Tribus miraculis (Orlando di Lasso): Difference between revisions

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{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2018-03-09}} {{CPDLno|48993}}
*{{PostedDate|2018-03-09}} {{CPDLno|48993}}
:'''Original pitch:''' [[Media:Lassus_Tribus_miraculis.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis.ly|{{ly}}]] - high chiavette. Bass is in tenor clef
:'''Original pitch:''' [[Media:Lassus_Tribus_miraculis.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis.mxl|{{XML}}]] [[Media:Lassus_Tribus_miraculis.ly|{{ly}}]] - high chiavette. Bass is in tenor clef.
:'''Transposed down a minor third:''' [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.ly|{{ly}}]] - Alto parts are in tenor clef
:'''Transposed down a minor third:''' [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.ly|{{ly}}]] - Alto parts are in tenor clef.
:'''Transposed down a fourth:''' [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.ly|{{ly}}]] - Alto parts are in tenor clef
:'''Transposed down a fourth:''' [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.ly|{{ly}}]] - Alto parts are in tenor clef.
{{Editor|Pothárn Imre|2018-03-09}}{{ScoreInfo|A4|4|98}}{{Copy|CPDL}}
{{Editor|Pothárn Imre|2018-03-09}}{{ScoreInfo|A4|4|98}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from ''Altera pars selectissimarum cantionum'', 1579, Nuremberg. Original note values.
:{{EdNotes|Transcribed from ''Altera pars selectissimarum cantionum'', 1579, Nuremberg. Original note values.}}


*{{PostedDate|2015-06-17}} {{CPDLno|35784}} [[Media:Lass-tri.pdf|{{pdf}}]] [[Media:Lass-tri.MID|{{mid}}]]  
*{{PostedDate|2015-06-17}} {{CPDLno|35784}} [[Media:Lass-tri.pdf|{{pdf}}]] [[Media:Lass-tri.MID|{{mid}}]] [[Media:Lass-tri.mxl|{{XML}}]]
{{Editor|John Hetland|2015-06-17}}{{ScoreInfo|Letter|5|684}}{{Copy|CPDL}}
{{Editor|John Hetland|2015-06-17}}{{ScoreInfo|Letter|5|684}}{{Copy|CPDL}}
:'''Edition notes:''' From ''Selectissimae cantiones…'' Nuremberg, 1568. Our source: ''Renaissance Voices,'' ed. Clive Wearing, Gaudia, 1990. Notation here is a tone lower than original, note values halved. Prepared by John Hetland and The Renaissance Street Singers. 14 May 2014
:{{EdNotes|From ''Selectissimae cantiones…'' Nuremberg, 1568. Our source: ''Renaissance Voices,'' ed. Clive Wearing, Gaudia, 1990. Notation here is a tone lower than original, note values halved. Prepared by John Hetland and The Renaissance Street Singers. 14 May 2014.}}


==General Information==
==General Information==
'''Title:''' ''Tribus miraculis''<br>
{{Title|''Tribus miraculis''}}
{{Composer|Orlando di Lasso}}
{{Composer|Orlando di Lasso}}
{{Lyricist|}}
{{Lyricist|}}


{{Voicing|5|SAATB}}<br>
{{Voicing|5|SAATB}}
{{Genre|Sacred|Motets|Magnificat antiphons}}
{{Genre|Sacred|Motets|Magnificat antiphons}}
{{Language|Latin}}
{{Language|Latin}}
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{{Pub|1|1565|in ''{{NoCo|Perornatae sacrae cantiones liber secundus}}''|no=2}}
{{Pub|1|1565|in ''{{NoCo|Perornatae sacrae cantiones liber secundus}}''|no=2}}
{{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=2.9}}
{{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=2.9}}
'''Description:''' Antiphon for Second Vespers on {{Cat|Epiphany}}
{{Pub|3|1579|in ''{{NoCo|Altera pars selectissimarum cantionum}}''|no=12}}
 
{{Pub|4|1604|in ''{{NoCo|Magnum opus musicum}}''|no=167}}
'''External websites:'''
{{Descr|Antiphon for Second Vespers on {{Cat|Epiphany}}}}
{{#ExtWeb:}}


==Original text and translations==
==Original text and translations==

Latest revision as of 02:52, 1 April 2024

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  • (Posted 2018-03-09)  CPDL #48993: 
Original pitch:         - high chiavette. Bass is in tenor clef.
Transposed down a minor third:       - Alto parts are in tenor clef.
Transposed down a fourth:       - Alto parts are in tenor clef.
Editor: Pothárn Imre (submitted 2018-03-09).   Score information: A4, 4 pages, 98 kB   Copyright: CPDL
Edition notes: Transcribed from Altera pars selectissimarum cantionum, 1579, Nuremberg. Original note values.
  • (Posted 2015-06-17)  CPDL #35784:       
Editor: John Hetland (submitted 2015-06-17).   Score information: Letter, 5 pages, 684 kB   Copyright: CPDL
Edition notes: From Selectissimae cantiones… Nuremberg, 1568. Our source: Renaissance Voices, ed. Clive Wearing, Gaudia, 1990. Notation here is a tone lower than original, note values halved. Prepared by John Hetland and The Renaissance Street Singers. 14 May 2014.

General Information

Title: Tribus miraculis
Composer: Orlando di Lasso
Lyricist:

Number of voices: 5vv   Voicing: SAATB
Genre: SacredMotetMagnificat antiphon

Language: Latin
Instruments: A cappella

First published: 1565 in Perornatae sacrae cantiones liber secundus, no. 2
    2nd published: 1568 in Selectissimae cantiones, no. 2.9
    3rd published: 1579 in Altera pars selectissimarum cantionum, no. 12
    4th published: 1604 in Magnum opus musicum, no. 167
Description: Antiphon for Second Vespers on Epiphany

External websites:

Original text and translations

Original text and translations may be found at Tribus miraculis.