The Modern Collection (Oliver Holden): Difference between revisions
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'''Complete Title:''' ''The Modern Collection of Sacred Music: Containing the Rudiments of the Art, and a Choice Collection of Anthems, and Psalm and Hymn Tunes, of Every Meter; Carefully Selected from Ancient and Modern Authors, Adapted to the Use of Schools and Worshipping Societies''. | '''Complete Title:''' ''The Modern Collection of Sacred Music: Containing the Rudiments of the Art, and a Choice Collection of Anthems, and Psalm and Hymn Tunes, of Every Meter; Carefully Selected from Ancient and Modern Authors, Adapted to the Use of Schools and Worshipping Societies''. | ||
'''Composer - Compiler:''' [[Oliver Holden]] | '''Composer - Compiler:''' [[Oliver Holden]]. | ||
{{PubDatePlace|1800|by Isaiah Thomas and Ebenezer T. Andrews in Boston| }} | |||
{{Descr|Temperley, in [http://hymntune.library.uiuc.edu/default.asp ''The Hymn Tune Index''] says this was published in December 1800, therefore after the publication of ''[[Plain Psalmody (Oliver Holden)|Plain Psalmody]]''. "After 1796, Holden quit signing his name to tunebooks, except for editions of the ''Worcester Collection''. Nevertheless, several anonymous volumes of the later eighteenth and early nineteenth centuries have been positively identified as Holden's works … These include ''Sacred Dirges'' (1800), ''[[The Modern Collection (Oliver Holden)|The Modern Collection]]'' (1800), ''[[Plain Psalmody (Oliver Holden)|Plain Psalmody]]'' (1800), the third edition of ''The Union Harmony'', ''The Charlestown Collection'' (1803), and ''Occasional Pieces'' (1807)" (Music 1998).}} | |||
==References== | ==References== | ||
*Kroeger, Karl. 1977. ''Isaiah Thomas as a music publisher''. Proceedings of the American Antiquarian Society 86:321-341. | |||
*Music, David W., Editor. 1998. ''Oliver Holden (1765-1844): Selected Works''. New York, New York: Routledge. 258 pp. | |||
==External websites== | ==External websites== | ||
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!style="border-bottom: 1px solid"|Comment | !style="border-bottom: 1px solid"|Comment | ||
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|1||1||6105||[[Alpha | |1||1||6105||[[Alpha (Oliver Holden)|Alpha ]]||Oliver Holden||When faith presents the Savior's death||James Hervey||C.M.||4:4||G||4|| | ||
|- | |- | ||
|2||2||4014||[[Majesty | |2||2||4014||[[Majesty (William Billings)|Majesty ]]||William Billings||The Lord descended from above||Tate & Brady||C.M.D.||4:4||F||4|| | ||
|- | |- | ||
|3||3||1390a||[[Bangor | |3||3||1390a||[[Bangor (William Tansur)|Bangor ]]||William Tansur||Teach me the measure of my days||Isaac Watts||C.M.||4:4||e||4|| | ||
|- | |- | ||
|4||4||7254a||[[Smyrna | |4||4||7254a||[[Smyrna (Oliver Holden)|Smyrna ]]||Oliver Holden||Why should the children of a King||Isaac Watts||C.M.D.||4:4||A||3|| | ||
|- | |- | ||
|5||5||7237||[[Confidence | |5||5||7237||[[Confidence (Oliver Holden)|Confidence ]]||Oliver Holden||Now can my soul in God rejoice||Henry Alline||L.M.D.||4:4||G||3|| | ||
|- | |- | ||
|6||6||4280||[[Lenox | |6||6||4280||[[Lenox (Lewis Edson)|Lenox ]]||Lewis Edson||Ye tribes of Adam join||Isaac Watts||66.66.88.||4:4||C||4|| | ||
|- | |- | ||
|7||7a||3374||[[Chester | |7||7a||3374||[[Chester (William Billings)|Chester ]]||William Billings||Let the high heavens your songs invite||Isaac Watts||L.M.||4:4||F||4|| | ||
|- | |- | ||
|8||7b||3357||[[Africa | |8||7b||3357||[[Africa (William Billings)|Africa ]]||William Billings||Now shall my inward joys arise||Isaac Watts||C.M.||3:2||E{{flat}}||4|| | ||
|- | |- | ||
|9||8a||4121||[[Paris | |9||8a||4121||[[Paris (William Billings)|Paris ]]||William Billings||This spacious earth is all the Lord's||Isaac Watts||L.M.||4:4||A||4|| | ||
|- | |- | ||
|10||8b||6292||[[Fairlee | |10||8b||6292||[[Fairlee (Oliver Holden)|Fairlee ]]||Oliver Holden||Jesus shall reign where-e'er the sun||Isaac Watts||L.M.||4:4||G||4|| | ||
|- | |- | ||
|11||9||6306||[[Commemoration | |11||9||6306||[[Commemoration (Oliver Holden)|Commemoration ]]||Oliver Holden||Worthy the Lamb that died, they cry||Isaac Watts||C.M.||4:4||F||4|| | ||
|- | |- | ||
|12||10||6317||[[Spring | |12||10||6317||[[Spring (Oliver Holden)|Spring ]]||Oliver Holden||Old hoary winter now has ceased his raging||Unattrib. 1793||11 10.10 6.||2:4||C||3|| | ||
|- | |- | ||
|13||12||6314||[[Rapture | |13||12||6314||[[Rapture (Oliver Holden)|Rapture ]]||Oliver Holden||Sweet is the work, my God, my King||Isaac Watts||L.M.||2:2||C||4|| | ||
|- | |- | ||
|14||13||6310||[[Ode to Harmony | |14||13||6310||[[Ode to Harmony (Oliver Holden)|Ode to Harmony ]]||Oliver Holden||Hail music, sweet enchantment, hail||David Garrick||L.M.||6:8||G||3|| | ||
|- | |- | ||
|15||15||||[[Ode for Easter (Oliver Holden)|Ode for Easter]]||Oliver Holden||From heaven the loud, the angelic song||||Irregular||2:4||D||3|| | |15||15||||[[Ode for Easter (Oliver Holden)|Ode for Easter]]||Oliver Holden||From heaven the loud, the angelic song||||Irregular||2:4||D||3|| | ||
|- | |- | ||
|16||24||1504b||[[Weston Flavel | |16||24||1504b||[[Weston Flavel (William Knapp)|Weston Flavel ]]||William Knapp||Come let us join our cheerful songs||Isaac Watts||C.M.||3:4||G||4|| | ||
|- | |- | ||
|17||25||2217b||Maryland ||Unattrib. 1754||My soul the great Creator praise||Isaac Watts||L.M.||2:2||G||2|| | |17||25||2217b||Maryland ||Unattrib. 1754||My soul the great Creator praise||Isaac Watts||L.M.||2:2||G||2|| | ||
Line 72: | Line 72: | ||
|21||41||||[[Anthem (Joseph Stephenson)|Anthem]]||Joseph Stephenson||Behold, I bring you glad tidings||||Anthem||3:4||G||4||Luke Ch. 2 | |21||41||||[[Anthem (Joseph Stephenson)|Anthem]]||Joseph Stephenson||Behold, I bring you glad tidings||||Anthem||3:4||G||4||Luke Ch. 2 | ||
|- | |- | ||
|22||49||||[[Anthem (Aaron | |22||49||||[[Anthem (Aaron Williams)|Anthem]]||Aaron Williams||Arise, shine, O Zion||||Anthem||2:2||b||4|| | ||
|- | |- | ||
|23||61||6307||[[Invocation to Charity | |23||61||6307||[[Invocation to Charity (Oliver Holden)|Invocation to Charity ]]||Oliver Holden||Come charity with goodness crowned||||L.M.D.||2:2||G||3||Masonic ode | ||
|- | |- | ||
|24||66||||[[Anthem (Joseph Stephenson)|Anthem]]||Joseph Stephenson||Praise the Lord, O my soul||||Anthem||3:4||G||4||Psalm 104 | |24||66||||[[Anthem (Joseph Stephenson)|Anthem]]||Joseph Stephenson||Praise the Lord, O my soul||||Anthem||3:4||G||4||Psalm 104 | ||
|- | |- | ||
|25||77||3257a||[[Denmark | |25||77||3257a||[[Denmark (Martin Madan)|Denmark ]]||Martin Madan||Before Jehovah's awful throne||Tate & Brady||L.M.D.D.||2:4||D||3|| | ||
|- | |- | ||
|26||82||||[[Anthem (William Selby)|Anthem]]||William Selby||Behold, he is my salvation||||Anthem||2:4||D||4|| | |26||82||||[[Anthem (William Selby)|Anthem]]||William Selby||Behold, he is my salvation||||Anthem||2:4||D||4|| | ||
Line 84: | Line 84: | ||
|27||90||||[[Messiah (Oliver Holden)|Messiah]]||Oliver Holden||Ye nymphs of Solima, begin the song||Alexander Pope||10 10.10 10.||2:4||G||3|| | |27||90||||[[Messiah (Oliver Holden)|Messiah]]||Oliver Holden||Ye nymphs of Solima, begin the song||Alexander Pope||10 10.10 10.||2:4||G||3|| | ||
|- | |- | ||
|28||103||||[[Anthem (Aaron | |28||103||||[[Anthem (Aaron Williams)|Anthem]]||Aaron Williams||Lift up your heads, O ye gates||||Anthem||3:4||C||3||Psalm 24 | ||
|- | |- | ||
|29||106||||[[Chorus (Aaron | |29||106||||[[Chorus (Aaron Williams)|Chorus]]||Aaron Williams||Blessed be the Lord God of Israel||||Anthem||2:2||C||4|| | ||
|- | |- | ||
|30||108||||[[A Funeral Anthem (William Billings)|A Funeral Anthem]]||William Billings||I heard a great voice from heaven||||Anthem||3:2||f||4||Revelation Ch. 14 | |30||108||||[[A Funeral Anthem (William Billings)|A Funeral Anthem]]||William Billings||I heard a great voice from heaven||||Anthem||3:2||f||4||Revelation Ch. 14 | ||
Line 104: | Line 104: | ||
|37||132||6313||[[Psalm 150 (Joseph Stephenson)|Psalm 150]]||Joseph Stephenson||O praise the Lord in that blest place||||L.M.||3:2||G||4|| | |37||132||6313||[[Psalm 150 (Joseph Stephenson)|Psalm 150]]||Joseph Stephenson||O praise the Lord in that blest place||||L.M.||3:2||G||4|| | ||
|- | |- | ||
|38||134||6308||[[The Lord's Prayer | |38||134||6308||[[The Lord's Prayer (Joseph Stephenson)|The Lord's Prayer ]]||Joseph Stephenson||Father of all, enthroned above||||L.M.||2:2||C||4|| | ||
|- | |- | ||
|39||136||3322b||[[Scotland | |39||136||3322b||[[Scotland (Thomas Arne)|Scotland ]]||Thomas Arne||King of Salem, bless my soul||W.||77.77.D.D.||3:4||F||3|| | ||
|- | |- | ||
|40||139||||[[Anthem (Joseph Stephenson)|Anthem]]||Joseph Stephenson||Praise the Lord, ye servants||||Anthem||3:4||G||4||Psalm 113 | |40||139||||[[Anthem (Joseph Stephenson)|Anthem]]||Joseph Stephenson||Praise the Lord, ye servants||||Anthem||3:4||G||4||Psalm 113 | ||
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|43||148||||[[Anthem (William Selby)|Anthem]]||William Selby||O be joyful in the Lord||||Anthem||2:4||C||4||Psalm 100 | |43||148||||[[Anthem (William Selby)|Anthem]]||William Selby||O be joyful in the Lord||||Anthem||2:4||C||4||Psalm 100 | ||
|- | |- | ||
|44||154||2786a||[[Hotham | |44||154||2786a||[[Hotham (Martin Madan)|Hotham ]]||Martin Madan||Jesus, lover of my soul||||77.77.D.||4:4||E{{flat}}||3|| | ||
|- | |- | ||
|45||155||||[[Cambridge (Felice Giardini)|Cambridge]]||Felice Giardini||Father, how wide thy glory shines||Isaac Watts||C.M.D.D.||4:4||F||3|| | |45||155||||[[Cambridge (Felice Giardini)|Cambridge]]||Felice Giardini||Father, how wide thy glory shines||Isaac Watts||C.M.D.D.||4:4||F||3|| | ||
|- | |- | ||
|46||160||6316||[[Salem | |46||160||6316||[[Salem (Oliver Holden)|Salem ]]||Oliver Holden||Som seraph, lend your heavenly tongue||Isaac Watts||C.M.||2:4||G||3|| | ||
|- | |- | ||
|47||161||||[[An Anthem (Jacob Kimball)|An Anthem]]||Jacob Kimball||O come, sing unto the Lord||||Anthem||2:2||C||4|| | |47||161||||[[An Anthem (Jacob Kimball)|An Anthem]]||Jacob Kimball||O come, sing unto the Lord||||Anthem||2:2||C||4|| | ||
|- | |- | ||
|48||167||6312||[[Providence | |48||167||6312||[[Providence (Isaac Lane)|Providence ]]||Isaac Lane||Time flies, man dies||Isaac Lane||10 10.||4:4||f||3|| | ||
|- | |- | ||
|49||168||||[[Massachusetts (Robert Rogerson)|Massachusetts]]||Robert Rogerson||Hail, sacred art||Unattrib. 1779||Anthem||4:4||G||3|| | |49||168||||[[Massachusetts (Robert Rogerson)|Massachusetts]]||Robert Rogerson||Hail, sacred art||Unattrib. 1779||Anthem||4:4||G||3|| | ||
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|50||174||6309||Minerva ||Allen ||When the great builder arched the skies||Isaac Watts||L.M.||4:4||G||4|| | |50||174||6309||Minerva ||Allen ||When the great builder arched the skies||Isaac Watts||L.M.||4:4||G||4|| | ||
|- | |- | ||
|51||175||6290||[[Coronation | |51||175||6290||[[Coronation (Oliver Holden)|Coronation ]]||Oliver Holden||All hail the power of Jesus' name||Edward Perronet||C.M.||4:4||A{{flat}}||4|| | ||
|- | |- | ||
|52||176||4741||[[Greenwich | |52||176||4741||[[Greenwich (Daniel Read)|Greenwich ]]||Daniel Read||Lord, what a thoughtless wretch was I||Isaac Watts||L.M.D.||4:4||e||4|| | ||
|- | |- | ||
|53||177||4789||[[Russia | |53||177||4789||[[Russia (Daniel Read)|Russia ]]||Daniel Read||False are the men of high degree||Isaac Watts||L.M.||4:4||a||4|| | ||
|- | |- | ||
|54||178||7235||[[Canton | |54||178||7235||[[Canton (Oliver Holden)|Canton ]]||Oliver Holden||How did my heart rejoice to hear||Isaac Watts||C.M.D.||4:4||C||4|| | ||
|- | |- | ||
|55||179||4609a||[[Lisbon | |55||179||4609a||[[Lisbon (Daniel Read)|Lisbon ]]||Daniel Read||Welcome, sweet day of rest||Isaac Watts||S.M.||4:4||B{{flat}}||4|| | ||
|- | |- | ||
|56||180||7243a||[[Lord's Day | |56||180||7243a||[[Lord's Day (Oliver Holden)|Lord's Day ]]||Oliver Holden||This is the glorious day||Isaac Watts||S.M.D.||3:4||D||3|| | ||
|- | |- | ||
|57||181||6287||[[Concord | |57||181||6287||[[Concord (Oliver Holden)|Concord ]]||Oliver Holden||The hill of Zion yields||Isaac Watts||S.M.||4:4||C||4|| | ||
|- | |- | ||
|58||182a||143a||[[Old Hundred (Louis Bourgeois)|Old Hundred]]||Louis Bourgeois||Be thou, O God, exalted high||Tate & Brady||L.M.||2:2||A||4|| | |58||182a||143a||[[Old Hundred (Louis Bourgeois)|Old Hundred]]||Louis Bourgeois||Be thou, O God, exalted high||Tate & Brady||L.M.||2:2||A||4|| | ||
|- | |- | ||
|59||182b||4628||[[Windham | |59||182b||4628||[[Windham (Daniel Read)|Windham ]]||Daniel Read||Broad is the road that leads to death||Isaac Watts||L.M.||4:4||f||4|| | ||
|- | |- | ||
|60||183||4527a||[[Enfield | |60||183||4527a||[[Enfield (Solomon Chandler )|Enfield ]]||Solomon Chandler ||Before the rosy dawn of day||Elizabeth Rowe||C.M.D.||2:2||E||4|| | ||
|- | |- | ||
|61||184||7249||[[Paradise | |61||184||7249||[[Paradise (Oliver Holden)|Paradise ]]||Oliver Holden||Now to the shining realms above||Isaac Watts||L.M.D.||4:4||D||4|| | ||
|- | |- | ||
|62||185||2934||[[Little Marlborough | |62||185||2934||[[Little Marlborough (Aaron Williams)|Little Marlborough ]]||Aaron Williams||Welcome, sweet day of rest||Isaac Watts||S.M.||3:4||a||4|| | ||
|- | |- | ||
|63||186||7112||[[Italy | |63||186||7112||[[Italy (Antonio Sacchini )|Italy ]]||Antonio Sacchini ||Let him embrace my soul||Isaac Watts||L.M.D.||3:4||B{{flat}}||3|| | ||
|- | |- | ||
|64||188||7259||[[Verona | |64||188||7259||[[Verona (Oliver Holden)|Verona ]]||Oliver Holden||Lord of the worlds above||Isaac Watts||66.66.88.||4:4||B{{flat}}||4|| | ||
|- | |- | ||
|65||189||6285||[[Charleston | |65||189||6285||[[Charleston (Frothingham )|Charleston ]]||Frothingham ||With earnest longings of the mind||Isaac Watts||C.M.||4:4||a||4|| | ||
|- | |- | ||
|66||189||4783||[[Devotion | |66||189||4783||[[Devotion (Daniel Read)|Devotion ]]||Daniel Read||Sweet is the day of sacred rest||Isaac Watts||L.M.||4:4||C||4|| | ||
|- | |- | ||
|67||190||6035||[[Funeral Hymn | |67||190||6035||[[Funeral Hymn (Oliver Holden)|Funeral Hymn ]]||Oliver Holden||Why do we mourn departing friends||Isaac Watts||C.M.||4:4||e||4|| | ||
|- | |- | ||
|68||191||7246||[[Magdala | |68||191||7246||[[Magdala (Oliver Holden)|Magdala ]]||Oliver Holden||I'll praise my maker with my breath||Isaac Watts||88.88.88.||4:4||C||3|| | ||
|- | |- | ||
|69||192a||6291||[[Deliverance | |69||192a||6291||[[Deliverance (Oliver Holden)|Deliverance ]]||Oliver Holden||Soon shall I quit this mortal shore||Henry Alline||C.M.||4:4||a||3|| | ||
|- | |- | ||
|70||192b||7242||[[Incense | |70||192b||7242||[[Incense (Oliver Holden)|Incense ]]||Oliver Holden||Nature with all her powers shall sing||Isaac Watts||L.M.D.||3:4||G||3|| | ||
|- | |- | ||
|71||194||4927b||[[New Canaan | |71||194||4927b||[[New Canaan (Oliver Holden)|New Canaan ]]||Oliver Holden||The Lord Jehovah reigns||Isaac Watts||668.668.||4:4||C||4|| | ||
|- | |- | ||
|72||195||4690a||[[Jordan | |72||195||4690a||[[Jordan (William Billings)|Jordan ]]||William Billings||There is a land of pure delight||Isaac Watts||C.M.D.||4:4||A||4|| | ||
|- | |- | ||
|73||196||4439a||[[Invitation | |73||196||4439a||[[Invitation (Jacob Kimball)|Invitation ]]||Jacob Kimball||Come, my beloved, haste away||Isaac Watts||L.M.||4:4||D||4||Corrected from Rural Harmony | ||
|- | |- | ||
|74||197||4091a||[[Newton | |74||197||4091a||[[Newton (Isaac Smith )|Newton ]]||Isaac Smith ||Come, we who love the Lord||Isaac Watts||S.M.||4:4||C||4|| | ||
|- | |- | ||
|75||198||4926||[[Hollis | |75||198||4926||[[Hollis (Oliver Holden)|Hollis ]]||Oliver Holden||My soul, come meditate the day||Isaac Watts||C.M.||4:4||d||4|| | ||
|- | |- | ||
|76||199a||4629||[[Winter | |76||199a||4629||[[Winter (Daniel Read)|Winter ]]||Daniel Read||His hoary frost, his fleecy snow||Isaac Watts||C.M.||2:2||F||4|| | ||
|- | |- | ||
|77||199b||975a||[[Wells | |77||199b||975a||[[Wells (Israel Holdroyd)|Wells ]]||Israel Holdroyd||Life is the time to serve the Lord||Isaac Watts||L.M.||4:4||F||4|| | ||
|- | |- | ||
|78||200||2606||[[Milford | |78||200||2606||[[Milford (Joseph Stephenson)|Milford ]]||Joseph Stephenson||If angels sang a Savior's birth||Isaac Watts||C.M.||4:4||A||4|| | ||
|- | |- | ||
|79||201||2640||[[Thirty-fourth Psalm (Joseph Stephenson)|Thirty-fourth Psalm]]||Joseph Stephenson||Through all the changing scenes of life||Tate & Brady||C.M.||4:4||C||4|| | |79||201||2640||[[Thirty-fourth Psalm (Joseph Stephenson)|Thirty-fourth Psalm]]||Joseph Stephenson||Through all the changing scenes of life||Tate & Brady||C.M.||4:4||C||4|| | ||
|- | |- | ||
|80||202||4077a||[[Worcester | |80||202||4077a||[[Worcester (Abraham Wood )|Worcester ]]||Abraham Wood ||How beauteous are their feet||Isaac Watts||S.M.D.||4:4||F||4|| | ||
|- | |- | ||
|81||203||3540a||Dover ||Unattrib. 1772||Great is the Lord our God||Isaac Watts||S.M.||4:4||F||3|| | |81||203||3540a||Dover ||Unattrib. 1772||Great is the Lord our God||Isaac Watts||S.M.||4:4||F||3|| | ||
|- | |- | ||
|82||204||6332||[[Durham | |82||204||6332||[[Durham (Jacob Kimball)|Durham ]]||Jacob Kimball||How pleasant tis to see||Isaac Watts||668.668.||3:4||G||4|| | ||
|- | |- | ||
|83||205||4782a||[[Danbury | |83||205||4782a||[[Danbury (Daniel Read)|Danbury ]]||Daniel Read||Our life is ever on the wing||Isaac Watts||C.M.||4:4||a||4|| | ||
|- | |- | ||
|84||206a||4290||[[Virginia | |84||206a||4290||[[Virginia (Oliver Brownson)|Virginia ]]||Oliver Brownson||Thy words the raging winds control||Isaac Watts||C.M.||4:4||e||4|| | ||
|- | |- | ||
|85||206b||3991a||Truro ||Unattrib. 1778||Now to the Lord a noble song||Isaac Watts||L.M.||2:4||F||3|| | |85||206b||3991a||Truro ||Unattrib. 1778||Now to the Lord a noble song||Isaac Watts||L.M.||2:4||F||3|| | ||
|- | |- | ||
|86||207a||5786||[[Hinsdale | |86||207a||5786||[[Hinsdale (Samuel Holyoke )|Hinsdale ]]||Samuel Holyoke ||Thou wilt reveal the pats of life||Isaac Watts||C.M.||4:4||G||4|| | ||
|- | |- | ||
|87||207b||2931a||[[Funeral Thought | |87||207b||2931a||[[Funeral Thought (Isaac Smith )|Funeral Thought ]]||Isaac Smith ||Hark, from the tombs a doleful sound||Isaac Watts||C.M.||4:4||a||3|| | ||
|- | |- | ||
|88||208||6380||[[Yarmouth | |88||208||6380||[[Yarmouth (Jacob Kimball)|Yarmouth ]]||Jacob Kimball||My soul, repeat his praise||Isaac Watts||S.M.||4:4||E||4|| | ||
|- | |- | ||
|89||209||6180b||Psalm 119||Smith||Had not thy word been my delight||Isaac Watts||C.M.||4:4||e||4|| | |89||209||6180b||Psalm 119||Smith||Had not thy word been my delight||Isaac Watts||C.M.||4:4||e||4|| | ||
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|90||210||||[[Funeral Anthem (Jacob Kimball)|Funeral Anthem]]||Jacob Kimball||I heard a great voice from heaven||||Anthem||4:4||C||4||Revelation Ch. 14 | |90||210||||[[Funeral Anthem (Jacob Kimball)|Funeral Anthem]]||Jacob Kimball||I heard a great voice from heaven||||Anthem||4:4||C||4||Revelation Ch. 14 | ||
|- | |- | ||
|91||212||7206a||[[New Jerusalem | |91||212||7206a||[[New Jerusalem (Jeremiah Ingalls)|New Jerusalem ]]||Jeremiah Ingalls||From the third heaven where God resides||Isaac Watts||C.M.||4:4||G||3|| | ||
|- | |- | ||
|92||213a||4530||[[Lisbon | |92||213a||4530||[[Lisbon (Timothy Swan)|Lisbon ]]||Timothy Swan||O let thy God and King||Isaac Watts||S.M.||4:4||C||4|| | ||
|- | |- | ||
|93||213b||3408||[[Lebanon | |93||213b||3408||[[Lebanon (William Billings)|Lebanon ]]||William Billings||Lord, what is man, poor feeble man||Isaac Watts||C.M.||4:4||a||4|| | ||
|- | |- | ||
|94||214||4622a||[[Sherburne | |94||214||4622a||[[Sherburne (Daniel Read)|Sherburne ]]||Daniel Read||While shepherds watched their flocks by night||Tate & Brady||C.M.||4:4||D||4|| | ||
|- | |- | ||
|95||215||4624||[[Victory | |95||215||4624||[[Victory (Daniel Read)|Victory ]]||Daniel Read||Now shall my head be lifted high||Isaac Watts||C.M.||4:4||E{{flat}}||4|| | ||
|- | |- | ||
|96||216||7361||[[Edom | |96||216||7361||[[Edom (Oliver Holden)|Edom ]]||Oliver Holden||With songs and honors sounding loud||Isaac Watts||C.M.D.||4:4||F||4|| | ||
|- | |- | ||
|97||217||3965a||Portugal ||Unattrib. 1775||How lovely, how divinely sweet||Anne Steele||L.M.||2:4||G||3|| | |97||217||3965a||Portugal ||Unattrib. 1775||How lovely, how divinely sweet||Anne Steele||L.M.||2:4||G||3|| | ||
Line 226: | Line 226: | ||
|98||218||4607a||[[Judgment (Daniel Read)|Judgment]]||Daniel Read||Behold, the Judge descends||Isaac Watts||10 10.10 10.10 10.||4:4||C||4|| | |98||218||4607a||[[Judgment (Daniel Read)|Judgment]]||Daniel Read||Behold, the Judge descends||Isaac Watts||10 10.10 10.10 10.||4:4||C||4|| | ||
|- | |- | ||
|99||219||7258||[[Treasure | |99||219||7258||[[Treasure (Oliver Holden)|Treasure ]]||Oliver Holden||How doth thy word my heart engage||Isaac Watts||C.M.D.||4:4||G||3|| | ||
|- | |- | ||
|100||220a||3510a||[[Hancock | |100||220a||3510a||[[Hancock (George Handel)|Hancock ]]||George Handel||How sweet and awful is the place||Isaac Watts||C.M.||3:4||E||3|| | ||
|- | |- | ||
|101||220b||3216a||[[Mount Ephraim | |101||220b||3216a||[[Mount Ephraim (Benjamin Milgrove )|Mount Ephraim ]]||Benjamin Milgrove ||Your harps, ye trembling saints||Augustus Toplady||S.M.||3:4||E{{flat}}||3|| | ||
|- | |- | ||
|102||221||2962d||[[Bromley | |102||221||2962d||[[Bromley (John Broderip)|Bromley ]]||John Broderip||Awake, our souls, away our fears||Isaac Watts||L.M.||4:4||G||4|| | ||
|- | |- | ||
|103||222||3291||[[Stratham | |103||222||3291||[[Stratham (Charles Lockhart )|Stratham ]]||Charles Lockhart ||Blest are the souls that hear and know||Isaac Watts||C.M.||2:4||D||3|| | ||
|- | |- | ||
|104||223||3669a||Brabrook ||H. E.||My Savior, my almighty friend||Isaac Watts||C.M.T.||4:4||D||3|| | |104||223||3669a||Brabrook ||H. E.||My Savior, my almighty friend||Isaac Watts||C.M.T.||4:4||D||3|| | ||
|- | |- | ||
|105||224||4663||[[Walpole | |105||224||4663||[[Walpole (Abraham Wood )|Walpole ]]||Abraham Wood ||O if my soul were formed for woe||Isaac Watts||C.M.D.||4:4||b||4|| | ||
|- | |- | ||
|106||225||7935||[[Heavenly Theme | |106||225||7935||[[Heavenly Theme (Oliver Holden)|Heavenly Theme ]]||Oliver Holden||Begin, my tongue, some heavenly theme||Isaac Watts||C.M.||4:4||C||4|| | ||
|- | |- | ||
|107||226||7925||[[The Cross | |107||226||7925||[[The Cross (Oliver Holden)|The Cross ]]||Oliver Holden||O the sweet wonders of that cross||Isaac Watts||L.M.D.||4:4||G||4|| | ||
|- | |- | ||
|108||227||7947||[[St. Mary | |108||227||7947||[[St. Mary (Oliver Holden)|St. Mary ]]||Oliver Holden||Father, I bless thy gentle hand||Isaac Watts||L.M.||3:4||D||4|| | ||
|- | |- | ||
|109||228||7950||[[Sparta | |109||228||7950||[[Sparta (Oliver Holden)|Sparta ]]||Oliver Holden||Sing to the Lord a new-made song||Tate & Brady||L.M.D.||4:4||G||4|| | ||
|- | |- | ||
|110||229||7933||[[Golden Lyre | |110||229||7933||[[Golden Lyre (Oliver Holden)|Golden Lyre ]]||Oliver Holden||Hark, what celestial notes||Unattrib. 1799||66.66.88.||4:4||B{{flat}}||4|| | ||
|- | |- | ||
|111||230a||7930||[[Ephesus | |111||230a||7930||[[Ephesus (Oliver Holden)|Ephesus ]]||Oliver Holden||The uplifted eye and bended knee||Thomas Scott||L.M.||4:4||c||3|| | ||
|- | |- | ||
|112||230b||7934||[[Havannah | |112||230b||7934||[[Havannah (Oliver Holden)|Havannah ]]||Oliver Holden||Praise to God, immortal praise||Anna Barbauld||77.77.||4:4||A||3|| | ||
|- | |- | ||
|113||231||7946||[[Rising Dawn | |113||231||7946||[[Rising Dawn (Oliver Holden)|Rising Dawn ]]||Oliver Holden||Behold the rising dawn appear||Isaac Watts||C.M.D.||4:4||A||3|| | ||
|- | |- | ||
|114||232a||7932||[[Eternal Wisdom (Oliver Holden)|Eternal Wisdom]]||Oliver Holden||Eternal Wisdom, thee we praise||Isaac Watts||C.M.||4:4||F||3|| | |114||232a||7932||[[Eternal Wisdom (Oliver Holden)|Eternal Wisdom]]||Oliver Holden||Eternal Wisdom, thee we praise||Isaac Watts||C.M.||4:4||F||3|| | ||
|- | |- | ||
|115||232b||7926||[[Cuba | |115||232b||7926||[[Cuba (Oliver Holden)|Cuba ]]||Oliver Holden||While some on me with wonder gaze||Tate & Brady||C.M.||4:4||e||3|| | ||
|- | |- | ||
|116||233a||7948||[[Sicily | |116||233a||7948||[[Sicily (Oliver Holden)|Sicily ]]||Oliver Holden||In the soft season of my youth||Thomas Gibbons||C.M.||4:4||c||4|| | ||
|- | |- | ||
|117||233b||7951a||[[Sun | |117||233b||7951a||[[Sun (Oliver Holden)|Sun ]]||Oliver Holden||Fairest of all the lights above||Isaac Watts||L.M.||2:4||D||3|| | ||
|- | |- | ||
|118||234a||7942||[[Oracle | |118||234a||7942||[[Oracle (Oliver Holden)|Oracle ]]||Oliver Holden||Father of mercies, in thy word||Anne Steele||C.M.||3:4||D||3|| | ||
|- | |- | ||
|119||234b||7920||[[Alibama | |119||234b||7920||[[Alibama (Oliver Holden)|Alibama ]]||Oliver Holden||Hark, tis the trumpet's piercing sound||John Needham||L.M.||4:4||d||4|| | ||
|- | |- | ||
|120||235a||7924||[[Corinth | |120||235a||7924||[[Corinth (Oliver Holden)|Corinth ]]||Oliver Holden||Bless God, O my soul||William Vincent||10 10.11 11.||4:4||B{{flat}}||3|| | ||
|- | |- | ||
|121||235b||7949||[[Solemnity | |121||235b||7949||[[Solemnity (Oliver Holden)|Solemnity ]]||Oliver Holden||Death, tis a melancholy day||Isaac Watts||C.M.||4:4||d||4|| | ||
|- | |- | ||
|122||236||7943||[[Persia | |122||236||7943||[[Persia (Oliver Holden)|Persia ]]||Oliver Holden||Now to the Lord, who makes us know||Isaac Watts||L.M.||4:4||C||4|| | ||
|- | |- | ||
|123||237a||7956||[[Weary Pilgrim | |123||237a||7956||[[Weary Pilgrim (Oliver Holden)|Weary Pilgrim ]]||Oliver Holden||Come, said Jesus' sacred voice||Anna Barbauld||77.77.||6:8||d||4|| | ||
|- | |- | ||
|124||237b||7921||[[Athens | |124||237b||7921||[[Athens (Oliver Holden)|Athens ]]||Oliver Holden||Had I the tongues of Greeks and Jews||Isaac Watts||L.M.||4:4||G||3|| | ||
|- | |- | ||
|125||238||7952||[[Surety | |125||238||7952||[[Surety (Oliver Holden)|Surety ]]||Oliver Holden||To this dear surety's hand||Isaac Watts||66.66.88.||4:4||E||3|| | ||
|- | |- | ||
|126||239||7944||[[Praise to God | |126||239||7944||[[Praise to God (Oliver Holden)|Praise to God ]]||Oliver Holden||Praise to God the great Creator||John Taylor||87.87.D.||2:4||D||3|| | ||
|- | |- | ||
|127||240||7938||[[Jehovah Reigns (Oliver Holden)|Jehovah Reigns]]||Oliver Holden||Jehovah reigns! Let every nation hear||Anna Barbauld||10 10.10 10.10 10.||2:4||E||4|| | |127||240||7938||[[Jehovah Reigns (Oliver Holden)|Jehovah Reigns]]||Oliver Holden||Jehovah reigns! Let every nation hear||Anna Barbauld||10 10.10 10.10 10.||2:4||E||4|| | ||
|- | |- | ||
|128||241||7937||[[Immanuel | |128||241||7937||[[Immanuel (Samuel Babcock )|Immanuel ]]||Samuel Babcock ||Hail! Thou once despised Jesus||Isaac Watts||87.87.D.||2:4||G||3|| | ||
|- | |- | ||
|129||242a||7928a||[[Elim | |129||242a||7928a||[[Elim (Samuel Babcock )|Elim ]]||Samuel Babcock ||Lift your voice and thankful sing||Merrick||77.77.||2:4||G||3|| | ||
|- | |- | ||
|130||242b||7929||[[Emulation | |130||242b||7929||[[Emulation (Oliver Holden)|Emulation ]]||Oliver Holden||Now let us raise our cheerful strains||Anne Steele||L.M.||4:4||C||4|| | ||
|- | |- | ||
|131||243||7955||[[Vergennes | |131||243||7955||[[Vergennes (Oliver Holden)|Vergennes ]]||Oliver Holden||My heart and flesh cry out for thee||Isaac Watts||C.M.D.||4:4||g||3|| | ||
|- | |- | ||
|132||244||7940||[[Mantua | |132||244||7940||[[Mantua (Oliver Holden)|Mantua ]]||Oliver Holden||A blooming paradise of joy||Isaac Watts||C.M.D.||4:4||G||3|| | ||
|- | |- | ||
|133||245||7923||[[Compassion | |133||245||7923||[[Compassion (Oliver Holden)|Compassion ]]||Oliver Holden||Did Christ for sinners weep||Benjamin Beddome||S.M.||4:4||d||3|| | ||
|- | |- | ||
|134||246a||7922a||[[Bethsaida | |134||246a||7922a||[[Bethsaida (Oliver Holden)|Bethsaida ]]||Oliver Holden||Beside the Gospel pool||John Newton||S.M.||4:4||C||4|| | ||
|- | |- | ||
|135||246b||7957||[[Why Weepest Thou (Oliver Holden)|Why Weepest Thou]]||Oliver Holden||Why, O my soul, why weepest thou||Benjamin Beddome||C.M.||4:4||c||3|| | |135||246b||7957||[[Why Weepest Thou (Oliver Holden)|Why Weepest Thou]]||Oliver Holden||Why, O my soul, why weepest thou||Benjamin Beddome||C.M.||4:4||c||3|| | ||
|- | |- | ||
|136||247||7953||[[Suspension | |136||247||7953||[[Suspension (Oliver Holden)|Suspension ]]||Oliver Holden||My harp untuned and laid aside||John Newton||L.M.||3:4||d||3|| | ||
|- | |- | ||
|137||248||7927||[[Dawning Light | |137||248||7927||[[Dawning Light (Oliver Holden)|Dawning Light ]]||Oliver Holden||From the first dawming light||Isaac Watts||S.M.||4:4||c||3|| | ||
|- | |- | ||
|138||249||7939||[[Lodi | |138||249||7939||[[Lodi (Oliver Holden)|Lodi ]]||Oliver Holden||Happy the church, thou sacred place||Isaac Watts||L.M.D.||4:4||G||3|| | ||
|- | |- | ||
|139||250||7941||[[Opening Heavens | |139||250||7941||[[Opening Heavens (Oliver Holden)|Opening Heavens ]]||Oliver Holden||The opening heavens around me shine||Isaac Watts||C.M.D.||4:4||F||3|| | ||
|- | |- | ||
|140||251||7931||[[Erie | |140||251||7931||[[Erie (Oliver Holden)|Erie ]]||Oliver Holden||As lost in lonely grief||Joel Barlow||88.88.88.||4:4||a||3|| | ||
|- | |- | ||
|141||252a||7936||[[How Sweetly (Oliver Holden)|How Sweetly]]||Oliver Holden||How sweetly, along the gay mead||Anne Steele||L.M.||4:4||C||3|| | |141||252a||7936||[[How Sweetly (Oliver Holden)|How Sweetly]]||Oliver Holden||How sweetly, along the gay mead||Anne Steele||L.M.||4:4||C||3|| | ||
|- | |- | ||
|142||252b||7954||[[Tender Thoughts | |142||252b||7954||[[Tender Thoughts (Oliver Holden)|Tender Thoughts ]]||Oliver Holden||Arise, my tender thoughts, arise||Philip Doddridge||L.M.||4:4||d||3|| | ||
|- | |- | ||
|143||253||7945||[[Psalm 148 (Oliver Holden)|Psalm 148]]||Oliver Holden||Begin, my soul, the exalted lay||John Ogilvy||886.886.||2:4||D||3|| | |143||253||7945||[[Psalm 148 (Oliver Holden)|Psalm 148]]||Oliver Holden||Begin, my soul, the exalted lay||John Ogilvy||886.886.||2:4||D||3|| | ||
|- | |- | ||
|} | |} | ||
==Works at CPDL== | |||
{{MultiPubList|com,lyr,first,subg,met|1800}} | |||
{{DEFAULTSORT:{{WorkSorter}}}} | |||
[[Category:Music publications]] | [[Category:Music publications]] |
Latest revision as of 15:33, 22 March 2021
Description
Short Title: The Modern Collection
Complete Title: The Modern Collection of Sacred Music: Containing the Rudiments of the Art, and a Choice Collection of Anthems, and Psalm and Hymn Tunes, of Every Meter; Carefully Selected from Ancient and Modern Authors, Adapted to the Use of Schools and Worshipping Societies.
Composer - Compiler: Oliver Holden.
Publication date and place: 1800 by Isaiah Thomas and Ebenezer T. Andrews in Boston.
Description: Temperley, in The Hymn Tune Index says this was published in December 1800, therefore after the publication of Plain Psalmody. "After 1796, Holden quit signing his name to tunebooks, except for editions of the Worcester Collection. Nevertheless, several anonymous volumes of the later eighteenth and early nineteenth centuries have been positively identified as Holden's works … These include Sacred Dirges (1800), The Modern Collection (1800), Plain Psalmody (1800), the third edition of The Union Harmony, The Charlestown Collection (1803), and Occasional Pieces (1807)" (Music 1998).
References
- Kroeger, Karl. 1977. Isaiah Thomas as a music publisher. Proceedings of the American Antiquarian Society 86:321-341.
- Music, David W., Editor. 1998. Oliver Holden (1765-1844): Selected Works. New York, New York: Routledge. 258 pp.
External websites
List of works
No. | Pg. | HTI | Title | Composer | First Line | Author | Meter | Time | Key | Vo. | Comment |
---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 | 6105 | Alpha | Oliver Holden | When faith presents the Savior's death | James Hervey | C.M. | 4:4 | G | 4 | |
2 | 2 | 4014 | Majesty | William Billings | The Lord descended from above | Tate & Brady | C.M.D. | 4:4 | F | 4 | |
3 | 3 | 1390a | Bangor | William Tansur | Teach me the measure of my days | Isaac Watts | C.M. | 4:4 | e | 4 | |
4 | 4 | 7254a | Smyrna | Oliver Holden | Why should the children of a King | Isaac Watts | C.M.D. | 4:4 | A | 3 | |
5 | 5 | 7237 | Confidence | Oliver Holden | Now can my soul in God rejoice | Henry Alline | L.M.D. | 4:4 | G | 3 | |
6 | 6 | 4280 | Lenox | Lewis Edson | Ye tribes of Adam join | Isaac Watts | 66.66.88. | 4:4 | C | 4 | |
7 | 7a | 3374 | Chester | William Billings | Let the high heavens your songs invite | Isaac Watts | L.M. | 4:4 | F | 4 | |
8 | 7b | 3357 | Africa | William Billings | Now shall my inward joys arise | Isaac Watts | C.M. | 3:2 | E♭ | 4 | |
9 | 8a | 4121 | Paris | William Billings | This spacious earth is all the Lord's | Isaac Watts | L.M. | 4:4 | A | 4 | |
10 | 8b | 6292 | Fairlee | Oliver Holden | Jesus shall reign where-e'er the sun | Isaac Watts | L.M. | 4:4 | G | 4 | |
11 | 9 | 6306 | Commemoration | Oliver Holden | Worthy the Lamb that died, they cry | Isaac Watts | C.M. | 4:4 | F | 4 | |
12 | 10 | 6317 | Spring | Oliver Holden | Old hoary winter now has ceased his raging | Unattrib. 1793 | 11 10.10 6. | 2:4 | C | 3 | |
13 | 12 | 6314 | Rapture | Oliver Holden | Sweet is the work, my God, my King | Isaac Watts | L.M. | 2:2 | C | 4 | |
14 | 13 | 6310 | Ode to Harmony | Oliver Holden | Hail music, sweet enchantment, hail | David Garrick | L.M. | 6:8 | G | 3 | |
15 | 15 | Ode for Easter | Oliver Holden | From heaven the loud, the angelic song | Irregular | 2:4 | D | 3 | |||
16 | 24 | 1504b | Weston Flavel | William Knapp | Come let us join our cheerful songs | Isaac Watts | C.M. | 3:4 | G | 4 | |
17 | 25 | 2217b | Maryland | Unattrib. 1754 | My soul the great Creator praise | Isaac Watts | L.M. | 2:2 | G | 2 | |
18 | 26 | 2604a | Love Divine | Unattrib. 1760 | Love divine, all love excelling | Charles Wesley | 87.87.D. | 2:2 | G | 2 | |
19 | 27 | Apollo | Oliver Holden | Swet muse, descend and bless the shade | Isaac Watts | C.M.D.D. | 2:4 | D | 3 | ||
20 | 35 | Ascension | Oliver Holden | Jesus, our triumphant head | Joseph Hart | 77.77.D.D. | 2:4 | D | 3 | ||
21 | 41 | Anthem | Joseph Stephenson | Behold, I bring you glad tidings | Anthem | 3:4 | G | 4 | Luke Ch. 2 | ||
22 | 49 | Anthem | Aaron Williams | Arise, shine, O Zion | Anthem | 2:2 | b | 4 | |||
23 | 61 | 6307 | Invocation to Charity | Oliver Holden | Come charity with goodness crowned | L.M.D. | 2:2 | G | 3 | Masonic ode | |
24 | 66 | Anthem | Joseph Stephenson | Praise the Lord, O my soul | Anthem | 3:4 | G | 4 | Psalm 104 | ||
25 | 77 | 3257a | Denmark | Martin Madan | Before Jehovah's awful throne | Tate & Brady | L.M.D.D. | 2:4 | D | 3 | |
26 | 82 | Anthem | William Selby | Behold, he is my salvation | Anthem | 2:4 | D | 4 | |||
27 | 90 | Messiah | Oliver Holden | Ye nymphs of Solima, begin the song | Alexander Pope | 10 10.10 10. | 2:4 | G | 3 | ||
28 | 103 | Anthem | Aaron Williams | Lift up your heads, O ye gates | Anthem | 3:4 | C | 3 | Psalm 24 | ||
29 | 106 | Chorus | Aaron Williams | Blessed be the Lord God of Israel | Anthem | 2:2 | C | 4 | |||
30 | 108 | A Funeral Anthem | William Billings | I heard a great voice from heaven | Anthem | 3:2 | f | 4 | Revelation Ch. 14 | ||
31 | 110 | Ode Introductory | Oliver Holden | Hark, what distant music melts | Thaddeus Harris | Anthem | 2:2 | C | 4 | To sacred concert | |
32 | 115 | Anthem | Joseph Stephenson | O Zion, that bringest good tidings | Anthem | 3:4 | C | 3 | Isaiah Ch. 40 | ||
33 | 118 | 5550 | Sheffield | G. Breillat | Sinner, O why so thoughtless grown | L.M.D.D. | 2:2 | G | 3 | ||
34 | 121 | 3662a | Ashley | Unattrib. 1774 | Salvation! O the joyful sound | Isaac Watts | C.M. | 2:4 | G | 4 | |
35 | 123 | Anthem | Joseph Stephenson | Hear my prayer, O Lord | Anthem | 3:2 | g | 4 | Psalm 102 | ||
36 | 126 | Epsom | Martin Madan | Come, let us join our cheerful songs | Isaac Watts | C.M.D.D. | 4:4 | G | 3 | ||
37 | 132 | 6313 | Psalm 150 | Joseph Stephenson | O praise the Lord in that blest place | L.M. | 3:2 | G | 4 | ||
38 | 134 | 6308 | The Lord's Prayer | Joseph Stephenson | Father of all, enthroned above | L.M. | 2:2 | C | 4 | ||
39 | 136 | 3322b | Scotland | Thomas Arne | King of Salem, bless my soul | W. | 77.77.D.D. | 3:4 | F | 3 | |
40 | 139 | Anthem | Joseph Stephenson | Praise the Lord, ye servants | Anthem | 3:4 | G | 4 | Psalm 113 | ||
41 | 144 | Dismission | Joseph Stephenson | Lord now lettest thou thy servant | Anthem | 3:4 | C | 4 | |||
42 | 146 | 2249a | Habakkuk | Unattrib. 1754 | Away, my unbelieving fear | Charles Wesley | L.M.D.D. | 4:4 | C | 3 | |
43 | 148 | Anthem | William Selby | O be joyful in the Lord | Anthem | 2:4 | C | 4 | Psalm 100 | ||
44 | 154 | 2786a | Hotham | Martin Madan | Jesus, lover of my soul | 77.77.D. | 4:4 | E♭ | 3 | ||
45 | 155 | Cambridge | Felice Giardini | Father, how wide thy glory shines | Isaac Watts | C.M.D.D. | 4:4 | F | 3 | ||
46 | 160 | 6316 | Salem | Oliver Holden | Som seraph, lend your heavenly tongue | Isaac Watts | C.M. | 2:4 | G | 3 | |
47 | 161 | An Anthem | Jacob Kimball | O come, sing unto the Lord | Anthem | 2:2 | C | 4 | |||
48 | 167 | 6312 | Providence | Isaac Lane | Time flies, man dies | Isaac Lane | 10 10. | 4:4 | f | 3 | |
49 | 168 | Massachusetts | Robert Rogerson | Hail, sacred art | Unattrib. 1779 | Anthem | 4:4 | G | 3 | ||
50 | 174 | 6309 | Minerva | Allen | When the great builder arched the skies | Isaac Watts | L.M. | 4:4 | G | 4 | |
51 | 175 | 6290 | Coronation | Oliver Holden | All hail the power of Jesus' name | Edward Perronet | C.M. | 4:4 | A♭ | 4 | |
52 | 176 | 4741 | Greenwich | Daniel Read | Lord, what a thoughtless wretch was I | Isaac Watts | L.M.D. | 4:4 | e | 4 | |
53 | 177 | 4789 | Russia | Daniel Read | False are the men of high degree | Isaac Watts | L.M. | 4:4 | a | 4 | |
54 | 178 | 7235 | Canton | Oliver Holden | How did my heart rejoice to hear | Isaac Watts | C.M.D. | 4:4 | C | 4 | |
55 | 179 | 4609a | Lisbon | Daniel Read | Welcome, sweet day of rest | Isaac Watts | S.M. | 4:4 | B♭ | 4 | |
56 | 180 | 7243a | Lord's Day | Oliver Holden | This is the glorious day | Isaac Watts | S.M.D. | 3:4 | D | 3 | |
57 | 181 | 6287 | Concord | Oliver Holden | The hill of Zion yields | Isaac Watts | S.M. | 4:4 | C | 4 | |
58 | 182a | 143a | Old Hundred | Louis Bourgeois | Be thou, O God, exalted high | Tate & Brady | L.M. | 2:2 | A | 4 | |
59 | 182b | 4628 | Windham | Daniel Read | Broad is the road that leads to death | Isaac Watts | L.M. | 4:4 | f | 4 | |
60 | 183 | 4527a | Enfield | Solomon Chandler | Before the rosy dawn of day | Elizabeth Rowe | C.M.D. | 2:2 | E | 4 | |
61 | 184 | 7249 | Paradise | Oliver Holden | Now to the shining realms above | Isaac Watts | L.M.D. | 4:4 | D | 4 | |
62 | 185 | 2934 | Little Marlborough | Aaron Williams | Welcome, sweet day of rest | Isaac Watts | S.M. | 3:4 | a | 4 | |
63 | 186 | 7112 | Italy | Antonio Sacchini | Let him embrace my soul | Isaac Watts | L.M.D. | 3:4 | B♭ | 3 | |
64 | 188 | 7259 | Verona | Oliver Holden | Lord of the worlds above | Isaac Watts | 66.66.88. | 4:4 | B♭ | 4 | |
65 | 189 | 6285 | Charleston | Frothingham | With earnest longings of the mind | Isaac Watts | C.M. | 4:4 | a | 4 | |
66 | 189 | 4783 | Devotion | Daniel Read | Sweet is the day of sacred rest | Isaac Watts | L.M. | 4:4 | C | 4 | |
67 | 190 | 6035 | Funeral Hymn | Oliver Holden | Why do we mourn departing friends | Isaac Watts | C.M. | 4:4 | e | 4 | |
68 | 191 | 7246 | Magdala | Oliver Holden | I'll praise my maker with my breath | Isaac Watts | 88.88.88. | 4:4 | C | 3 | |
69 | 192a | 6291 | Deliverance | Oliver Holden | Soon shall I quit this mortal shore | Henry Alline | C.M. | 4:4 | a | 3 | |
70 | 192b | 7242 | Incense | Oliver Holden | Nature with all her powers shall sing | Isaac Watts | L.M.D. | 3:4 | G | 3 | |
71 | 194 | 4927b | New Canaan | Oliver Holden | The Lord Jehovah reigns | Isaac Watts | 668.668. | 4:4 | C | 4 | |
72 | 195 | 4690a | Jordan | William Billings | There is a land of pure delight | Isaac Watts | C.M.D. | 4:4 | A | 4 | |
73 | 196 | 4439a | Invitation | Jacob Kimball | Come, my beloved, haste away | Isaac Watts | L.M. | 4:4 | D | 4 | Corrected from Rural Harmony |
74 | 197 | 4091a | Newton | Isaac Smith | Come, we who love the Lord | Isaac Watts | S.M. | 4:4 | C | 4 | |
75 | 198 | 4926 | Hollis | Oliver Holden | My soul, come meditate the day | Isaac Watts | C.M. | 4:4 | d | 4 | |
76 | 199a | 4629 | Winter | Daniel Read | His hoary frost, his fleecy snow | Isaac Watts | C.M. | 2:2 | F | 4 | |
77 | 199b | 975a | Wells | Israel Holdroyd | Life is the time to serve the Lord | Isaac Watts | L.M. | 4:4 | F | 4 | |
78 | 200 | 2606 | Milford | Joseph Stephenson | If angels sang a Savior's birth | Isaac Watts | C.M. | 4:4 | A | 4 | |
79 | 201 | 2640 | Thirty-fourth Psalm | Joseph Stephenson | Through all the changing scenes of life | Tate & Brady | C.M. | 4:4 | C | 4 | |
80 | 202 | 4077a | Worcester | Abraham Wood | How beauteous are their feet | Isaac Watts | S.M.D. | 4:4 | F | 4 | |
81 | 203 | 3540a | Dover | Unattrib. 1772 | Great is the Lord our God | Isaac Watts | S.M. | 4:4 | F | 3 | |
82 | 204 | 6332 | Durham | Jacob Kimball | How pleasant tis to see | Isaac Watts | 668.668. | 3:4 | G | 4 | |
83 | 205 | 4782a | Danbury | Daniel Read | Our life is ever on the wing | Isaac Watts | C.M. | 4:4 | a | 4 | |
84 | 206a | 4290 | Virginia | Oliver Brownson | Thy words the raging winds control | Isaac Watts | C.M. | 4:4 | e | 4 | |
85 | 206b | 3991a | Truro | Unattrib. 1778 | Now to the Lord a noble song | Isaac Watts | L.M. | 2:4 | F | 3 | |
86 | 207a | 5786 | Hinsdale | Samuel Holyoke | Thou wilt reveal the pats of life | Isaac Watts | C.M. | 4:4 | G | 4 | |
87 | 207b | 2931a | Funeral Thought | Isaac Smith | Hark, from the tombs a doleful sound | Isaac Watts | C.M. | 4:4 | a | 3 | |
88 | 208 | 6380 | Yarmouth | Jacob Kimball | My soul, repeat his praise | Isaac Watts | S.M. | 4:4 | E | 4 | |
89 | 209 | 6180b | Psalm 119 | Smith | Had not thy word been my delight | Isaac Watts | C.M. | 4:4 | e | 4 | |
90 | 210 | Funeral Anthem | Jacob Kimball | I heard a great voice from heaven | Anthem | 4:4 | C | 4 | Revelation Ch. 14 | ||
91 | 212 | 7206a | New Jerusalem | Jeremiah Ingalls | From the third heaven where God resides | Isaac Watts | C.M. | 4:4 | G | 3 | |
92 | 213a | 4530 | Lisbon | Timothy Swan | O let thy God and King | Isaac Watts | S.M. | 4:4 | C | 4 | |
93 | 213b | 3408 | Lebanon | William Billings | Lord, what is man, poor feeble man | Isaac Watts | C.M. | 4:4 | a | 4 | |
94 | 214 | 4622a | Sherburne | Daniel Read | While shepherds watched their flocks by night | Tate & Brady | C.M. | 4:4 | D | 4 | |
95 | 215 | 4624 | Victory | Daniel Read | Now shall my head be lifted high | Isaac Watts | C.M. | 4:4 | E♭ | 4 | |
96 | 216 | 7361 | Edom | Oliver Holden | With songs and honors sounding loud | Isaac Watts | C.M.D. | 4:4 | F | 4 | |
97 | 217 | 3965a | Portugal | Unattrib. 1775 | How lovely, how divinely sweet | Anne Steele | L.M. | 2:4 | G | 3 | |
98 | 218 | 4607a | Judgment | Daniel Read | Behold, the Judge descends | Isaac Watts | 10 10.10 10.10 10. | 4:4 | C | 4 | |
99 | 219 | 7258 | Treasure | Oliver Holden | How doth thy word my heart engage | Isaac Watts | C.M.D. | 4:4 | G | 3 | |
100 | 220a | 3510a | Hancock | George Handel | How sweet and awful is the place | Isaac Watts | C.M. | 3:4 | E | 3 | |
101 | 220b | 3216a | Mount Ephraim | Benjamin Milgrove | Your harps, ye trembling saints | Augustus Toplady | S.M. | 3:4 | E♭ | 3 | |
102 | 221 | 2962d | Bromley | John Broderip | Awake, our souls, away our fears | Isaac Watts | L.M. | 4:4 | G | 4 | |
103 | 222 | 3291 | Stratham | Charles Lockhart | Blest are the souls that hear and know | Isaac Watts | C.M. | 2:4 | D | 3 | |
104 | 223 | 3669a | Brabrook | H. E. | My Savior, my almighty friend | Isaac Watts | C.M.T. | 4:4 | D | 3 | |
105 | 224 | 4663 | Walpole | Abraham Wood | O if my soul were formed for woe | Isaac Watts | C.M.D. | 4:4 | b | 4 | |
106 | 225 | 7935 | Heavenly Theme | Oliver Holden | Begin, my tongue, some heavenly theme | Isaac Watts | C.M. | 4:4 | C | 4 | |
107 | 226 | 7925 | The Cross | Oliver Holden | O the sweet wonders of that cross | Isaac Watts | L.M.D. | 4:4 | G | 4 | |
108 | 227 | 7947 | St. Mary | Oliver Holden | Father, I bless thy gentle hand | Isaac Watts | L.M. | 3:4 | D | 4 | |
109 | 228 | 7950 | Sparta | Oliver Holden | Sing to the Lord a new-made song | Tate & Brady | L.M.D. | 4:4 | G | 4 | |
110 | 229 | 7933 | Golden Lyre | Oliver Holden | Hark, what celestial notes | Unattrib. 1799 | 66.66.88. | 4:4 | B♭ | 4 | |
111 | 230a | 7930 | Ephesus | Oliver Holden | The uplifted eye and bended knee | Thomas Scott | L.M. | 4:4 | c | 3 | |
112 | 230b | 7934 | Havannah | Oliver Holden | Praise to God, immortal praise | Anna Barbauld | 77.77. | 4:4 | A | 3 | |
113 | 231 | 7946 | Rising Dawn | Oliver Holden | Behold the rising dawn appear | Isaac Watts | C.M.D. | 4:4 | A | 3 | |
114 | 232a | 7932 | Eternal Wisdom | Oliver Holden | Eternal Wisdom, thee we praise | Isaac Watts | C.M. | 4:4 | F | 3 | |
115 | 232b | 7926 | Cuba | Oliver Holden | While some on me with wonder gaze | Tate & Brady | C.M. | 4:4 | e | 3 | |
116 | 233a | 7948 | Sicily | Oliver Holden | In the soft season of my youth | Thomas Gibbons | C.M. | 4:4 | c | 4 | |
117 | 233b | 7951a | Sun | Oliver Holden | Fairest of all the lights above | Isaac Watts | L.M. | 2:4 | D | 3 | |
118 | 234a | 7942 | Oracle | Oliver Holden | Father of mercies, in thy word | Anne Steele | C.M. | 3:4 | D | 3 | |
119 | 234b | 7920 | Alibama | Oliver Holden | Hark, tis the trumpet's piercing sound | John Needham | L.M. | 4:4 | d | 4 | |
120 | 235a | 7924 | Corinth | Oliver Holden | Bless God, O my soul | William Vincent | 10 10.11 11. | 4:4 | B♭ | 3 | |
121 | 235b | 7949 | Solemnity | Oliver Holden | Death, tis a melancholy day | Isaac Watts | C.M. | 4:4 | d | 4 | |
122 | 236 | 7943 | Persia | Oliver Holden | Now to the Lord, who makes us know | Isaac Watts | L.M. | 4:4 | C | 4 | |
123 | 237a | 7956 | Weary Pilgrim | Oliver Holden | Come, said Jesus' sacred voice | Anna Barbauld | 77.77. | 6:8 | d | 4 | |
124 | 237b | 7921 | Athens | Oliver Holden | Had I the tongues of Greeks and Jews | Isaac Watts | L.M. | 4:4 | G | 3 | |
125 | 238 | 7952 | Surety | Oliver Holden | To this dear surety's hand | Isaac Watts | 66.66.88. | 4:4 | E | 3 | |
126 | 239 | 7944 | Praise to God | Oliver Holden | Praise to God the great Creator | John Taylor | 87.87.D. | 2:4 | D | 3 | |
127 | 240 | 7938 | Jehovah Reigns | Oliver Holden | Jehovah reigns! Let every nation hear | Anna Barbauld | 10 10.10 10.10 10. | 2:4 | E | 4 | |
128 | 241 | 7937 | Immanuel | Samuel Babcock | Hail! Thou once despised Jesus | Isaac Watts | 87.87.D. | 2:4 | G | 3 | |
129 | 242a | 7928a | Elim | Samuel Babcock | Lift your voice and thankful sing | Merrick | 77.77. | 2:4 | G | 3 | |
130 | 242b | 7929 | Emulation | Oliver Holden | Now let us raise our cheerful strains | Anne Steele | L.M. | 4:4 | C | 4 | |
131 | 243 | 7955 | Vergennes | Oliver Holden | My heart and flesh cry out for thee | Isaac Watts | C.M.D. | 4:4 | g | 3 | |
132 | 244 | 7940 | Mantua | Oliver Holden | A blooming paradise of joy | Isaac Watts | C.M.D. | 4:4 | G | 3 | |
133 | 245 | 7923 | Compassion | Oliver Holden | Did Christ for sinners weep | Benjamin Beddome | S.M. | 4:4 | d | 3 | |
134 | 246a | 7922a | Bethsaida | Oliver Holden | Beside the Gospel pool | John Newton | S.M. | 4:4 | C | 4 | |
135 | 246b | 7957 | Why Weepest Thou | Oliver Holden | Why, O my soul, why weepest thou | Benjamin Beddome | C.M. | 4:4 | c | 3 | |
136 | 247 | 7953 | Suspension | Oliver Holden | My harp untuned and laid aside | John Newton | L.M. | 3:4 | d | 3 | |
137 | 248 | 7927 | Dawning Light | Oliver Holden | From the first dawming light | Isaac Watts | S.M. | 4:4 | c | 3 | |
138 | 249 | 7939 | Lodi | Oliver Holden | Happy the church, thou sacred place | Isaac Watts | L.M.D. | 4:4 | G | 3 | |
139 | 250 | 7941 | Opening Heavens | Oliver Holden | The opening heavens around me shine | Isaac Watts | C.M.D. | 4:4 | F | 3 | |
140 | 251 | 7931 | Erie | Oliver Holden | As lost in lonely grief | Joel Barlow | 88.88.88. | 4:4 | a | 3 | |
141 | 252a | 7936 | How Sweetly | Oliver Holden | How sweetly, along the gay mead | Anne Steele | L.M. | 4:4 | C | 3 | |
142 | 252b | 7954 | Tender Thoughts | Oliver Holden | Arise, my tender thoughts, arise | Philip Doddridge | L.M. | 4:4 | d | 3 | |
143 | 253 | 7945 | Psalm 148 | Oliver Holden | Begin, my soul, the exalted lay | John Ogilvy | 886.886. | 2:4 | D | 3 |
Works at CPDL
Title | Composer | Lyricist | First Line | Subgenre | Meter |
---|---|---|---|---|---|
Salem | Oliver Holden | Isaac Watts | Some seraph, lend your heavenly tongue | 86. 86 (C.M.) | |
The Cross | Oliver Holden | Isaac Watts | O! The sweet wonders of that cross | 88. 88 (L.M.) |