User:William Evans: Difference between revisions

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(Created page with "==General information== '''Country of origin:''' Australia '''Contributor since:''' 2014-05-28 {{EditionsLink}} ==Contact information== '''e-mail:''' w.evans.missaegoluce...")
 
 
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==Contact information==
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==Education==
==Education==
BA (Music & Performance Studies) at the University of Sydney. Studied composition with Anne Boyd, Peter Sculthorpe, Ross Edwards and Elliott Gyger.


==Background==
==Background==
Chorister at [https://www.stpeters.org.au/ St Peters Eastern Hill] (Anglican/Episcopalian) and with [http://gloriana.com.au/ Gloriana Chamber Choir] in Melbourne, Australia.


The Mass editions I have contributed are mainly for practical use in our choir. In pieces I edited a few years ago, the Credo movements of the Mass are generally omitted as these are sung congregationally at St Peters. I have included this movement in later editions for the benefit of other users. I hope you enjoy performing these pieces as much as I do.
I am always happy to hear from cpdl members about changes or corrections and would also love to hear about any performances of these pieces.


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[[Category:CPDL Editors]]
[[Category:CPDL Editors]]

Latest revision as of 04:59, 8 December 2019

General information

Country of origin: Australia

Contributor since: 2014-05-28

Works with editions by this editor: 77 (see list)

See also: William Evans's composer page.

Contact information

e-mail: w.evans.missaegolucemvideret  At sign.png  gmail.com

Education

BA (Music & Performance Studies) at the University of Sydney. Studied composition with Anne Boyd, Peter Sculthorpe, Ross Edwards and Elliott Gyger.

Background

Chorister at St Peters Eastern Hill (Anglican/Episcopalian) and with Gloriana Chamber Choir in Melbourne, Australia.

The Mass editions I have contributed are mainly for practical use in our choir. In pieces I edited a few years ago, the Credo movements of the Mass are generally omitted as these are sung congregationally at St Peters. I have included this movement in later editions for the benefit of other users. I hope you enjoy performing these pieces as much as I do. I am always happy to hear from cpdl members about changes or corrections and would also love to hear about any performances of these pieces.