User:Philip Legge: Difference between revisions

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'''Contributor since:''' 22 September]] [[2000
'''Contributor since:''' 22 September]] [[2000


'''Number of scores on CPDL:''' 120
'''Number of scores on CPDL:''' 124


[[Special:Whatlinkshere/User:Philip Legge|'''List scores by this editor''']]
[[Special:Whatlinkshere/User:Philip Legge|'''List scores by this editor''']]
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Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's ''Te Deum'' and ''Requiem'' available for download as full scores, vocal scores, and instrumental parts.
Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's ''Te Deum'' and ''Requiem'' available for download as full scores, vocal scores, and instrumental parts.


Other ongoing projects include performing editions of Mozart's ''Great Mass in C'' supplemented by suitable movements from two other Mozart masses; Monteverdi's ''Mass and Vespers'' of 1610; and Brumel's 12 voice ''Missa Et ecce terræ motus''.
Other ongoing projects include performing editions of Mozart's ''Great Mass in C'' supplemented by suitable movements from two other Mozart masses; and Monteverdi's ''Mass and Vespers'' of 1610.


=Scores=
=Scores=
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* H. Berlioz: ''La mort d'Ophélie'' (v, f+p); ''Vox populi'' (v)
* H. Berlioz: ''La mort d'Ophélie'' (v, f+p); ''Vox populi'' (v)
* H. Berlioz: some other minor works (usually f only)
* H. Berlioz: some other minor works (usually f only)
* H. Biber: [[Plaudite tympana (Heinrich Biber)|''Plaudite tympana'' 16vv]] from the ''Missa Salisburgensis'' (v, [f, p])
* A. Borodin: [[Polovetsian Dances (Alexander Borodin)|''Polovetsian Dances'']] from ''Prince Igor'' (v)
* A. Borodin: [[Polovetsian Dances (Alexander Borodin)|''Polovetsian Dances'']] from ''Prince Igor'' (v)
* J. Brahms: [[Ein deutsches Requiem, Op. 45 (Johannes Brahms)|''Ein deutsches Requiem'']], Op. 45 (v)
* J. Brahms: [[Ein deutsches Requiem, Op. 45 (Johannes Brahms)|''Ein deutsches Requiem'']], Op. 45 (v)
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* G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''.
* G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''.
* H. Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']] (f, v); full score incomplete, vocal score in progress
* H. Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']] (f, v); full score incomplete, vocal score in progress
* H.S. Schütz: [[Alleluja! Lobet den Herren, SWV 38 (Heinrich Schütz)|''Alleluja! Lobe den Herren'' (Psalm 150)]] (f, v, p), [[Das ist je gewißlich wahr (Heinrich Schütz)|''Das ist je gewißlich wahr'']] (v)
* H.S. Schütz: [[Alleluja! Lobet den Herren, SWV 38 (Heinrich Schütz)|''Alleluja! Lobe den Herren'' (Psalm 150, 16vv)]] (f, v, p), [[Das ist je gewißlich wahr (Heinrich Schütz)|''Das ist je gewißlich wahr'']] (v)
* T. Tallis: [[Spem in alium nunquam habui (Thomas Tallis)|''Spem in alium nunquam habui/Sing and glorify'' 40vv]] (f, p)
* T. Tallis: [[Spem in alium nunquam habui (Thomas Tallis)|''Spem in alium nunquam habui/Sing and glorify'' 40vv]] (f, p)


Revision as of 22:05, 25 November 2007


Philip Legge, February 2005

General information

Country of origin: Australia

Contributor since: 22 September]] [[2000

Number of scores on CPDL: 124

List scores by this editor

Contact information

E-mail: phi1ip AT netscape DOT net

Website: PML Music Editions: music prepared by Philip Legge

Education

Bachelor of Science (Physics, Mathematics), University of Tasmania

Background

Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!

Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.

Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.

Scores

At present, I am trying to finalise a number of my incomplete projects (the ones closest to completion).

PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress)

With completion of Brumel’s incomplete Agnus Dei.

The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).

Publications

The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society.

Index by composer:

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