User:Philip Legge: Difference between revisions
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* H. Berlioz: ''La mort d'Ophélie'' (v, f+p); ''Vox populi'' (v) | * H. Berlioz: ''La mort d'Ophélie'' (v, f+p); ''Vox populi'' (v) | ||
* H. Berlioz: some other minor works (usually f only) | * H. Berlioz: some other minor works (usually f only) | ||
* H. Biber: [[Missa Salisburgensis (Heinrich Biber)|''Missa Salisburgensis'' 16vv: ''Kyrie'']] and [[Plaudite tympana (Heinrich Biber)|''Plaudite tympana'']] (v, | * H. Biber: [[Missa Salisburgensis (Heinrich Biber)|''Missa Salisburgensis'' 16vv: ''Kyrie'']] and [[Plaudite tympana (Heinrich Biber)|''Plaudite tympana'']] (v, f, p); [[Requiem in f (Heinrich Biber)|''Requiem ex F con terza minore'' 5vv: ''Introïtus et Kyrie, Sequentia'']] (v, f, [p]) | ||
* A. Borodin: [[Polovetsian Dances (Alexander Borodin)|''Polovetsian Dances'']] from ''Prince Igor'' (v) | * A. Borodin: [[Polovetsian Dances (Alexander Borodin)|''Polovetsian Dances'']] from ''Prince Igor'' (v) | ||
* J. Brahms: [[Ein deutsches Requiem, Op. 45 (Johannes Brahms)|''Ein deutsches Requiem'']], Op. 45 (v) | * J. Brahms: [[Ein deutsches Requiem, Op. 45 (Johannes Brahms)|''Ein deutsches Requiem'']], Op. 45 (v) | ||
* A. Brumel: [[Missa Et ecce terræ motus (Antoine Brumel)|''Missa Et ecce terræ motus'' 12vv]] (v) | * A. Brumel: [[Missa Et ecce terræ motus (Antoine Brumel)|''Missa Et ecce terræ motus'' 12vv]] (v); with completion of Brumel’s incomplete ''Agnus Dei''. | ||
* R. Carver arr. Legge: [[O bone Jesu (Robert Carver)|''O bone Jesu'' 19vv]] (v) | * R. Carver arr. Legge: [[O bone Jesu (Robert Carver)|''O bone Jesu'' 19vv]] (v) | ||
* M.-A. Charpentier: H 1 [[Messe, H 1 (Marc-Antoine Charpentier)|Mass for double choir, ''Kyrie'' & ''Gloria'']] (f) | * M.-A. Charpentier: H 1 [[Messe, H 1 (Marc-Antoine Charpentier)|Mass for double choir, ''Kyrie'' & ''Gloria'']] (f) | ||
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* C. Monteverdi: [[L'Orfeo, Favola in Musica (Claudio Monteverdi)|''Orfeo'' – Toccata, Prologue, & Act One]] (f) | * C. Monteverdi: [[L'Orfeo, Favola in Musica (Claudio Monteverdi)|''Orfeo'' – Toccata, Prologue, & Act One]] (f) | ||
* [C. Monteverdi: ''Missa In illo tempore'' (1610) (v)] | * [C. Monteverdi: ''Missa In illo tempore'' (1610) (v)] | ||
* C. Monteverdi: [[Domine ad adiuvandum (Claudio Monteverdi)|''Domine ad adiuvandum'']] (1610) (f | * C. Monteverdi: [[Domine ad adiuvandum (Claudio Monteverdi)|''Domine ad adiuvandum'']] (1610) (v, f, p) | ||
* W.A. Mozart: K 427 (417a) [[Great Mass in C minor, KV 427 (Wolfgang Amadeus Mozart)|Great Mass in C]] (completed by additions from K 262 & K 337), ''Kyrie'', ''Gloria'', [''Credo''], ''Sanctus'', ''Benedictus'', [''Agnus Dei''] (v) | * W.A. Mozart: K 427 (417a) [[Great Mass in C minor, KV 427 (Wolfgang Amadeus Mozart)|Great Mass in C]] (completed by additions from K 262 & K 337), ''Kyrie'', ''Gloria'', [''Credo''], ''Sanctus'', ''Benedictus'', [''Agnus Dei''] (v) | ||
* W.A. Mozart: K 618 [[Ave verum corpus, KV 618 (Wolfgang Amadeus Mozart)|''Ave verum corpus'']] (v), K 626 [[Requiem, KV 626 (Wolfgang Amadeus Mozart)|''Requiem'' in D minor (urtext)]] (f) | * W.A. Mozart: K 618 [[Ave verum corpus, KV 618 (Wolfgang Amadeus Mozart)|''Ave verum corpus'']] (v), K 626 [[Requiem, KV 626 (Wolfgang Amadeus Mozart)|''Requiem'' in D minor (urtext)]] (f) | ||
* J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] ( | * J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] (v/p, f) | ||
* G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''. | * G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''. | ||
* H. Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']] (f, | * H. Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']] (v, f, p); full score incomplete, vocal score complete (but movements 8-9 accompaniment incomplete) | ||
* H.S. Schütz: [[Alleluja! Lobet den Herren, SWV 38 (Heinrich Schütz)|''Alleluja! Lobe den Herren'' (Psalm 150, 16vv)]] (f | * H.S. Schütz: [[Alleluja! Lobet den Herren, SWV 38 (Heinrich Schütz)|''Alleluja! Lobe den Herren'' (Psalm 150, 16vv)]] (v, f, p), [[Das ist je gewißlich wahr (Heinrich Schütz)|''Das ist je gewißlich wahr'']] (v) | ||
* T. Tallis: [[Spem in alium nunquam habui (Thomas Tallis)|''Spem in alium nunquam habui/Sing and glorify'' 40vv]] (f | * T. Tallis: [[Spem in alium nunquam habui (Thomas Tallis)|''Spem in alium nunquam habui/Sing and glorify'' 40vv]] (v, f, p) | ||
The [[philiplegge:editions/|PML Music Editions]] page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL). | The [[philiplegge:editions/|PML Music Editions]] page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL). | ||
Revision as of 21:12, 16 March 2008
General information
Country of origin: Australia
Contributor since: 22 September]] [[2000
Number of scores on CPDL: 136
Contact information
E-mail: Philip.M.Legge AT gmail DOT com
Website: PML Music Editions: music prepared by Philip Legge
Education
Bachelor of Science (Physics, Mathematics), University of Tasmania
Background
Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!
Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.
Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.
Scores
PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress)
- after G. Allegri: Miserere mei, Deus (v, "top C version")
- Anonymous: Sumer is icumen in (v)
- J.S. Bach: Cantata BWV 50, Nun ist das Heil und die Kraft (v, f+p)
- H. Berlioz: La mort d'Ophélie (v, f+p); Vox populi (v)
- H. Berlioz: some other minor works (usually f only)
- H. Biber: Missa Salisburgensis 16vv: Kyrie and Plaudite tympana (v, f, p); Requiem ex F con terza minore 5vv: Introïtus et Kyrie, Sequentia (v, f, [p])
- A. Borodin: Polovetsian Dances from Prince Igor (v)
- J. Brahms: Ein deutsches Requiem, Op. 45 (v)
- A. Brumel: Missa Et ecce terræ motus 12vv (v); with completion of Brumel’s incomplete Agnus Dei.
- R. Carver arr. Legge: O bone Jesu 19vv (v)
- M.-A. Charpentier: H 1 Mass for double choir, Kyrie & Gloria (f)
- G. Dufay: Nuper rosarum flores (v)
- J. Eccles: My man John (v)
- G. Fauré: Requiem in D minor, Op. 48 (1888/1893 version) (v, f), Cantique de Jean Racine, Op. 11 (f+p)
- [C. Gesualdo: Tenebræ responses for Holy Saturday]
- G.F. Handel: Dixit Dominus (f, p); Laudate pueri Dominum (f, p); Nisi Dominus (f); Zadok the Priest (f, p)
- C.E. Horsley: Hail to thee, Sound! (v only, but f+p available on hire)
- Josquin Desprez: Præter rerum seriem (v), Qui habitat in adjutorio altissimi 24vv (p)
- Orlande de Lassus: Missa Quand'io pens'al martire (v)
- P.M. Legge: Ave atque vale (v), I hear the land (v), Kubla Khan (v only, but f+p available on hire)
- G. Mahler: Symphony Nº 2 in C minor "Resurrection", choral score of 5th movement (v)
- C. Monteverdi: Orfeo – Toccata, Prologue, & Act One (f)
- [C. Monteverdi: Missa In illo tempore (1610) (v)]
- C. Monteverdi: Domine ad adiuvandum (1610) (v, f, p)
- W.A. Mozart: K 427 (417a) Great Mass in C (completed by additions from K 262 & K 337), Kyrie, Gloria, [Credo], Sanctus, Benedictus, [Agnus Dei] (v)
- W.A. Mozart: K 618 Ave verum corpus (v), K 626 Requiem in D minor (urtext) (f)
- J. de Okeghem: Deo gratia 36vv (v/p, f)
- G.P. da Palestrina: Missa Iste confessor, Missa O Rex gloriæ (v); editions do not contain Credo.
- H. Purcell: Come ye Sons of Art (v, f, p); full score incomplete, vocal score complete (but movements 8-9 accompaniment incomplete)
- H.S. Schütz: Alleluja! Lobe den Herren (Psalm 150, 16vv) (v, f, p), Das ist je gewißlich wahr (v)
- T. Tallis: Spem in alium nunquam habui/Sing and glorify 40vv (v, f, p)
The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).
Publications
The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society.
Index by composer:
- Anonymous: Alle psallite, Dona nobis pacem, Drink to me only, Gaudeamus igitur, Non nobis Domine, Pase el agoa
- Bateson: Your shining eyes
- Bennet: Weep O mine eyes
- Dowland: Come again!, Fine knacks
- Ellyard: Round on a well-known text
- Farmer: Faire Phyllis
- Ford: Since first
- Henry VIII: Greensleeves, Pastyme
- Josquin Desprez: El Grillo
- Legge: Non nobis, Domine
- Morley: Now is the month of maying
- Passereau: Il est bel et bon
- Purcell: Come ye Sons of Art, If music be the food of love
- Tye: Laudate
- Vecchi: Fa una canzona
- Vulpius: Lo, how a rose
- Weelkes: All at once well met
- Wheeler: Old Mother Hubbard