Johannes Ockeghem: Difference between revisions
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{{Aliases|Jean de Ockegham|Johannes Ockenheim|Johannes Okeghem|Johannes Okchem|Johannes Ogkegum|Jean de Hocquegam}} | |||
==Life== | ==Life== | ||
'''Born:''' c. 1410-1425 | '''Born:''' c. 1410-1425 | ||
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Johannes Ockeghem was the most famous composer of the Franco-Flemish School in the last half of the 15th century, and is often considered the most influential composer between [[Dufay]] and [[Josquin des Prez]]. In addition to being a renowned composer, he was also an honored singer, choirmaster, and teacher. | Johannes Ockeghem was the most famous composer of the Franco-Flemish School in the last half of the 15th century, and is often considered the most influential composer between [[Dufay]] and [[Josquin des Prez]]. In addition to being a renowned composer, he was also an honored singer, choirmaster, and teacher. | ||
Around 39 spellings of his last name are recorded, Ockeghem as well as Okeghem being used in the Chigi codex, the most important source of his works. | Around 39 spellings of his last name are recorded, Ockeghem as well as Okeghem being used in the Chigi codex, the most important source of his works. E. Giraudet (1885) proposed Jean de Ockeghem as a standard spelling based on a purported signature, since lost. Glareanus (1547) germanizes it to Johannes Ockenheim; other versions fall somewhere between Jan Hocquegam and Obghuen. | ||
{{WikipediaLink}} | {{WikipediaLink}} | ||
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==List of choral works at CPDL== | ==List of choral works at CPDL== | ||
'''Sacred works''' | '''Sacred works''' | ||
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'''Secular works''' | '''Secular works''' | ||
{{#SortWorks:Secular music|cols=3}} | {{#SortWorks:Secular music|cols=3}} | ||
{{ArrangementsList}} | |||
{{CheckMissing}} | {{CheckMissing}} | ||
==List of all known works== | ==List of all known works== | ||
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!Comments | !Comments | ||
|- | |- | ||
|1.1 || mass || Missa Quinti toni || 3 || | |1.1 || mass || Missa Quinti toni || 3 || | ||
|- | |- | ||
|1.2 || mass || Missa | |1.2 || mass || Missa sine nomine || 3 || | ||
|- | |- | ||
|1.3 || mass || Missa au travail suis || 4 || Parody of ''Au traveil suis'', chanson by Ockeghem or Barbinguant | |1.3 || mass || Missa au travail suis || 4 || Parody of ''Au traveil suis'', chanson by Ockeghem or Barbinguant | ||
|- | |- | ||
|1.4 || mass || Missa cuiusvis toni || 4 || | |1.4 || mass || Missa cuiusvis toni || 4 || | ||
|- | |- | ||
|1.5 || mass || Missa De plus en plus || 4 || | |1.5 || mass || Missa De plus en plus || 4 || | ||
|- | |- | ||
|1.6 || mass || Missa Ecce ancilla Domini || 4 || | |1.6 || mass || Missa Ecce ancilla Domini || 4 || | ||
|- | |- | ||
|1.7 || mass || Missa L'homme armé || 4 || | |1.7 || mass || Missa L'homme armé || 4 || | ||
|- | |- | ||
|2.9 || mass || Missa Mi-Mi || 4 || | |2.9 || mass || Missa Mi-Mi || 4 || | ||
|- | |- | ||
|2.10 || mass || Missa prolationum || 4 || | |2.10 || mass || Missa prolationum || 4 || | ||
|- | |- | ||
|2.11 || mass || Missa "Caput" || 4 || tenor from antiphon ''Venit ad Patrem' | |2.11 || mass || Missa "Caput" || 4 || tenor from antiphon ''Venit ad Patrem' | ||
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|2.13 || mass || Missa "Fors seulement" || 5 || parody of own chanson | |2.13 || mass || Missa "Fors seulement" || 5 || parody of own chanson | ||
|- | |- | ||
|2.14 || mass || Missa | |2.14 || mass || Missa sine nomine || 5 || Kyrie, Gloria & Credo | ||
|- | |- | ||
|2.15 || requiem || Missa pro defunctis || 4 || Consists of ''Introitus'', ''Kyrie'', ''Tractus'' & ''Communio'' | |2.15 || requiem || Missa pro defunctis || 4 || Consists of ''Introitus'', ''Kyrie'', ''Tractus'' & ''Communio'' | ||
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|2.16 || mass || Missa "Pour quelque paine" || 4 || dubious, attrib. Cornelius Heyns in one source | |2.16 || mass || Missa "Pour quelque paine" || 4 || dubious, attrib. Cornelius Heyns in one source | ||
|- | |- | ||
| || motet || Alma Redemptoris Mater || 4 || | | || motet || Alma Redemptoris Mater || 4 || | ||
|- | |- | ||
| ||chanson || Au traveil suis || 3 || possibly by Barbinguant (fl.c.1470) | | ||chanson || Au traveil suis || 3 || possibly by Barbinguant (fl.c.1470) | ||
|- | |- | ||
| ||motet || Ave Maria || 4 || | | ||motet || Ave Maria || 4 || | ||
|- | |- | ||
| ||canon || Deo gratias (36 part canon) || 36 || of dubious attribution | | ||canon || Deo gratias (36 part canon) || 36 || of dubious attribution | ||
|- | |- | ||
| ||motet || Intemerata Dei mater || 5 || | | ||motet || Intemerata Dei mater || 5 || | ||
|- | |- | ||
| ||chanson || Ma bouche rit || 3 || | | ||chanson || Ma bouche rit || 3 || | ||
|- | |- | ||
| ||lament || Mort tu as navrè de ton dart || 4 || Lament on the death of Binchois | | ||lament || Mort tu as navrè de ton dart || 4 || Lament on the death of Binchois | ||
|- | |- | ||
| ||motet || Salve Regina || 4 || | | ||motet || Salve Regina || 4 || | ||
|- | |- | ||
| ||canon || Sanctus || 4 || | | ||canon || Sanctus || 4 || | ||
|- | |- | ||
| ||chanson || Prenez sur moi || 3 || | | ||chanson || Prenez sur moi || 3 || | ||
|- | |- | ||
|} | |} | ||
--> | END OLD CODE--> | ||
==List of choral works== | ==List of choral works== | ||
{{WorksListBox}} | {{WorksListBox}} | ||
{| class="wikitable sortable" | {| class="wikitable sortable" | ||
!Op.<sup>a</sup> | !Op.<sup>a</sup> | ||
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!Comments | !Comments | ||
|- | |- | ||
|1.1||Mass||''[[Missa Quinti toni (Johannes Ockeghem)|Missa Quinti toni]]''||3|| | |1.1||Mass||''[[Missa Quinti toni (Johannes Ockeghem)|Missa Quinti toni]]''||3|| | ||
|- | |- | ||
|1.2||Mass||''[[Missa | |1.2||Mass||''[[Missa sine nomine a 3 (Johannes Ockeghem)|Missa sine nomine]]''||3|| | ||
|- | |- | ||
|1.3||Mass||''[[Missa au travail suis (Johannes Ockeghem)|Missa au travail suis]]''||4||Parody of [[Au traveil suis (Johannes Ockeghem)|chanson by Ockeghem or Barbinguant]] | |1.3||Mass||''[[Missa au travail suis (Johannes Ockeghem)|Missa au travail suis]]''||4||Parody of [[Au traveil suis (Johannes Ockeghem)|chanson by Ockeghem or Barbinguant]] | ||
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|- | |- | ||
|1.6||Mass||''{{NoCo|Missa Ecce ancilla Domini}}''||4|| | |1.6||Mass||''{{NoCo|Missa Ecce ancilla Domini}}''||4|| | ||
|- | |||
| ||Mass||''{{NoCo|Missa Gaudeamus}}''||4|| | |||
|- | |- | ||
|1.7||Mass||''[[Missa L'homme armé (Johannes Ockeghem)|Missa L'homme armé]]''||4|| | |1.7||Mass||''[[Missa L'homme armé (Johannes Ockeghem)|Missa L'homme armé]]''||4|| | ||
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|2.13||Mass||''{{NoCo|Missa Fors seulement}}''||5||Parody of own chanson | |2.13||Mass||''{{NoCo|Missa Fors seulement}}''||5||Parody of own chanson | ||
|- | |- | ||
|2.14||Mass||''[[Missa | |2.14||Mass||''[[Missa sine nomine a 5 (Johannes Ockeghem)|Missa sine nomine]]''||5||Kyrie, gloria & credo | ||
|- | |- | ||
|2.15||Requiem||''[[Missa pro defunctis (Johannes Ockeghem)|Missa pro defunctis]]''||4|| | |2.15||Requiem||''[[Missa pro defunctis (Johannes Ockeghem)|Missa pro defunctis]]''||4||''[[Chigi codex]]'', no. 15 (''Introitus'', ''Kyrie'', ''Tractus'' & ''Communio'') | ||
|- | |- | ||
|2.16||Mass||''Missa "Pour quelque paine"''||4||Dubious, attrib. Cornelius Heyns in one source | |2.16||Mass||''Missa "Pour quelque paine"''||4||Dubious, attrib. Cornelius Heyns in one source | ||
|- | |- | ||
|||Motet||''[[Alma Redemptoris Mater (Johannes Ockeghem)|Alma Redemptoris Mater]]''||4|| | |3.1||Motet||''[[Alma Redemptoris Mater (Johannes Ockeghem)|Alma Redemptoris Mater]]''||4|| | ||
|- | |- | ||
|||Motet||''[[Ave Maria (Johannes Ockeghem)|Ave Maria]]''||4|| | |3.2||Motet||''[[Ave Maria (Johannes Ockeghem)|Ave Maria]]''||4|| | ||
|- | |- | ||
|||Motet||''[[Intemerata Dei mater (Johannes Ockeghem)|Intemerata Dei mater]]''||5|| | |3.3||Motet||''[[Intemerata Dei mater (Johannes Ockeghem)|Intemerata Dei mater]]''||5|| | ||
|- | |- | ||
|||Motet||''[[Salve Regina (Johannes Ockeghem)|Salve Regina]]''||4|| | |3.4?||Motet||''[[Salve Regina (Johannes Ockeghem)|Salve Regina]]''I?||4|| | ||
|- | |- | ||
|||Motet||''Ut heremita solus''||4||Textless | |3.5||Motet||''{{NoCo|Ut heremita solus}}''||4||Textless | ||
|- | |- | ||
||| | |3.6|| ||''{{NoCo|Vivit Dominus}}''|| || | ||
|- | |- | ||
|||Canon||''[[Sanctus (Johannes Ockeghem)|Sanctus]]''||4|| | |3.7|| ||''{{NoCo|Celeste beneficium}}''|| ||doubtful | ||
|- | |||
|3.8||Canon||''[[Deo gratias (36 part canon) (Johannes Ockeghem)|Deo gratias (36 part canon)]]''||36||Of dubious attribution | |||
|- | |||
|||Canon||''[[Sanctus (Johannes Ockeghem)|Sanctus]]''||4||canon 4 in 2 | |||
|- | |- | ||
|3.102||Chanson||''[[Au traveil suis (Johannes Ockeghem)|Au traveil suis]]''||3||Possibly by [[Barbingant]] (fl.c.1470) | |3.102||Chanson||''[[Au traveil suis (Johannes Ockeghem)|Au traveil suis]]''||3||Possibly by [[Barbingant]] (fl.c.1470) | ||
|- | |- | ||
|||Chanson||''Aultre Venus estés''|||| | |1||Chanson||''{{NoCo|Aultre Venus estés}}''||3|| | ||
|- | |- | ||
|||Chanson||''Baisiés moy dont fort''|||| | |2||Chanson||''{{NoCo|Baisiés moy dont fort}}''||3|| | ||
|- | |- | ||
|||Chanson||''D'un autre amer''|||| | |3||Chanson||''{{NoCo|D'un autre amer}}''||3|| | ||
|- | |- | ||
|||Chanson||''Fors seulement l'actente''|||| | |4||Chanson||''{{NoCo|Fors seulement l'actente}}''||3||M. Picker ''Fors Seulement: Thirty Compositions'' (RRMMA&ER xiv) gives 2 versions: "1a" (Dijon ms., w/o dotted rhythms) and "1b" (other sources & parody mass) | ||
|- | |- | ||
|||Chanson||''Fors seullement contre''|||| | |5||Chanson||''{{NoCo|Fors seullement contre}}''||3|| Same melody as ''Fors seulement l'actente"", but set in bass (Picker's version "2") | ||
|- | |- | ||
|||Chanson||''Il ne m'en chault''|||| | |6||Chanson||''{{NoCo|Il ne m'en chault}}''||3|| | ||
|- | |- | ||
|||Chanson||''J'en ay dueil''|||| | |7, 7a||Chanson||''{{NoCo|J'en ay dueil}}''||4|| | ||
|- | |- | ||
|||Chanson||''L'autre d'antan''|||| | |9||Chanson||''{{NoCo|L'autre d'antan}}''|||| | ||
|- | |- | ||
|||Chanson||''La despourveue''|||| | |8||Chanson||''{{NoCo|La despourveue}}''|||| | ||
|- | |- | ||
|||Chanson||''Les desléaulx ont la saison''|||| | |10||Chanson||''{{NoCo|Les desléaulx ont la saison}}''|||| | ||
|- | |- | ||
|3.78||Chanson||''[[Ma bouche rit (Johannes Ockeghem)|Ma bouche rit]]''||3|| | |3.78||Chanson||''[[Ma bouche rit (Johannes Ockeghem)|Ma bouche rit]]''||3|| | ||
|- | |- | ||
|||Chanson||''Ma maistresse''|||| | |12||Chanson||''{{NoCo|Ma maistresse}}''|||| | ||
|- | |- | ||
|3.86||Lament||''[[Mort tu as navré de ton dart (Johannes Ockeghem)|Mort tu as navrè de ton dart]]''||4||Lament on the death of [[Binchois]] | |3.86||Lament||''[[Mort tu as navré de ton dart (Johannes Ockeghem)|Mort tu as navrè de ton dart]]''||4||Lament on the death of [[Binchois]] | ||
|- | |- | ||
|||Chanson||''O rosa bella''|||| | |14||Chanson||''{{NoCo|O rosa bella}}''|||| | ||
|- | |||
|15||Chanson||{{NoCo|Prenez sur moi}} ||3||''fuga trium vocum'' | |||
|- | |||
|16||Chanson||''{{NoCo|Presque transi}}''|||| | |||
|- | |||
|18, 18a||Chanson||''{{NoCo|Qu'es mi vida preguntays}}''||4||Johannes Cornago | |||
|- | |||
|17||Chanson||''{{NoCo|Quant de vous seul}}''|||| | |||
|- | |||
|19||Chanson||''{{NoCo|S'elle m'amera/Petite camusette}}''|||| | |||
|- | |- | ||
|||Chanson||{{NoCo| | |20||Chanson||''{{NoCo|Se vostre cuer eslongne}}''|||| | ||
|- | |- | ||
|||Chanson||'' | |21||Chanson||''{{NoCo|Tant fuz gentement resjouy}}''|||| | ||
|- | |- | ||
|||Chanson||'' | |22||Chanson||''{{NoCo|Ung aultre l'a}}''|||| | ||
|- | |- | ||
||| | |23|| ||''{{NoCo|Au travail suis}}'' ||||doubtful | ||
|- | |- | ||
||| | |24|| ||''{{NoCo|Departs vous}}''||||doubtful | ||
|- | |- | ||
||| | |25|| ||''{{NoCo|Malheur me bat}}''||||doubtful | ||
|- | |- | ||
||| | |26|| ||''{{NoCo|Permanente vierge}}''||||doubtful | ||
|- | |- | ||
||| | | ||Mass||''{{NoCo|Missa Ma maitresse}}''||4||''[[Chigi codex]]'', no. 7 (incomplete) | ||
|- | |- | ||
|} | |} |
Latest revision as of 07:09, 29 June 2023
Aliases: Jean de Ockegham; Johannes Ockenheim; Johannes Okeghem; Johannes Okchem; Johannes Ogkegum; Jean de Hocquegam
Life
Born: c. 1410-1425
Died: 6 February 1497
Biography
Johannes Ockeghem was the most famous composer of the Franco-Flemish School in the last half of the 15th century, and is often considered the most influential composer between Dufay and Josquin des Prez. In addition to being a renowned composer, he was also an honored singer, choirmaster, and teacher.
Around 39 spellings of his last name are recorded, Ockeghem as well as Okeghem being used in the Chigi codex, the most important source of his works. E. Giraudet (1885) proposed Jean de Ockeghem as a standard spelling based on a purported signature, since lost. Glareanus (1547) germanizes it to Johannes Ockenheim; other versions fall somewhere between Jan Hocquegam and Obghuen.
View the Wikipedia article on Johannes Ockeghem.
List of choral works
- For works at CPDL sorted alphabetically by title, see Johannes Ockeghem compositions
Op.a | Genre | Title | Voices | Comments |
---|---|---|---|---|
1.1 | Mass | Missa Quinti toni | 3 | |
1.2 | Mass | Missa sine nomine | 3 | |
1.3 | Mass | Missa au travail suis | 4 | Parody of chanson by Ockeghem or Barbinguant |
1.4 | Mass | Missa cuiusvis toni | 4 | |
1.5 | Mass | Missa De plus en plus | 4 | |
1.6 | Mass | Missa Ecce ancilla Domini | 4 | |
Mass | Missa Gaudeamus | 4 | ||
1.7 | Mass | Missa L'homme armé | 4 | |
2.9 | Mass | Missa Mi-Mi | 4 | |
2.10 | Mass | Missa prolationum | 4 | |
2.11 | Mass | Missa Caput | 4 | Tenor from antiphon Venit ad Patrem |
2.12 | Mass Movement | Credo sine nomine | 4 | Paraphrase of Credo I |
2.13 | Mass | Missa Fors seulement | 5 | Parody of own chanson |
2.14 | Mass | Missa sine nomine | 5 | Kyrie, gloria & credo |
2.15 | Requiem | Missa pro defunctis | 4 | Chigi codex, no. 15 (Introitus, Kyrie, Tractus & Communio) |
2.16 | Mass | Missa "Pour quelque paine" | 4 | Dubious, attrib. Cornelius Heyns in one source |
3.1 | Motet | Alma Redemptoris Mater | 4 | |
3.2 | Motet | Ave Maria | 4 | |
3.3 | Motet | Intemerata Dei mater | 5 | |
3.4? | Motet | Salve ReginaI? | 4 | |
3.5 | Motet | Ut heremita solus | 4 | Textless |
3.6 | Vivit Dominus | |||
3.7 | Celeste beneficium | doubtful | ||
3.8 | Canon | Deo gratias (36 part canon) | 36 | Of dubious attribution |
Canon | Sanctus | 4 | canon 4 in 2 | |
3.102 | Chanson | Au traveil suis | 3 | Possibly by Barbingant (fl.c.1470) |
1 | Chanson | Aultre Venus estés | 3 | |
2 | Chanson | Baisiés moy dont fort | 3 | |
3 | Chanson | D'un autre amer | 3 | |
4 | Chanson | Fors seulement l'actente | 3 | M. Picker Fors Seulement: Thirty Compositions (RRMMA&ER xiv) gives 2 versions: "1a" (Dijon ms., w/o dotted rhythms) and "1b" (other sources & parody mass) |
5 | Chanson | Fors seullement contre | 3 | Same melody as Fors seulement l'actente"", but set in bass (Picker's version "2") |
6 | Chanson | Il ne m'en chault | 3 | |
7, 7a | Chanson | J'en ay dueil | 4 | |
9 | Chanson | L'autre d'antan | ||
8 | Chanson | La despourveue | ||
10 | Chanson | Les desléaulx ont la saison | ||
3.78 | Chanson | Ma bouche rit | 3 | |
12 | Chanson | Ma maistresse | ||
3.86 | Lament | Mort tu as navrè de ton dart | 4 | Lament on the death of Binchois |
14 | Chanson | O rosa bella | ||
15 | Chanson | Prenez sur moi | 3 | fuga trium vocum |
16 | Chanson | Presque transi | ||
18, 18a | Chanson | Qu'es mi vida preguntays | 4 | Johannes Cornago |
17 | Chanson | Quant de vous seul | ||
19 | Chanson | S'elle m'amera/Petite camusette | ||
20 | Chanson | Se vostre cuer eslongne | ||
21 | Chanson | Tant fuz gentement resjouy | ||
22 | Chanson | Ung aultre l'a | ||
23 | Au travail suis | doubtful | ||
24 | Departs vous | doubtful | ||
25 | Malheur me bat | doubtful | ||
26 | Permanente vierge | doubtful | ||
Mass | Missa Ma maitresse | 4 | Chigi codex, no. 7 (incomplete) |
- a. Opere, ed. Plamenac
Click here to search for this composer on CPDL
Publications
Modern editions are the Collected Works edited by Dragan Plamenac (1927-1959) and the Masses and Mass Sections edited by Jap van Benthem
External links
- Works by Johannes Ockeghem in the Petrucci Music Library (IMSLP)
- Ockeghem homepage (internal links broken, but much material available by scrolling)
- Krenek's 1953 monograph, fallen into public domain