Talk:O sleep, fond fancy (John Bennet): Difference between revisions
Jump to navigation
Jump to search
m (Jamesgibb moved page Talk:O, sleep, fond fancy (John Bennet) to Talk:O sleep, fond fancy (John Bennet): Removing comma, so better sorted) |
No edit summary |
||
| (2 intermediate revisions by 2 users not shown) | |||
| Line 6: | Line 6: | ||
4. Bar 54. Stevens has D in soprano, rather than B natural. B natural, with a tierce de Picardy, actually sounds better than the open chord.<br> | 4. Bar 54. Stevens has D in soprano, rather than B natural. B natural, with a tierce de Picardy, actually sounds better than the open chord.<br> | ||
[[User:Jamesgibb|Jamesgibb]] 10:46, 24 July 2011 (CDT) | [[User:Jamesgibb|Jamesgibb]] 10:46, 24 July 2011 (CDT) | ||
:Could James please create an edition in the original key, no reduction? Thanks[[User:Seth Engel|Seth Engel]] ([[User talk:Seth Engel|talk]]) 04:18, 18 August 2022 (UTC) | |||
:Done.[[User:Jamesgibb|Jamesgibb]] ([[User talk:Jamesgibb|talk]]) 07:10, 18 August 2022 (UTC) | |||
Latest revision as of 07:10, 18 August 2022
10154 & 10571
These two editions appear to be identical notewise.
1. C flat on last note of soprano should surely be B natural, though it makes no difference to the harmony.
2. Bars 43-44. The soprano notes on "thoughts molesting" appear to be a third down, at least according to the Denis Stevens edition (1966)
3. Bar 25. Soprano & alto have A on "with", whereas Stevens has G. G makes a passing discord, but it doesn't sound inauthentic.
4. Bar 54. Stevens has D in soprano, rather than B natural. B natural, with a tierce de Picardy, actually sounds better than the open chord.
Jamesgibb 10:46, 24 July 2011 (CDT)
- Could James please create an edition in the original key, no reduction? ThanksSeth Engel (talk) 04:18, 18 August 2022 (UTC)
- Done.Jamesgibb (talk) 07:10, 18 August 2022 (UTC)