The festal morn, my God, is come (from A Ninth Set of Psalm Tunes) (Thomas Clark): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{CPDLno|27191}} [[Media:ClarT-TheFestalMorn.pdf|{{pdf}}]] [[Media:ClarT-TheFestalMorn.mid|{{mid}}]] [[Media:ClarT-TheFestalMorn.mxl|{{XML}}]] [[Media:ClarT-TheFestalMorn.sib|{{sib}}]] (Sibelius 7) | *{{PostedDate|2012-09-21}} {{CPDLno|27191}} [[Media:ClarT-TheFestalMorn.pdf|{{pdf}}]] [[Media:ClarT-TheFestalMorn.mid|{{mid}}]] [[Media:ClarT-TheFestalMorn.mxl|{{XML}}]] [[Media:ClarT-TheFestalMorn.sib|{{sib}}]] (Sibelius 7) | ||
{{Editor|Edmund Gooch|2012-09-21}}{{ScoreInfo|A4|2|57}}{{Copy|Public Domain}} | {{Editor|Edmund Gooch|2012-09-21}}{{ScoreInfo|A4|2|57}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|Original order of staves is 2d. - 1st. - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] thereafter. The 2nd part of the symphony after the verse is given on the Tenor stave in the source, but is given on the Alto stave in the present edition. The Alto part is notated in the treble clef at the upper octave in the source. The first verse of the text is underlaid in the source, with the other verses given here printed after the music.}} | ||
==General Information== | ==General Information== | ||
{{Title|''The festal morn, my God, is come''}} | |||
{{Composer|Thomas Clark}} | {{Composer|Thomas Clark}} | ||
{{Lyricist|James Merrick}} | {{Lyricist|James Merrick}} | ||
{{Voicing|4|SATB}} | {{Voicing|4|SATB}} | ||
{{Genre|Sacred|Hymns}} {{Meter|886. 886}} | {{Genre|Sacred|Hymns}} {{Meter|886. 886}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|Basso continuo}} | {{Instruments|Basso continuo}} | ||
{{Pub|1|1830|in ''{{NoCo|A Ninth Set of Psalm Tunes}}''|pg=25}} | {{Pub|1|1830|in ''{{NoCo|A Ninth Set of Psalm Tunes}}''|pg=25}} | ||
{{Descr|Setting of verses from James Merrick's metrical version of Psalm 122. The same text was previously set by Clark to two different tunes: [[The festal morn, my God, is come (Aldham) (Thomas Clark)|'Aldham']], in {{NoComp|A Fourth Set of Psalm and Hymn Tunes|Thomas Clark}}, London: [c1808], and 'Palermo', in ''Clark's Seventh Book of Hymn Tunes'', London: [1813-1815].}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Psalm 122}} | {{LinkText|Psalm 122}} |
Latest revision as of 03:50, 12 September 2021
Music files
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- Editor: Edmund Gooch (submitted 2012-09-21). Score information: A4, 2 pages, 57 kB Copyright: Public Domain
- Edition notes: Original order of staves is 2d. - 1st. - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] thereafter. The 2nd part of the symphony after the verse is given on the Tenor stave in the source, but is given on the Alto stave in the present edition. The Alto part is notated in the treble clef at the upper octave in the source. The first verse of the text is underlaid in the source, with the other verses given here printed after the music.
General Information
Title: The festal morn, my God, is come
Composer: Thomas Clark
Lyricist: James Merrick
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 886. 886
Language: English
Instruments: Basso continuo
First published: 1830 in A Ninth Set of Psalm Tunes, p. 25
Description: Setting of verses from James Merrick's metrical version of Psalm 122. The same text was previously set by Clark to two different tunes: 'Aldham', in A Fourth Set of Psalm and Hymn Tunes, London: [c1808], and 'Palermo', in Clark's Seventh Book of Hymn Tunes, London: [1813-1815].
External websites:
Original text and translations
Original text and translations may be found at Psalm 122.