Uploads by Gallan
Jump to navigation
Jump to search
This special page shows all uploaded files.
| Date | Name | Thumbnail | Size | Description | Versions |
|---|---|---|---|---|---|
| 16:43, 16 January 2026 | Vox Clara - Accompanied - LatAndEng.nwc (file) |  |
7 KB | A setting of the Latin Advent Hymn for the service of Lauds. The text is from the 6th Century. The music is based on the "Gregorian" chant for the hymn. Each verse gets progressively more complex. | 1 |
| 16:41, 16 January 2026 | Vox Clara - Accompanied - LatAndEng.mid (file) |  |
11 KB | A setting of the Latin Advent Hymn for the service of Lauds. The text is from the 6th Century. The music is based on the "Gregorian" chant for the hymn. Each verse gets progressively more complex. | 1 |
| 16:41, 16 January 2026 | Vox Clara - Accompanied - LatAndEng.pdf (file) |  |
169 KB | A setting of the Latin Advent Hymn for the service of Lauds. The text is from the 6th Century. The music is based on the "Gregorian" chant for the hymn. Each verse gets progressively more complex. | 1 |
| 16:26, 11 December 2025 | The Virgin's Song.vsn 2.nwc (file) | |
5 KB | A gentle a capella carol sung by Mary. Words from from the British Museum's Harleian Manuscript 7322, Folio 135. This carol uses a loose translation of the mediaeval English words from around 1375. | 1 |
| 16:26, 11 December 2025 | The Virgin's Song.vsn 2.mid (file) | |
8 KB | A gentle a capella carol sung by Mary. Words from from the British Museum's Harleian Manuscript 7322, Folio 135. This carol uses a loose translation of the mediaeval English words from around 1375. | 1 |
| 16:25, 11 December 2025 | The Virgin's Song-Print-2.pdf (file) | |
956 KB | A gentle a capella carol sung by Mary. Words from from the British Museum's Harleian Manuscript 7322, Folio 135. This carol uses a loose translation of the mediaeval English words from around 1375. | 1 |
| 17:32, 6 November 2025 | Love Brought me Down.nwc (file) | |
10 KB | This is a setting for SATB choir and piano of five verses of a poem by Christina Rossetti (1830-1894) called "A Candlemas Dialogue". The poem is written as a dialogue, or conversation, between an unnamed speaker and the speaker's inner self. The poem discusses themes of repentance, joy, and suffering. Rossetti was an English poet who wrote the words of two well known carols, "In the bleak midwinter" and "Love came down at Christmas". | 1 |
| 17:28, 6 November 2025 | Love Brought me Down.mid (file) | |
35 KB | This is a setting for SATB choir and piano of five verses of a poem by Christina Rossetti (1830-1894) called "A Candlemas Dialogue". The poem is written as a dialogue, or conversation, between an unnamed speaker and the speaker's inner self. The poem discusses themes of repentance, joy, and suffering. Rossetti was an English poet who wrote the words of two well known carols, "In the bleak midwinter" and "Love came down at Christmas". | 1 |
| 17:28, 6 November 2025 | LBMD-Print.pdf (file) | |
396 KB | This is a setting for SATB choir and piano of five verses of a poem by Christina Rossetti (1830-1894) called "A Candlemas Dialogue". The poem is written as a dialogue, or conversation, between an unnamed speaker and the speaker's inner self. The poem discusses themes of repentance, joy, and suffering. Rossetti was an English poet who wrote the words of two well known carols, "In the bleak midwinter" and "Love came down at Christmas". | 1 |
| 17:53, 26 June 2025 | Dickinsonia.nwc (file) | |
11 KB | Second to the fifth of Five poems by Emily Dickinson set for four part upper voices and piano. | 1 |
| 17:52, 26 June 2025 | Come slowly-Eden!.nwc (file) | |
4 KB | First of Five poems by Emily Dickinson set for four part upper voices a cappella. | 1 |
| 17:50, 26 June 2025 | Dickinsonia.mid (file) | |
37 KB | Second to the Fifth of Five poems by Emily Dickinson set for four part upper voices and piano. | 1 |
| 17:48, 26 June 2025 | Come slowly-Eden!.mid (file) | |
6 KB | First of Five poems by Emily Dickinson set for four part upper voices. (A Cappella) | 1 |
| 17:47, 26 June 2025 | DickinsoniaP.pdf (file) | |
1.26 MB | Five poems by Emily Dickinson set for four part upper voices and piano. | 1 |
| 17:19, 2 June 2025 | WhatLightIsThis-V2.nwc (file) | |
6 KB | Second edition | 1 |
| 17:02, 2 June 2025 | What Light-Print-V2.pdf (file) | |
1.18 MB | What Light is this? Version 2 (2025) | 1 |
| 12:08, 17 May 2025 | DuckAndKangaroo(1).nwc (file) | |
5 KB | Third song from "Three Learics" | 1 |
| 12:08, 17 May 2025 | The Jumblies(1).nwc (file) | |
6 KB | Second song from "Three Learics" | 1 |
| 12:07, 17 May 2025 | Calico Pie(1).nwc (file) | |
4 KB | First song from "Three Learics" | 1 |
| 12:04, 17 May 2025 | DuckAndKangaroo(1).mid (file) | |
19 KB | Third song from "Three Learics" | 1 |
| 12:03, 17 May 2025 | The Jumblies(1).mid (file) | |
23 KB | Second song from "Three Learics" | 1 |
| 12:03, 17 May 2025 | Calico Pie(1).mid (file) | |
13 KB | The First Song from From "Three Learics" by Edward Lear | 1 |
| 12:01, 17 May 2025 | Three Learics-print.pdf (file) | |
2.54 MB | Three nonsense poems by the wonderful Edward Lear. I have set only some of the verses and I have slightly amended some of the words. Calico Pie The Jumblies The Duck and the Kangaroo | 1 |
| 17:40, 9 March 2025 | Christmas Blessings.nwc (file) | |
6 KB | The setting is of two intermingled Christmas Blessing texts, the first is by an anonymous author, the second (partial setting) is attributed to Robert Louis Stevenson (1850-1894), author of “Treasure Island” and much more. (The words in italics have not been set in this piece) | 1 |
| 17:37, 9 March 2025 | Christmas Blessings.mid (file) | |
15 KB | The setting is of two intermingled Christmas Blessing texts, the first is by an anonymous author, the second (partial setting) is attributed to Robert Louis Stevenson (1850-1894), author of “Treasure Island” and much more. The words in italics have not been set in this piece. | 1 |
| 17:37, 9 March 2025 | Christmas Blessings Print.pdf (file) | |
594 KB | The setting is of two intermingled Christmas Blessing texts, the first is by an anonymous author, the second (partial setting) is attributed to Robert Louis Stevenson (1850-1894), author of “Treasure Island” and much more. The words in italics have not been set in this piece. | 1 |
| 18:53, 7 January 2025 | Let Us Gather.nwc (file) | |
7 KB | A new setting of a mediaeval nativity carol from c1350. Translated into modern English by Brian Stone. | 1 |
| 18:51, 7 January 2025 | Let Us Gather.mp3 (file) | |
6.68 MB | A new setting of a mediaeval nativity carol from c1350. Translated into modern English by Brian Stone. | 1 |
| 18:50, 7 January 2025 | Let Us Gather-Prin.pdf (file) | |
935 KB | A new setting of a mediaeval nativity carol from c1350. Translated into modern English by Brian Stone. | 1 |
| 19:48, 20 August 2024 | 5.Christmas Mass Agnus Dei.mid (file) | |
8 KB | 3.Christmas Mass Sanctus.mid | 1 |
| 19:46, 20 August 2024 | 4.Christmas Mass Benedictus.mid (file) | |
9 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses Christmas carol tunes and is suitable for an experienced choir to use in the Christmas season. | 1 |
| 19:45, 20 August 2024 | 3.Christmas Mass Sanctus.mid (file) | |
10 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses Christmas carol tunes and is suitable for an experienced choir to use in the Christmas season. | 1 |
| 19:33, 20 August 2024 | 5.Christmas Mass Agnus Dei.nwc (file) | |
3 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses Christmas carol tunes and is suitable for an experienced choir to use in the Christmas season 4. Agnus Dei | 1 |
| 19:31, 20 August 2024 | 4.Christmas Mass Benedictus.nwc (file) | |
3 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses Christmas carol tunes and is suitable for an experienced choir to use in the Christmas season) 4. Benedictus | 1 |
| 19:29, 20 August 2024 | 3. Christmas Mass Sanctus.nwc (file) | |
4 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses Christmas carol tunes and is suitable for an experienced choir to use in the Christmas season) 3. Sanctus | 1 |
| 19:27, 20 August 2024 | 2.Christmas Mass Gloria.nwc (file) | |
6 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses Christmas carol tunes and is suitable for an experienced choir to use in the Christmas season) 2. Gloria | 1 |
| 19:19, 20 August 2024 | 1.Christmas Mass Kyrie.nwc (file) | |
4 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses Christmas carol tunes and is suitable for an experienced choir to use in the Christmas season) 1. Kyrie | 1 |
| 19:12, 20 August 2024 | 2. Gloria.mid (file) | |
19 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses christmas carol tunes and is suitable for an experienced choir to use in the christmas season) 2. Gloria | 1 |
| 19:11, 20 August 2024 | 1. Kyrie.mid (file) | |
10 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses christmas carol tunes and is suitable for an experienced choir to use in the christmas season) 1. Kyrie | 1 |
| 19:10, 20 August 2024 | Communion Service for Christmas-print-V2.pdf (file) | |
816 KB | A cappella polyphonic setting of the Anglican communion service (omitting the creed). The setting uses christmas carol tunes and is suitable for an experienced choir to use in the christmas season) | 1 |
| 12:35, 30 May 2024 | All Will be Well.nwc (file) | |
9 KB | Preferably to be sung unaccompanied. The solo parts could be sung by a small group of singers rather than solo voices. The texts are from the writings of Julian of Norwich, an anchorite who lived from about 1343 to about 1416. | 1 |
| 12:33, 30 May 2024 | All Will be Well.mid (file) | |
24 KB | Preferably to be sung unaccompanied. The solo parts could be sung by a small group of singers rather than solo voices. The texts are from the writings of Julian of Norwich, an anchorite who lived from about 1343 to about 1416. | 1 |
| 12:33, 30 May 2024 | All Will be Well-Print-2.pdf (file) | |
512 KB | Preferably to be sung unaccompanied. The solo parts could be sung by a small group of singers rather than solo voices. The texts are from the writings of Julian of Norwich, an anchorite who lived from about 1343 to about 1416. | 1 |
| 16:29, 13 March 2024 | Most Merciful2.nwc (file) | |
6 KB | 2 | |
| 16:28, 13 March 2024 | Most Merciful.pdf (file) | |
316 KB | Text from the Anglican Prayer Book. Copyright (c) J G Allan 2020. This edition can be fully distributed, duplicated, performed and recorded. | 2 |
| 11:15, 1 March 2024 | Caeli latest.nwc (file) | |
11 KB | Setting of verses 2-4 of Psalm 18 (Vulgate) (Psalm 19 Anglican Psalter) for a capella choir. | 1 |
| 11:14, 1 March 2024 | Caeli latest.mid (file) | |
28 KB | Setting of verses 2-4 of Psalm 18 (Vulgate) (Psalm 19 Anglican Psalter) for a capella choir. | 1 |
| 11:12, 1 March 2024 | Caeli Ennarent-Accomp-print.pdf (file) | |
503 KB | Setting of verses 2-4 of Psalm 18 (Vulgate) (Psalm 19 Anglican Psalter) for a capella choir. | 1 |
| 10:08, 1 March 2024 | SwanCreek.nwc (file) | |
6 KB | A part song for four voices (SATB). The text is by an American poet, Williston Fish (1858 - 1939). I used this poem for the slow section of my Concertino for Cor Anglais, Marimba and Strings (also here on YouTube). I liked my tune and wrote this full setting. | 1 |
| 10:07, 1 March 2024 | SwanCreek.mid (file) | |
8 KB | A part song for four voices (SATB). The text is by an American poet, Williston Fish (1858 - 1939). I used this poem for the slow section of my Concertino for Cor Anglais, Marimba and Strings (also here on YouTube). I liked my tune and wrote this full setting. | 1 |