Magnificat tertii toni a 4, impares (Giovanni Pierluigi da Palestrina): Difference between revisions
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{{Composer|Giovanni Pierluigi da Palestrina}} | {{Composer|Giovanni Pierluigi da Palestrina}} | ||
{{Voicing|4-5vv|SSATB}} or {{cat|AATTB}}<br> | |||
{{Genre|Sacred|Canticles}} | {{Genre|Sacred|Evening Canticles}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
'''Instruments:''' {{acap}}<br> | '''Instruments:''' {{acap}}<br> | ||
Revision as of 02:07, 31 July 2010
Music files
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File details |
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CPDL #22036: 
- Editor: Edward Tambling (submitted 2010-07-30). Score information: A4, 6 pages, 85 kB Copyright: CPDL
- Edition notes: At original pitch for S(S)ATB
CPDL #22037:
- Editor: Edward Tambling (submitted 2010-07-30). Score information: A4, 6 pages, 85 kB Copyright: CPDL
- Edition notes: Down a tone for A(A)TTB
General Information
Title: Magnificat tertii toni
Composer: Giovanni Pierluigi da Palestrina
Number of voices: 4-5vvvv Voicing: SSATB
or AATTB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: a cappella
Published: 1591
Description: To those familiar with Carols for Choirs 2 (Oxford, 1970), this Magnificat - and the plainsong tone upon which it is based - was used as the musical material for an arrangement of the Matin Responsory by David Willcocks and John Rutter.
While not being a five-part piece, there is a section that utilises four upper voices (SSAT/AATT, depending on which transposition is used), but SSATB/AATTB is never employed at the same time.
External websites:
Original text and translations
Original text and translations may be found at Magnificat.