The First Set of English Madrigals to 3-6 voices (Thomas Bateson): Difference between revisions
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==General information== | ==General information== | ||
{{PubDatePlace|1604|by Thomas Este in London.| }} | |||
'''Composer:''' [[Thomas Bateson]] | '''Composer:''' [[Thomas Bateson]] | ||
'''Facsimile:''' [http://imslp.org/wiki/The_First_Set_of_English_Madrigales_to_3,_4,_5_and_6_Voices_%28Bateson,_Thomas%29 Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No.2] [IMSLP] | '''Facsimile:''' [http://imslp.org/wiki/The_First_Set_of_English_Madrigales_to_3,_4,_5_and_6_Voices_%28Bateson,_Thomas%29 Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No. 2] [IMSLP] | ||
==List of works== | ==List of works== | ||
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|align="right"|3. || {{NoComp|The nightingale|Thomas Bateson}} || 3 | |align="right"|3. || {{NoComp|The nightingale|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|4. || {{NoComp|Ah me | |align="right"|4. || {{NoComp|Ah me! my mistress scorns my love|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|5. || {{NoComp|Come follow me, fair nymphs|Thomas Bateson}} || 3 | |align="right"|5. || {{NoComp|Come follow me, fair nymphs|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|6. || {{NoComp|Your | |align="right"|6. || {{NoComp|Your shining eyes|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|7. || {{NoComp|Whither so fast|Thomas Bateson}} || 4 | |align="right"|7. || {{NoComp|Whither so fast|Thomas Bateson}} || 4 | ||
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|align="right"|9. || {{NoComp|Down from above|Thomas Bateson}} || 4 | |align="right"|9. || {{NoComp|Down from above|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|10. || {{NoComp|Adieu | |align="right"|10. || {{NoComp|Adieu! sweet love, adieu|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|11. || {{NoComp|If Love be blind|Thomas Bateson}} || 4 | |align="right"|11. || {{NoComp|If Love be blind|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|12. || {{NoComp|Phyllis, farewell|Thomas Bateson}} || 4 | |align="right"|12. || {{NoComp|Phyllis, farewell a 4|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|13. || {{NoComp|Those sweet, delightful lilies|Thomas Bateson}} || 5 | |align="right"|13. || {{NoComp|Those sweet, delightful lilies|Thomas Bateson}} || 5 | ||
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|align="right"|17. || {{NoComp|Strange were the life|Thomas Bateson}} || 5 | |align="right"|17. || {{NoComp|Strange were the life|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|18. || {{NoComp|Alas, alas | |align="right"|18. || {{NoComp|Alas, alas! where is my love|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|19. || {{NoComp|O fly not | |align="right"|19. || {{NoComp|O fly not love|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|20. || {{NoComp|Who prostrate lies|Thomas Bateson}} || 5 | |align="right"|20. || {{NoComp|Who prostrate lies|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|21. || {{NoComp|Sister | |align="right"|21. || {{NoComp|Sister awake!|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|22. || {{NoComp|Hark | |align="right"|22. || {{NoComp|Hark, hear you not? (Oriana's Epitaph)|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|23. || {{NoComp|Dear, if you wish | |align="right"|23. || {{NoComp|Dear, if you wish|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|24. || {{NoComp|Fair Hebe, when dame Flora meets|Thomas Bateson}} || 6 | |align="right"|24. || {{NoComp|Fair Hebe, when dame Flora meets|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|25. || {{NoComp|Phyllis, farewell | |align="right"|25. || {{NoComp|Phyllis, farewell a 6|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|26. || {{NoComp|Thirsis, on his fair Phyllis'breast reposing|Thomas Bateson}} || 6 | |align="right"|26. || {{NoComp|Thirsis, on his fair Phyllis' breast reposing|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|27. || {{NoComp|Merrily my love and I|Thomas Bateson}} || 6 | |align="right"|27. || {{NoComp|Merrily my love and I|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|28. || {{NoComp|Music, some think no music is|Thomas Bateson}} || 6 | |align="right"|28. || {{NoComp|Music, some think, no music is|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|29. || {{NoComp|When Oriana walk'd|Thomas Bateson}} || 6 | |align="right"|29. || {{NoComp|When Oriana walk'd|Thomas Bateson}} || 6 | ||
|} | |} | ||
==Works at CPDL== | |||
{{MultiPubList|yr,seq,gen,subg,vo,voices|1604}} | |||
==References== | |||
{{#ExtWeb: | |||
*[https://opac.rism.info/search?id=990004094&View=rism RISM B 1277]}} | |||
{{DEFAULTSORT:{{WorkSorter}}}} | |||
[[Category:Music publications]] | [[Category:Music publications]] | ||
[[Category:Music facsimiles]] | [[Category:Music facsimiles]] |
Latest revision as of 01:06, 29 April 2023
General information
Publication date and place: 1604 by Thomas Este in London.
Composer: Thomas Bateson
Facsimile: Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No. 2 [IMSLP]
List of works
# | Title | Voices |
---|---|---|
1. | Beauty is a lovely sweet | 3 |
2. | Love would discharge the duty | 3 |
3. | The nightingale | 3 |
4. | Ah me! my mistress scorns my love | 3 |
5. | Come follow me, fair nymphs | 3 |
6. | Your shining eyes | 3 |
7. | Whither so fast | 4 |
8. | Dame Venus hence to Paphos go | 4 |
9. | Down from above | 4 |
10. | Adieu! sweet love, adieu | 4 |
11. | If Love be blind | 4 |
12. | Phyllis, farewell a 4 | 4 |
13. | Those sweet, delightful lilies | 5 |
14. | And must I needs depart then? | 5 |
15. | Sweet Gemma (first part) | 5 |
16. | Yet stay alway (second part) | 5 |
17. | Strange were the life | 5 |
18. | Alas, alas! where is my love | 5 |
19. | O fly not love | 5 |
20. | Who prostrate lies | 5 |
21. | Sister awake! | 5 |
22. | Hark, hear you not? (Oriana's Epitaph) | 5 |
23. | Dear, if you wish | 6 |
24. | Fair Hebe, when dame Flora meets | 6 |
25. | Phyllis, farewell a 6 | 6 |
26. | Thirsis, on his fair Phyllis' breast reposing | 6 |
27. | Merrily my love and I | 6 |
28. | Music, some think, no music is | 6 |
29. | When Oriana walk'd | 6 |
Works at CPDL
Title | Year | No. | Genre | Subgenre | Vo. | Voices |
---|---|---|---|---|---|---|
Adieu! sweet love, adieu | 1604 | 10 | Secular | Madrigals | 4 | SSTB |
Ah me! my mistress scorns my love | 1604 | 4 | Secular | Madrigals | 3 | SST |
Alas, alas! where is my love | 1604 | 18 | Secular | Madrigals | 5 | SSATB |
And must I needs depart then? | 1604 | 14 | Secular | Madrigals | 5 | SSATB |
Beauty is a lovely sweet | 1604 | 1 | Secular | Madrigals | 3 | SSA |
Come follow me, fair nymphs | 1604 | 5 | Secular | Madrigals | 3 | SST |
Dame Venus hence to Paphos go | 1604 | 8 | Secular | Madrigals | 4 | SSAT |
Dear, if you wish | 1604 | 23 | Secular | Madrigals | 6 | SSAATB |
Down from above | 1604 | 9 | Secular | Madrigals | 4 | SATB |
Fair Hebe, when dame Flora meets | 1604 | 24 | Secular | Madrigals | 6 | SSAATB |
Hark, hear you not? (Oriana's Epitaph) | 1604 | 22 | Secular | Madrigals | 5 | SSATB |
If Love be blind | 1604 | 11 | Secular | Madrigals | 4 | SATB |
Love would discharge the duty | 1604 | 2 | Secular | Madrigals | 3 | SST,SAT |
Merrily my love and I | 1604 | 27 | Secular | Madrigals | 6 | SSAATB |
Music, some think, no music is | 1604 | 28 | Secular | Madrigals | 6 | SATTTB |
O fly not love | 1604 | 19 | Secular | Madrigals | 5 | SSATB,AATTB |
Phyllis, farewell a 4 | 1604 | 12 | Secular | Madrigals | 4 | SATB |
Phyllis, farewell a 6 | 1604 | 25 | Secular | Madrigals | 6 | SSAATB |
Sister awake! | 1604 | 21 | Secular | Madrigals | 5 | SSATB |
Strange were the life | 1604 | 17 | Secular | Madrigals | 5 | SSATB |
Sweet Gemma | 1604 | 15 | Secular | Madrigals | 5 | SSATB |
The nightingale | 1604 | 3 | Secular | Madrigals | 3 | SSA |
Thirsis, on his fair Phyllis' breast reposing | 1604 | 26 | Secular | Madrigals | 6 | SSAATB |
Those sweet, delightful lilies | 1604 | 13 | Secular | Madrigals | 5 | SSATB |
When Oriana walk'd | 1604 | 29 | Secular | Madrigals | 6 | SSATTB |
Whither so fast | 1604 | 7 | Secular | Madrigals | 4 | SATB |
Who prostrate lies | 1604 | 20 | Secular | Madrigals | 5 | SSATB |
Yet stay alway | 1604 | 16 | Secular | Madrigals | 5 | SSATB |
Your shining eyes | 1604 | 6 | Secular | Madrigals | 3 | SAT,SAB |