Viderunt omnes (Christoph Dalitz): Difference between revisions
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{{Descr|A Christamas motet commissioned by the "Schola Cantorum of Most Precious Blood of Jesus Parish" (Pittsburgh, USA), which is directed by John Rokosz. The exuberant style is reminiscent of the late 16th century (e.g. Gabrieli), and the motet includes many musical interpretations of the text. As some of these are less obvious, detailed explanations of the musical word painting can be found on the website given below. }} | {{Descr|A Christamas motet commissioned by the "Schola Cantorum of Most Precious Blood of Jesus Parish" (Pittsburgh, USA), which is directed by John Rokosz. The exuberant style is reminiscent of the late 16th century (e.g. Gabrieli), and the motet includes many musical interpretations of the text. As some of these are less obvious, detailed explanations of the musical word painting can be found on the website given below.}} | ||
{{#ExtWeb:http://music.dalitio.de/choir/dalitz/viderunt-omnes/}} | {{#ExtWeb:http://music.dalitio.de/choir/dalitz/viderunt-omnes/ | ||
[https://vimeo.com/795921672 Recording with explanations] (Vimeo video)}} | |||
==Original text and translations== | ==Original text and translations== | ||
Latest revision as of 16:00, 23 February 2023
Music files
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- (Posted 2022-12-24) CPDL #71993:
- Editor: Christoph Dalitz (submitted 2022-12-24). Score information: A4, 5 pages, 109 kB Copyright: CC BY SA
- Edition notes: For the middle part before the refrain is repeated, the edition includes two alternative versions. One is the original Latin verse from the Graduale Romanum, the other one is an English translation of the preceding Latin text. The latter version might be useful as a self-explanatory "subtitle".
General Information
Title: Viderunt omnes
Composer: Christoph Dalitz
Lyricist:
Number of voices: 5vv Voicing: SSATB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 2022
Description: A Christamas motet commissioned by the "Schola Cantorum of Most Precious Blood of Jesus Parish" (Pittsburgh, USA), which is directed by John Rokosz. The exuberant style is reminiscent of the late 16th century (e.g. Gabrieli), and the motet includes many musical interpretations of the text. As some of these are less obvious, detailed explanations of the musical word painting can be found on the website given below.
External websites:
Original text and translations
Original text and translations may be found at Viderunt omnes.