Magnificat tertii toni a 4, impares (Giovanni Pierluigi da Palestrina): Difference between revisions

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'''Published:''' 1591
'''Published:''' 1591


'''Description:''' To those familiar with ''Carols for Choirs 2'' (Oxford, 1970), this Magnificat - and the plainsong tone upon which it is based - was used as the musical material for an arrangement of the Matin Responsory by David Willcocks and John Rutter.
'''Description:''' There is a section that utilises four upper voices (SSAT/AATT, depending on which transposition is used), but all five SSATB/AATTB voices are never employed at the same time.
 
There is a section that utilises four upper voices (SSAT/AATT, depending on which transposition is used), but all five SSATB/AATTB voices are never employed at the same time.


'''External websites:'''
'''External websites:'''

Revision as of 09:39, 27 October 2010

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CPDL #22036: Icon_pdf.gif
Editor: Edward Tambling (submitted 2010-07-30).   Score information: A4, 6 pages, 85 kB   Copyright: CPDL
Edition notes: At original pitch for S(S)ATB
CPDL #22037: Icon_pdf.gif
Editor: Edward Tambling (submitted 2010-07-30).   Score information: A4, 6 pages, 85 kB   Copyright: CPDL
Edition notes: Down a tone for A(A)TTB

General Information

Title: Magnificat tertii toni
Composer: Giovanni Pierluigi da Palestrina

Number of voices: 4vv   Voicing: SATB
and SSAT, or A(A)TTB
Genre: SacredEvening Canticles

Language: Latin
Instruments: a cappella
Published: 1591

Description: There is a section that utilises four upper voices (SSAT/AATT, depending on which transposition is used), but all five SSATB/AATTB voices are never employed at the same time.

External websites:

Original text and translations

Original text and translations may be found at Magnificat.