Talk:Funeral Music for Queen Mary, Z 860 (Henry Purcell)

CPDL #4017

Soprano, page 1, bar 7, 3rd note, possibly A natural (compare bar 8, 1st note)

Bass, page 1, bar 10, all notes should be minor third lower, G

Tenor, page 2, bar 14, underlay should be: and is cut

Soprano, page 2, bar 17, underlay should be: and is cut

Tenor, page 3, bar 20, underlay should be: com-eth up, and

All parts, page 3, bar 24, underlay should be: fleeth as it were a

Bass, page 5, bar 40, last note B natural should be an octave lower

Alto, page 7, bar 61, 2nd note B flat should be an octave lower

Alto, page 8, bar 70, 1st note should be whole tone lower, E flat

Tenor, page 8, bar 72, last note should be whole tone lower, A natural (i.e. parallel 3rds with bass)

Alto, page 8, bar 76, 2nd note G should be an octave higher

Bass, page 7, bar 77, note should be a minor sixth lower, D (this is also wrong in the basso continuo as well as the organ part)

All parts, page 9, bar 79: underlay of first word should be: Yet,

Alto, page 10, bar 92: 1st and 2nd notes should be a semitone higher, E natural

Bass, page 10, bar 94: 1st note after rest should be an octave higher, middle C

Soprano, page 10, bar 97: 2nd note should be a perfect fourth higher, D

Alto, page 10, bar 97: last note D should be an octave higher

Finally, the basso continuo part frequently is notated in the wrong clef; if the clef were changed so that the top line were C an octave below middle C, the part would then be correct in the following bars: 5–7, 9–12, 77