My soul, how lovely is the place (Thomas Clark): Difference between revisions

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*{{CPDLno|28189}} [{{filepath:ClarT-MySoulHowLovely.pdf}} {{pdf}}] [{{filepath:ClarT-MySoulHowLovely.mid}} {{mid}}] [{{filepath:ClarT-MySoulHowLovely.sib}} Sibelius 7] {{sib}}  
*{{CPDLno|28189}} [{{filepath:ClarT-MySoulHowLovely.pdf}} {{pdf}}] [{{filepath:ClarT-MySoulHowLovely.mid}} {{mid}}] [{{filepath:ClarT-MySoulHowLovely.sib}} {{sib}}] (Sibelius 7) {{sib}}  
{{Editor|Edmund Gooch|2013-02-01}}{{ScoreInfo|A4|2|62}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2013-02-01}}{{ScoreInfo|A4|2|62}}{{Copy|Public Domain}}
:'''Edition notes:''' The original order of staves is [2nd. - 1st. - Instrumental Bass] in the opening symphony and Tenor - [Counter] - Treble - [Bass] - [Instrumental Bass] in sung sections. Symphonies during and after the verse are printed in the source with the 2nd. part on the Tenor stave: this has been given on the Counter stave in the present edition, at the same notated pitch. The C in the first and the A in the second instrumental part on the first beat of bar 24, given here as quavers, are printed in the source as quaver grace notes followed by a crotchet B{{flat}} and G respectively. The first verse only of the text is underlaid in the source, with the other verses given here printed after the music.
:'''Edition notes:''' The original order of staves is [2nd. - 1st. - Instrumental Bass] in the opening symphony and Tenor - [Counter] - Treble - [Bass] - [Instrumental Bass] in sung sections. Symphonies during and after the verse are printed in the source with the 2nd. part on the Tenor stave: this has been given on the Counter stave in the present edition, at the same notated pitch. The C in the first and the A in the second instrumental part on the first beat of bar 24, given here as quavers, are printed in the source as quaver grace notes followed by a crotchet B{{flat}} and G respectively. The first verse only of the text is underlaid in the source, with the other verses given here printed after the music.

Revision as of 19:52, 2 August 2016

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  • CPDL #28189:  Icon_pdf.gif Icon_snd.gif Sibelius.png (Sibelius 7) Sibelius.png
Editor: Edmund Gooch (submitted 2013-02-01).   Score information: A4, 2 pages, 62 kB   Copyright: Public Domain
Edition notes: The original order of staves is [2nd. - 1st. - Instrumental Bass] in the opening symphony and Tenor - [Counter] - Treble - [Bass] - [Instrumental Bass] in sung sections. Symphonies during and after the verse are printed in the source with the 2nd. part on the Tenor stave: this has been given on the Counter stave in the present edition, at the same notated pitch. The C in the first and the A in the second instrumental part on the first beat of bar 24, given here as quavers, are printed in the source as quaver grace notes followed by a crotchet B and G respectively. The first verse only of the text is underlaid in the source, with the other verses given here printed after the music.

General Information

Title: My soul, how lovely is the place
Composer: Thomas Clark
Lyricist: Isaac Watts

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn

Language: English
Instruments: Basso continuo

Published: 1807

Description: This setting of verses from one of Isaac Watts' metrical versions of Psalm 84 was published on pp8-9 of Thomas Clark's A Second Set of Psalm Tunes. Hymn Tune Index tune number 11883.

External websites:

Original text and translations

Original text and translations may be found at Psalm 84.