The Converted Thief (William Moore): Difference between revisions

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{{Language|English}}
{{Language|English}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|1825|in ''{{NoComp|Columbian Harmony|William  Moore}}'', p. 147, for three voices: Treble-Tenor-Bass.}}
{{Pub|1|1825|in ''{{NoComp|Columbian Harmony|William  Moore}}'', p. 147, for three voices: Treble-Tenor-Bass.}}


'''Description:''' Words by [[Samuel Stennett]], 1787, with six stanzas. Moore used the first two stanzas of Stennett's hymn in his composition/
'''Description:''' Words by [[Samuel Stennett]], 1787, with six stanzas. Moore used the first two stanzas of Stennett's hymn in his composition/

Revision as of 15:59, 12 October 2019

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  • (Posted 2018-07-27)  CPDL #50688:         
Editor: Barry Johnston (submitted 2018-07-27).   Score information: 7 x 10 inches (landscape), 1 page, 42 kB   Copyright: Public Domain
Edition notes: Notes in four-shape format, as originally published by Moore in 1826. Two more pairs of stanzas included, from Stennett's hymn. MusicXML source file(s) in compressed .mxl format.

General Information

Title: The Converted Thief
First Line: As on the cross the Savior hung
Composer: William Moore
Lyricist: Samuel Stennett

Number of voices: 3vv   Voicing: STB

Genre: Sacred   Meter: 86. 86 (C.M.)

Language: English
Instruments: A cappella

First published: 1825 in Columbian Harmony, p. 147, for three voices: Treble-Tenor-Bass

Description: Words by Samuel Stennett, 1787, with six stanzas. Moore used the first two stanzas of Stennett's hymn in his composition/

External websites:

Original text and translations

Original text and translations may be found at As on the cross the Savior hung.