User:Philip Legge

May 2009 update

I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here:

• links to Berlioz full scores I've finally gotten done;
• tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic);
• migration of wso.williams.edu scores to the choralwiki;
• some cross-fertilisation of useful templates from IMSLP, and vice versa.

I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).

Best regards, Philip Legge_{@ Φ} 13:00, 9 May 2009 (AEST)

General information

Country of origin: Australia

Contributor since: 22 September 2000

Number of scores on CPDL: 53 distinct works, but somewhere in the vicinity of 146 scores or so...

List scores by this editor

Contact information

E-mail: Philip·M·Legge AT gmail·com

Website: PML Music Editions: music prepared by Philip Legge

Education

Bachelor of Science (Physics, Mathematics), University of Tasmania

Background

Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!

Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.

Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.

Scores

Key: FS = full score; VS = vocal score; Px = instrumental parts

CPDL#	Composer	Work			Source	Scorch	Notes
1391	Handel	Dixit Dominus, HWV 232	FS	MIDI	Sibelius 3	Scorch 1	Typeset from Chrysander, HG Band 38 (1872)
1392	Handel	Laudate pueri Dominum, HWV 237	FS	MIDI	Sibelius 3	Scorch 1	Typeset from Chrysander, HG Band 38 (1872)
1393	Handel	Nisi Dominus, HWV 238	FS	MIDI	Sibelius 1	Scorch 1	Typeset from Chrysander, HG Band 38 (1872)
1404	Berlioz	Grande messe des morts, H 75: I. Introït et Kyrie	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1430	Berlioz	Grande messe des morts, H 75: III. Quid sum miser	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1431	Berlioz	Grande messe des morts, H 75: V. Quærens me	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1432	Berlioz	Grande messe des morts, H 75: VIII. Hostias	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1433	Berlioz	Grande messe des morts, H 75: X. Agnus Dei	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1436	Berlioz	Te deum, H 118: II. Tibi omnes	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
1437	Berlioz	Te deum, H 118: VI. Judex crederis	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
1473	Berlioz	Vox populi, H 120: I. La menace des Francs	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 41 (1903)
1474	Berlioz	Vox populi, H 120: II. Hymne à la France	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 40 (1903)
1475	Berlioz	Vox populi, H 120	VS				Typeset from Malherbe & Weingartener, H.B. 40 & 41 (1903)
1999	Berlioz	Te deum, H 118: I. Te Deum laudamus	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
2000	Berlioz	Te deum, H 118: IV. Christe, rex gloriæ	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
2686	Berlioz	Te deum, H 118: V. Te ergo quæsumus	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
3142 3271	Berlioz	Te deum, H 118: III. Dignare	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
3272	Berlioz	Te deum, H 118 (complete)	FS I-V FS VI-VII [IMSLP]	Work page			Typeset from Malherbe & Weingartener, H.B. 26 (1901)
3273	Berlioz	La mort d'Ophélie, Op. 18, No. 2	FS+Px+VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 38 (1903)
3274	Berlioz	La mort d'Ophélie, Op. 18, No. 2	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 38 (1903)
3564	Berlioz	Le Dépit de la bergère	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 79 (1904)
3565	Berlioz	Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust')	FS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 29 (1903)
3566	Berlioz	Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust')	FS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 29 (1903)
3567	Berlioz	Sérénade de Méphistophélès (No. 8 from 'Faust')	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 29 (1903)
3568	Berlioz	La Captive, orientale: Version A	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 91 (1904)
3569	Berlioz	La Captive, orientale: Version C	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 92 (1904)
3570	Berlioz	Chant des Chemins de fer	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 37 (1903)
3571	Berlioz	Nessun maggior piacere	VS		Sibelius 1	Scorch 1	Typeset from albumleaf facsimile
3835	Handel	Dixit Dominus, HWV 232	Px	MIDI	Violins 1 & 2 Violas 1 & 2 Cello Bass Continuo		Typeset from Chrysander, HG Band 38 (1872)
8489	Handel	Laudate pueri Dominum, HWV 237	Px	MIDI	Oboes 1 & 2 Violins 1 & 2 Violas 1 & 2 Continuo		Typeset from Chrysander, HG Band 38 (1872)
10522	Handel	Zadok the Priest, HWV 258	FS	MIDI	Sibelius 3 Sibelius 4		Typeset from Chrysander, HG Band 14 (1863)
10787	Handel	Zadok the Priest, HWV 258	Px	MIDI	Oboe 1 & 2 Bassoons 1 & 2 Trumpets 1, 2 & 3 Timpani Violins 1, 2 & 3 Viola Cello Bass [Continuo]		Typeset from Chrysander, HG Band 14 (1863)

PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress)

• after G. Allegri: Miserere mei, Deus (v, "top C version")
• Anonymous: Sumer is icumen in (v)
• J.S. Bach: Cantata BWV 50, Nun ist das Heil und die Kraft (v, f+p)
• H. Biber: Missa Salisburgensis 16vv: Kyrie and Plaudite tympana (v, f, p); Requiem ex F con terza minore 5vv: Introïtus et Kyrie, Sequentia (v, f, [p])
• A. Borodin: Polovetsian Dances from Prince Igor (v)
• J. Brahms: Ein deutsches Requiem, Op. 45 (v)
• A. Brumel: Missa Et ecce terræ motus 12vv (v); with completion of Brumel’s incomplete Agnus Dei.
• R. Carver arr. Legge: O bone Jesu 19vv (v)
• M.-A. Charpentier: H 1 Mass for double choir, Kyrie & Gloria (f)
• G. Dufay: Nuper rosarum flores (v)
• J. Eccles: My man John (v)
• G. Fauré: Requiem in D minor, Op. 48 (1888/1893 version) (v, f), Cantique de Jean Racine, Op. 11 (f+p)
• [C. Gesualdo: Tenebræ responses for Holy Saturday]
• C.E. Horsley: Hail to thee, Sound! (v only, but f+p available on hire)
• Josquin Desprez: Præter rerum seriem (v), Qui habitat in adjutorio altissimi 24vv (p)
• Orlande de Lassus: Missa Quand'io pens'al martire (v)
• P.M. Legge: Ave atque vale (v), I hear the land (v), Kubla Khan (v only, but f+p available on hire)
• G. Mahler: Symphony Nº 2 in C minor "Resurrection", choral score of 5th movement (v)
• C. Monteverdi: Orfeo – Toccata, Prologue, & Act One (f)
• [C. Monteverdi: Missa In illo tempore (1610) (v)]
• C. Monteverdi: Domine ad adiuvandum (1610) (v, f, p)
• W.A. Mozart: KV 427 (417ª) Great Mass in C (completed by additions from KV 262 (246ª) & KV 337), Kyrie, Gloria, [Credo], Sanctus, Benedictus, [Agnus Dei] (v)
• W.A. Mozart: KV 618 Ave verum corpus (v), KV 626 Requiem in D minor (urtext) (f)
• J. de Okeghem: Deo gratia 36vv (v/p, f)
• G.P. da Palestrina: Missa Iste confessor, Missa O Rex gloriæ (v); editions do not contain Credo.
• H. Purcell: Come ye Sons of Art (v, f, p); complete.
• H.S. Schütz: Alleluja! Lobet den Herren (Psalm 150), SWV 38, 16vv (v, f, p), Das ist je gewißlich wahr (v)
• A. Striggio Sr: Ecce beatam lucem 40vv (v, f, p)
• T. Tallis: Spem in alium nunquam habui/Sing and glorify 40vv (v, f, p)

The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).

Publications

The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society.

Index by composer:

• Anonymous: Alle psallite, Dona nobis pacem, Drink to me only, Gaudeamus igitur, Non nobis Domine, Pase el agoa
• Bateson: Your shining eyes
• Bennet: Weep O mine eyes
• Dowland: Come again!, Fine knacks
• Ellyard: Round on a well-known text
• Farmer: Faire Phyllis
• Ford: Since first
• Henry VIII: Greensleeves, Pastyme
• Josquin Desprez: El Grillo
• Legge: Non nobis, Domine
• Morley: Now is the month of maying
• Passereau: Il est bel et bon
• Purcell: Come ye Sons of Art, If music be the food of love
• Tye: Laudate
• Vecchi: Fa una canzona
• Vulpius: Lo, how a rose
• Weelkes: All at once well met
• Wheeler: Old Mother Hubbard