and
All parts, page 3, bar 24, underlay should be: fleeth as it were a
Bass, page 5, bar 40, last note B natural should be an octave lower
Alto, page 7, bar 61, 2nd note B flat should be an octave lower
Alto, page 8, bar 70, 1st note should be whole tone lower, E flat
Tenor, page 8, bar 72, last note should be whole tone lower, A natural (i.e. parallel 3rds with bass)
Alto, page 8, bar 76, 2nd note G should be an octave higher
Bass, page 7, bar 77, note should be a minor sixth lower, D (this is also wrong in the basso continuo as well as the organ part)
All parts, page 9, bar 79: underlay of first word should be: Yet,
Alto, page 10, bar 92: 1st and 2nd notes should be a semitone higher, E natural
Bass, page 10, bar 94: 1st note after rest should be an octave higher, middle C
Soprano, page 10, bar 97: 2nd note should be a perfect fourth higher, D
Alto, page 10, bar 97: last note D should be an octave higher
Finally, the basso continuo part frequently is notated in the wrong clef; if the clef were changed so that the top line were C an octave below middle C, the part would then be correct in the following bars: 5–7, 9–12, 77 —Pml 23:03, 19 November 2007
Morley? Purcell?
I am hearing a rumor that some of the music in this set is in fact by Thomas Morley, not Purcell. Can anyone confirm? --Wspencer11 (talk) 15:41, 25 January 2013 (UTC)