Robert Führer: Difference between revisions
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Born in Praha, there he became 1839 director of music at the dome. He was | Born in Praha, there he became 1839 director of music at the dome. He was deemed to be most talented, but he lived a most expensive style of life. To support this extravigent lifestyle he sold a valuable Stradivarius violin which was owned by the dome. This fact was discovered in 1843, when he was dismissed for this crime. Without a church to call home he wandered through several different towns and villages, but never stayed in any one place for too long. During this period he had to support himself from sales of his church music compositions. Luckly this was sucessful because his music was well loved. No other composer's works enjoyed as widespread performance amongst the choirs in South Germany and Austria. His musical style varies from a composer such as Mozart, and is more in keeping with that of an early Caecilian. His works were often written for rural choirs, meaning that they were not too musically demanding. In spite of this larger and more difficult works can be found in his repertoire. Although his works were sometimes judged to not have been "carefully" composed, he surely was a talented and experienced composer, well loved by his public, who had an innate sense for composing a beautiful melodic line. | ||
{{WikipediaLink}} | {{WikipediaLink}} |
Revision as of 21:40, 8 December 2005
Life
Born: 02 June 1807
Died: 28 November 1861
Biography
Born in Praha, there he became 1839 director of music at the dome. He was deemed to be most talented, but he lived a most expensive style of life. To support this extravigent lifestyle he sold a valuable Stradivarius violin which was owned by the dome. This fact was discovered in 1843, when he was dismissed for this crime. Without a church to call home he wandered through several different towns and villages, but never stayed in any one place for too long. During this period he had to support himself from sales of his church music compositions. Luckly this was sucessful because his music was well loved. No other composer's works enjoyed as widespread performance amongst the choirs in South Germany and Austria. His musical style varies from a composer such as Mozart, and is more in keeping with that of an early Caecilian. His works were often written for rural choirs, meaning that they were not too musically demanding. In spite of this larger and more difficult works can be found in his repertoire. Although his works were sometimes judged to not have been "carefully" composed, he surely was a talented and experienced composer, well loved by his public, who had an innate sense for composing a beautiful melodic line.
View the Wikipedia article on Robert Führer.
List of choral works
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- 6 Deutshe Predigtlieder ( Finale Notepad Finale-2002 )
- Freut euch in Gott Wiehnacht ( Finale Notepad Finale-2002 )
- Oh ewig Wort ( Finale Notepad Finale-2002 )
- Auferstandener ( Finale Notepad Finale-2002 )
- Geist der Liebe ( Finale Notepad Finale-2002 )
- Komm Heiliger Geist mit Deiner Gnad ( Finale Notepad Finale-2002 )
- Komm Heiliger Geist, ein Tröster genannt ( Finale Notepad Finale-2002 )
- Bonum est, Op. 296, No. 4 ( Finale-2002 )
- Caecilienmesse op. 200 ( ) - 2 editions available
- Cantate Domino, Op. 296, No. 6 ( Finale-2002 )
- Da pacem Domine, Op. 296, No. 1 ( Finale-2002 )
- Einstimmige Messe, Op. 171 ( )
- Einstimmige Requiem, Op. 290 ( )
- Gut ist es ( )
- Herr, mein Gott bist du ( )
- In te Domine speravi, Op. 296, No. 2 ( Finale-2002 )
- Kurze Festmesse in Bb (orchestral version) ( Finale Notepad Finale-2004 )
- Kurze Festmesse in Bb (organ version) ( Finale Notepad Finale-2004 )
- Kurze Festmesse in C (orchestral version) ( Finale Notepad Finale-2004 )
- Kurze Festmesse in C (organ version) ( Finale Notepad Finale-2004 )
- Landmesse No. 3 ( )
- Landmesse No. 5 ( )
- Landmesse No. 6 ( )
- Latinische Vesper für Herrenfeste (orchestral version) ( Finale Notepad Finale-2002 )
- Latinische Vesper für Herrenfeste (organ version) ( Finale-2002 )
- Lauda anima, Op. 296, No. 5 ( Finale-2002 )
- Marianische Vesper ( Finale Notepad )
- Marianisches Graduale und Offertorium ( Finale Notepad )
- Marienantiphonen ( Finale Notepad )
- Missa brevis No. 1 in F ( Finale Notepad )
- Missa brevis No. 2 in Bb ( Finale Notepad )
- Missa brevis No. 3 in G ( Finale Notepad )
- Missa brevis No. 4 in A ( Finale Notepad )
- Missa in D ( Finale Notepad )
- Missa No. 2 in G Major ( Finale Notepad )
- Missa pastoralis 'Christnacht' (orchestral version) ( Finale Notepad Finale-2004 )
- Missa pastoralis 'Christnacht' (organ version) ( Finale Notepad Finale-2004 )
- Missa, op. 147 ( Finale Notepad )
- Missa serafica ( Finale Notepad Finale-2002 )
- Non nobis Domine, Op. 296, No. 3 ( Finale-2002 )
- Passionskantate - Christus am Kreuz ( Finale Notepad )
- Pastoralgraduale und Offertorium (german) ( Finale Notepad )
- Pastoralgraduale und Offertorium (latin) ( Finale Notepad )
- Pastoralmesse in A ( Finale Notepad Finale-2002 ) - 2 editions available
- Preismesse (orchestral version) ( Finale Notepad Finale-2004 )
- Preismesse (organ version) ( Finale Notepad Finale-2004 )
- Requiem 'im feierlichen Styl' op. 181 ( Finale Notepad Finale-2002 ) 2 editions available (organ and orchestral versions)
- Requiem in C ( Finale Notepad Finale-2004 ) 2 editions available (organ and orchestral versions)
- Requiem in F ( )
- Sechs kurze und leichte Offertorien, Op. 296 (complete) ( Finale-2002 )
- Secundiz Festmesse, op. 167 ( Finale Notepad ) - 2 editions available
- Sehr kurze und leichte Messe in Bb, Op. 295, No. 5 ( Finale-2002 )
- Sehr kurze und leichte Messe in G, Op. 295, No. 6 ( Finale-2002 )
- Sonntagsmesse No. 4 in C Major ( Finale Notepad )
- Stille Nacht ( Finale Notepad Finale-2004 )
- Te Deum ( Finale Notepad )
- Wintermesse No. 3 ( Finale Notepad )
- Wintermesse No. 5 ( Finale Notepad )
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