Missa Impetum (Guillaume Le Heurteur): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2024-02-21}} {{CPDLno|79212}} [[Media:Heurteur_-_Missa_Impetum_complete_with_notes.pdf|{{pdf}}]] [[Media:Heurteur_-_Missa_Impetum_-1-_Kyrie.mxl|{{XML}}]] [[Media:Heurteur_-_Missa_Impetum_-1-_Kyrie.mscz|{{Muse}}]]
* {{PostedDate|2024-02-21}} {{CPDLno|79212}} [[Media:Heurteur_-_Missa_Impetum_complete_with_notes.pdf|{{pdf}}]]
:• Kyrie: [[Media:Heurteur_-_Missa_Impetum_-1-_Kyrie.mxl|{{XML}}]] [[Media:Heurteur_-_Missa_Impetum_-1-_Kyrie.mscz|{{Muse}}]]
:• Gloria: [[Media:Heurteur_-_Missa_Impetum_-2-_Gloria.mxl|{{XML}}]] [[Media:Heurteur_-_Missa_Impetum_-2-_Gloria.mscz|{{Muse}}]]
:• Credo: [[Media:Heurteur_-_Missa_Impetum_-3-_Credo.mxl|{{XML}}]] [[Media:Heurteur_-_Missa_Impetum_-3-_Credo.mscz|{{Muse}}]]
:• Sanctus: [[Media:Heurteur_-_Missa_Impetum_-4-_Sanctus.mxl|{{XML}}]] [[Media:Heurteur_-_Missa_Impetum_-4-_Sanctus.mscz|{{Muse}}]]
:• Agnus Dei: [[Media:Heurteur_-_Missa_Impetum_-5-_Agnus Dei.mxl|{{XML}}]] [[Media:Heurteur_-_Missa_Impetum_-5-_Agnus Dei.mscz|{{Muse}}]]
{{Editor|Bert Schreuder|2024-02-21}}{{ScoreInfo|A4|34|977}}{{Copy|CPDL}}
{{Editor|Bert Schreuder|2024-02-21}}{{ScoreInfo|A4|34|977}}{{Copy|CPDL}}
:{{EdNotes|Note values halved, original pitch. Further notes at the end of the pdf.}}
:{{EdNotes|Note values halved, original pitch. Further notes at the end of the pdf.}}
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{{Composer|Guillaume Le Heurteur}}
{{Composer|Guillaume Le Heurteur}}
{{Lyricist|}}<br>
{{Lyricist|}}<br>
{{Voicing|4-5|SAABar}}
{{Voicing|4-5|SAAB|SAABar}}
{{Genre|Sacred|Masses}}
{{Genre|Sacred|Masses}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1532}}
{{Pub|1|1532|in {{NoComp|Viginti missarum musicalium|Pierre Attaingnant}} (Pierre Attaingnant)|vol=Volume 7|no=2}}
{{Descr|For this mass Le Heurteur used the anonymous motet "Impetum inimicorum', which was printed by Attaignant in 1528. The motet is also on CPDL. The two middle parts are low alto-parts or extremely high tenor parts. Transposing down is an option: the bottom G in the bass occurs only twice: once in the Kyrie and once in the Agnus Dei.}}
{{Descr|The anonymous motet "Impetum inimicorum" was printed by Attaignant in 1528. Le Heurteur used it as a model for this mass. The motet is also on CPDL. The two middle parts in the mass are low alto-parts or extremely high tenor parts. Transposing down is an option: the bottom G in the bass occurs twice: once in the Kyrie and once in the Agnus Dei. The final Agnus Dei has an extra alto/tenor part.}}
{{#ExtWeb:A facsimile of the music may be found at https://cdm.bostonathenaeum.org/digital/collection/p15482coll3/id/4294/rec/1 , starting at page 469 of the pdf. The file may take some time to load.}}
{{#ExtWeb:A facsimile of the music may be found at https://cdm.bostonathenaeum.org/digital/collection/p15482coll3/id/4294/rec/1 , starting at page 469 of the pdf. The file may take some time to load.}}


==Original text and translations==
==Original text and translations==
{{Text|Latin|put text here}}
{{MassText}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 03:31, 1 March 2024

Music files

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  • (Posted 2024-02-21)  CPDL #79212:   
• Kyrie:    
• Gloria:    
• Credo:    
• Sanctus:    
• Agnus Dei:    
Editor: Bert Schreuder (submitted 2024-02-21).   Score information: A4, 34 pages, 977 kB   Copyright: CPDL
Edition notes: Note values halved, original pitch. Further notes at the end of the pdf.

General Information

Title: Missa Impetum
Composer: Guillaume Le Heurteur
Lyricist:
Number of voices: 4-5vv   Voicing: SAABar
Genre: SacredMass

Language: Latin
Instruments: A cappella

First published: 1532 in Viginti missarum musicalium (Pierre Attaingnant), Volume 7, no. 2
Description: The anonymous motet "Impetum inimicorum" was printed by Attaignant in 1528. Le Heurteur used it as a model for this mass. The motet is also on CPDL. The two middle parts in the mass are low alto-parts or extremely high tenor parts. Transposing down is an option: the bottom G in the bass occurs twice: once in the Kyrie and once in the Agnus Dei. The final Agnus Dei has an extra alto/tenor part.

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus Dei