William Byrd: Difference between revisions

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(Make 2 edition marker for: Sing Joyfully (William Byrd))
(Edition marker for: Cibavit eos (William Byrd))
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*[[Christ rising again (William Byrd)|<i>Christ rising again</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-ch1.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-ch1.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/byrd-ch1.sib Sibelius 2]&nbsp;)
*[[Christ rising again (William Byrd)|<i>Christ rising again</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-ch1.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-ch1.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/byrd-ch1.sib Sibelius 2]&nbsp;)
*[[Christus resurgens (William Byrd)|<i>Christus resurgens</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-chr.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-chr.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/byrd-chr.sib Sibelius 2]&nbsp;)
*[[Christus resurgens (William Byrd)|<i>Christus resurgens</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-chr.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-chr.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/byrd-chr.sib Sibelius 2]&nbsp;)
*[[Cibavit eos (William Byrd)|<i>Cibavit eos</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-cib.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-cib.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;)
*[[Cibavit eos (William Byrd)|<i>Cibavit eos</i>]] - ''2 editions available''
*[[Cibavit eos (William Byrd)|<i>Cibavit eos</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-ci1.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-ci1.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/byrd-ci1.sib Sibelius 2]&nbsp;)
*[[Circumdederunt me (William Byrd)|<i>Circumdederunt me</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-cir.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-cir.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/byrd-cir.sib Sibelius 2]&nbsp;)
*[[Circumdederunt me (William Byrd)|<i>Circumdederunt me</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-cir.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-cir.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/byrd-cir.sib Sibelius 2]&nbsp;)
*[[Civitas sancti tui (William Byrd)|<i>Civitas sancti tui</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-civ.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-civ.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/byrd-civ.sib SIBELIUS]&nbsp;)
*[[Civitas sancti tui (William Byrd)|<i>Civitas sancti tui</i>]]&nbsp;&nbsp;&nbsp;(&nbsp;[http://wso.williams.edu/cpdl/sheet/byrd-civ.pdf http://www.cpdl.org/wiki/images/8/84/Icon_pdf.gif]&nbsp;[http://wso.williams.edu/cpdl/sound/byrd-civ.mid http://www.cpdl.org/wiki/images/8/81/Icon_snd.gif]&nbsp;[http://wso.williams.edu/cpdl/source/byrd-civ.sib SIBELIUS]&nbsp;)

Revision as of 14:41, 21 November 2005

Life

Born:

Died: 4 July 1623]]

William Byrd (1540? – July 4, 1623) was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia is a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries.

Biography

View the Wikipedia article on William Byrd.

List of choral works

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