William Byrd: Difference between revisions
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{{Aliases|William Byrde|William Bird|William Birde|William Burde|William Burd|discuss=If his surviving signatures are a representative sample, the composer's preferred spelling of his own name was "Byrde", although on his own publications it also appears as Bird and Byrd. His contemporaries knew him indiscriminately as Byrd(e), Bird(e) and even Burd(e).}} | |||
==Life== | ==Life== | ||
[[Image:Byrd.jpg|right]] | [[Image:Byrd.jpg|right]] | ||
'''Born:''' | '''Born:''' 1539 or 1540? | ||
'''Died:''' 4 July 1623 | '''Died:''' 4 July 1623 | ||
'''Biography:'''<br> | '''Biography:'''<br> | ||
William Byrd was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia form a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries. | Byrd's will, dated November 1622, declares that he is ‘in the 80th yeare of myne age’, but since a deposition of October 1598 gives his age as ‘58 yeares or ther abouts’ it seems likely the will had been drafted some time before being dated. | ||
William Byrd was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia form a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries. | |||
The entry in [[Cathedral Music, Volume 2 (William Boyce)]] reads: | The entry in [[Cathedral Music, Volume 2 (William Boyce)]] reads: | ||
Line 13: | Line 16: | ||
William Bird, was admitted a Gentleman of the Chapel Royal in 1569. He, in conjunction with Thomas Tallis, published in 1575 a collection of their own compositions in Latin, entitled, Sacred Songs: and in the Years 1589, 1591, and 1605, he printed three other collections of his own Productions in the same Language, all of which had the same Title with the first conjoint Publication. | William Bird, was admitted a Gentleman of the Chapel Royal in 1569. He, in conjunction with Thomas Tallis, published in 1575 a collection of their own compositions in Latin, entitled, Sacred Songs: and in the Years 1589, 1591, and 1605, he printed three other collections of his own Productions in the same Language, all of which had the same Title with the first conjoint Publication. | ||
His works were, in his own time, in great Repute, both at Home and Abroad, and are still held in general Estimation: His Canon of Non nobis Domine, will, in particular, remain a perpetual Monument to his Memory.--- He died in 1623. | His works were, in his own time, in great Repute, both at Home and Abroad, and are still held in general Estimation: His Canon of Non nobis Domine, will, in particular, remain a perpetual Monument to his Memory.--- He died in 1623. | ||
{{WikipediaLink}} | |||
:<big>Note.</big> This page is only partially automated. For an automated version, see [[/Automated]]. | |||
{{WikipediaLink}} < | |||
==List of choral works== | ==List of choral works== | ||
{{WorksListBox}} | {{WorksListBox}} | ||
==[[Image:Latin.png]] Sacred music== | |||
===in Latin (A-D)=== | |||
{{Top}} | {{Top}} | ||
*{{NoCo|Ab ortu solis - Venite comedite}} | *{{NoCo|Ab ortu solis - Venite comedite}} 4vv | ||
*{{NoCo|Adoramus te}} | *{{NoCo|Ad Dominum cum tribularer}} 8vv | ||
*{{NoCo|Adorna thalamum tuum}} | *{{NoCo|Adoramus te}} Mean & 4 viols | ||
*{{NoCo|Afflicti pro peccatis - Ut eruas nos}} | *{{NoCo|Adorna thalamum tuum}} 3vv | ||
*{{NoCo|Alleluia - Ascendit Deus}} | *{{NoCo|Afflicti pro peccatis - Ut eruas nos}} 6vv | ||
*{{NoCo|Alleluia. Ave Maria - Virga Jesse floruit}} | *{{NoCo|Alleluia - Ascendit Deus}} 5vv | ||
*{{NoCo|Alleluia. Cognoverunt discipuli}} | *{{NoCo|Alleluia. Ave Maria - Virga Jesse floruit}} 5vv | ||
*{{NoCo|Alleluia - Emitte Spiritum tuum}} | *{{NoCo|Alleluia. Cognoverunt discipuli}} 4vv | ||
*{{NoCo|Alleluia. Vespere autem Sabbathi}} | *{{NoCo|Alleluia. Confitemini Domino}} 3vv | ||
*{{NoCo|Alma Redemptoris Mater}} | *{{NoCo|Alleluia - Emitte Spiritum tuum}} 5vv | ||
*{{NoCo|Angelus Domini descendit}} | *{{NoCo|Alleluia. Vespere autem Sabbathi}} 3vv | ||
*{{NoCo|Apparebit in finem}} | *{{NoCo|Alma Redemptoris Mater}} 4vv | ||
*{{NoCo|Ascendit Deus in jubilatione}} | *{{NoCo|Angelus Domini descendit}} 3vv | ||
*{{NoCo|Aspice Domine quia facta est}} | *{{NoCo|Apparebit in finem}} 5vv | ||
*{{NoCo|Aspice Domine de sede - Respice Domine}} {{ | *{{NoCo|Ascendit Deus in jubilatione}} 5vv | ||
*{{NoCo|Assumpta est Maria}} | *{{NoCo|Aspice Domine quia facta est}} 6vv | ||
*{{NoCo|Attollite portas}} | *{{NoCo|Aspice Domine de sede - Respice Domine}} 5vv | ||
*{{NoCo|Audivi vocem}} | {{mdl|4}} | ||
*{{NoCo|Ave Maria}} | *{{NoCo|Assumpta est Maria}} 5vv | ||
*{{NoCo|Ave maris stella}} | *{{NoCo|Attollite portas}} 6vv | ||
*{{NoCo|Ave Regina coelorum}} | *{{NoCo|Audivi vocem}} 5vv | ||
*{{NoCo|Ave verum corpus}} | *{{NoCo|Ave Maria}} 5vv | ||
*{{NoCo|Beata es, Virgo Maria}} | *{{NoCo|Ave maris stella}} 3vv | ||
*{{NoCo|Beata viscera}} | *{{NoCo|Ave Regina coelorum}} 4vv | ||
*{{NoCo|Beati mundo corde}} | *{{NoCo|Ave verum corpus}} 4vv | ||
*{{NoCo|Benedicta et venerabilis}} | *{{NoCo|Beata es, Virgo Maria}} 5vv | ||
*{{NoCo|Cantate Domino}} | *{{NoCo|Beata viscera}} 5vv | ||
*{{NoCo|Christe qui lux es et dies}} | *{{NoCo|Beati mundo corde}} 5vv | ||
*{{NoCo|Christe qui lux es et dies | *{{NoCo|Benedicta et venerabilis}} 5vv | ||
*{{NoCo|Christus resurgens}} {{ | *{{NoCo|Benigne fac, Domine}} 5vv | ||
*{{NoCo|Cibavit eos}} | *{{NoCo|Cantate Domino}} 6vv | ||
*{{NoCo|Christe qui lux es et dies a 5}} | |||
*{{NoCo|Circumdederunt me}} {{ | *{{NoCo|Christe qui lux es et dies a 4}} | ||
*{{NoCo|Ne irascaris Domine - Civitas sancti tui|Civitas sancti tui}} | *{{NoCo|Christus resurgens}} 4vv | ||
*{{NoCo|Confirma hoc Deus}} | {{mdl|4}} | ||
*{{NoCo|Constitues eos | *{{NoCo|Cibavit eos}} 4vv | ||
*{{NoCo|Constitues eos Principes (Offertory)}} | *{{NoCo|Circumdederunt me}} 5vv | ||
*{{NoCo|Cunctis diebus}} | *{{NoCo|Circumspice Hierusalem}} 6vv | ||
*{{NoCo|Da mihi auxilium}} | *{{NoCo|Ne irascaris Domine - Civitas sancti tui|Civitas sancti tui}} 5vv | ||
*{{NoCo|Decantabat populus}} | *{{NoCo|Confirma hoc Deus}} 5vv | ||
*{{NoCo|Defecit in dolore - Sed tu Domine}} | *{{NoCo|Constitues eos principes (Gradual)}} 6vv | ||
*{{NoCo|Deo gratias}} | *{{NoCo|Constitues eos Principes (Offertory)}} 6vv | ||
*{{NoCo|Descendit de coelis - Et exivit per auream portam}} | *{{NoCo|Cunctis diebus}} 6vv | ||
*{{NoCo|Deus venerunt gentes - Posuerunt morticinia - Effuderunt sanguinem - Facti sumus opprobrium}} {{ | *{{NoCo|Da mihi auxilium}} 6vv | ||
*{{NoCo|Dies sanctificatus}} | *{{NoCo|Decantabat populus}} 5vv | ||
*{{NoCo|Diffusa est gratia - Propter veritatem - Vultum tuum}} | *{{NoCo|Defecit in dolore - Sed tu Domine}} 5vv | ||
*{{NoCo|Diliges Dominum}} | *{{NoCo|Deo gratias}} 4vv | ||
*{{NoCo|Domine ante te}} | *{{NoCo|Descendit de coelis - Et exivit per auream portam}} 6vv | ||
*{{NoCo|Domine exaudi orationem - Et non intres in judicium}} | *{{NoCo|Deus in adjutorium}} 6vv [-1] | ||
*{{NoCo|Domine non sum dignus}} | *{{NoCo|Deus venerunt gentes - Posuerunt morticinia - Effuderunt sanguinem - Facti sumus opprobrium}} 5vv | ||
*{{NoCo|Domine praestolamur - Veni Domine noli tardare}} {{ | {{mdl|4}} | ||
*{{NoCo|Domine salva nos}} | *{{NoCo|Dies sanctificatus}} 4vv | ||
*{{NoCo|Domine secundum actum meum}} | *{{NoCo|Diffusa est gratia - Propter veritatem - Vultum tuum}} 5vv | ||
*{{NoCo|Domine secundum multitudinem}} | *{{NoCo|Diliges Dominum}} 8vv | ||
*{{NoCo|Domine tu jurasti}} {{ | *{{NoCo|Domine ante te}} 6vv | ||
*{{NoCo|Domine Deus omnipotens}} 5vv | |||
*{{NoCo|Domine exaudi orationem - Et non intres in judicium}} 5vv | |||
*{{NoCo|Domine non sum dignus}} 6vv | |||
*{{NoCo|Domine praestolamur - Veni Domine noli tardare}} 5vv | |||
*{{NoCo|Domine quis habitabit}} 9vv | |||
*{{NoCo|Domine salva nos}} 6vv | |||
*{{NoCo|Domine secundum actum meum}} 6vv | |||
*{{NoCo|Domine secundum multitudinem}} 5vv | |||
*{{NoCo|Domine tu jurasti}} 5vv | |||
{{btm}} | |||
{{ | ===[[Image:Latin.png]] in Latin (E-O)=== | ||
{{Top}} | |||
*{{NoCo|Ecce advenit dominator Dominus}} 4vv | |||
*{{NoCo|Ecce quam bonum}} 4vv | |||
*{{NoCo|Ecce virgo concipiet}} 5vv | |||
*{{NoCo|Ego sum panis vivus}} 4vv | |||
*{{NoCo|Emendemus in melius}} 5vv | |||
*{{NoCo|Exsurge Domine}} 5vv | |||
*{{NoCo|Fac cum servo tuo}} 5vv | |||
*{{NoCo|Factus est repente}} 5vv | |||
*{{NoCo|Felix es, sacra Virgo Maria}} 5vv | |||
*{{NoCo|Felix namque es}} 5vv | |||
*{{NoCo|Gaude Maria}} 5vv | |||
*''[[Gaudeamus omnes in Domino (Assumption) (William Byrd)|Gaudeamus omnes in Domino (Assumption)]]'' 5vv | |||
*{{NoCo|Gaudeamus omnes in Domino (All Saints)}} 5vv | |||
*{{NoCo|Gloria tibi, Domine}} 3vv | |||
*{{NoCo|Haec dicit Dominus - Haec dicit Dominus}} 5vv | |||
*{{NoCo|Haec dies a 3}} | |||
{{mdl|4}} | |||
*{{NoCo|Haec dies a 6}} | |||
*{{NoCo|Haec dies - Alleluia Pascha nostrum}} 5vv | |||
*{{NoCo|Hodie beata Virgo}} 4vv | |||
*{{NoCo|Hodie Christus natus est}} 4vv | |||
*{{NoCo|Hodie Simon Petrus}} 6vv | |||
*''[[In exitu Israel (John Sheppard, William Byrd, William Mundy)|In exitu Israel]]'' by Sheppard, Byrd and Mundy | |||
*{{NoCo|In manus tuas}} 4vv | |||
*{{NoCo|In resurrectione tua}} 5vv | |||
*{{NoCo|Infelix ego - Quid igitur faciam? - Ad te igitur}} 6vv | |||
*{{NoCo|Jesu nostra redemptio}} 4vv | |||
*{{NoCo|Justorum animae}} 5vv | |||
*''Kyrie'': see Masses, ''Great Service, Laetania'' | |||
*{{NoCo|Laetania}} (Litany "Kyrie…") 4vv | |||
*{{NoCo|Laetentur coeli - Orietur in diebus}} 5vv | |||
*{{NoCo|Laudate Dominum omnes gentes}} 6vv | |||
*{{NoCo|Laudate pueri Dominum}} 6vv | |||
*{{NoCo|Laudibus in sanctis - Magnificum Domini - Hunc arguta}} 5vv | |||
*{{NoCo|Levemus corda}} 5vv | |||
{{mdl|4}} | |||
*{{NoCo|Libera me, Domine, de morte aeterna}} 5vv | |||
*{{NoCo|Libera me, Domine, et pone me}} 5vv | |||
*{{NoCo|Nunc dimittis (Gradualia)|Lumen ad revelationem gentium}} 5vv | |||
*{{NoCo|Mass for Three Voices}} | |||
*{{NoCo|Mass for Four Voices}} | |||
*{{NoCo|Mass for Five Voices}} | |||
*{{NoCo|Memento Domine}} 5vv | |||
*{{NoCo|Memento homo}} 6vv | |||
*{{NoCo|Memento salutis auctor}} 3vv | |||
*{{NoCo|Miserere mei, Deus}} 5vv | |||
*{{NoCo|Miserere mihi Domine}} 6vv | |||
*{{NoCo|Ne irascaris Domine - Civitas sancti tui}} 5vv | |||
*{{NoCo|Ne perdas cum impiis}} 5vv | |||
*{{NoCo|Pange lingua gloriosi|Nobis datus}} 4vv | |||
*{{NoCo|Non nobis Domine}} 3vv (Anonymous) - spurious, not by Byrd | |||
*{{NoCo|Non vos relinquam orphanos}} 5vv | |||
{{mdl|4}} | |||
*{{NoCo|Nunc dimittis (Gradualia)}} 5vv | |||
*{{NoCo|Nunc scio vere}} 6vv | |||
*{{NoCo|O admirabile commertium}} 4vv | |||
*{{NoCo|O Domine adjuva me}} 5vv | |||
*{{NoCo|O gloriosa Domina}} 3vv | |||
*{{NoCo|O lux beata Trinitas}} 6vv | |||
*{{NoCo|O magnum mysterium - Beata Virgo}} 5vv | |||
*{{NoCo|O quam gloriosum est regnum - Benedictio et claritas}} 5vv | |||
*{{NoCo|O quam suavis}} 4vv | |||
*{{NoCo|O Rex gloriae}} 5vv | |||
*{{NoCo|O sacrum convivium}} 4vv | |||
*{{NoCo|O salutaris hostia (Gradualia)}} 4vv | |||
*{{NoCo|O salutaris hostia a 6}} (Unpublished) | |||
*{{NoCo|Oculi omnium}} 4vv | |||
*{{NoCo|Optimam partem elegit}} 5vv | |||
{{btm}} | |||
===[[Image:Latin.png]] | ===[[Image:Latin.png]] in Latin (P-Z)=== | ||
{{Top}} | {{Top}} | ||
*{{NoCo| | *{{NoCo|Pange lingua gloriosi}} 4vv | ||
*{{NoCo| | *{{NoCo|Pascha nostrum}} 5vv | ||
*{{NoCo| | *{{NoCo|Passio Domini nostri Jesu Christi secundum Johannem}} 3vv ''All editions withdrawn'' | ||
*{{NoCo| | *{{NoCo|Peccantem me quotidie}} 5vv | ||
*{{NoCo| | *{{NoCo|Peccavi super numerum}} 5vv | ||
*{{NoCo| | *{{NoCo|Pietas omnium}} 3vv | ||
*{{NoCo| | *{{NoCo|Plorans plorabit}} 5vv | ||
*{{NoCo| | *{{NoCo|Post dies octo - Mane nobiscum}} 3vv | ||
*{{NoCo| | *{{NoCo|Post partum Virgo}} 5vv | ||
*{{NoCo| | *{{NoCo|Christe qui lux es et dies a 5|Precamur sancte Domine}} 5vv | ||
*{{NoCo| | *{{NoCo|Propter veritatem - Alleluia - Assumpta est Maria}} 5vv | ||
*{{NoCo| | *{{NoCo|Psallite Domino}} 5vv | ||
*{{NoCo| | *{{NoCo|Puer natus est nobis}} 4vv | ||
*{{NoCo| | *{{NoCo|Quem terra, pontus, aethera}} 3vv | ||
*{{NoCo| | *{{NoCo|Quis est homo}} - ''Diverte a malo'' 5vv | ||
*{{NoCo| | {{mdl|4}} | ||
*{{NoCo| | *{{NoCo|Quodcunque ligaveris}} 6vv | ||
*{{NoCo| | *{{NoCo|Quomodo cantabimus}} 8vv | ||
*{{NoCo| | *{{NoCo|Quotiescumque manducabitis}} 4vv | ||
*{{NoCo| | *{{NoCo|Recordare Domine - Quiescat Domine}} 5vv | ||
*{{NoCo| | *{{NoCo|Reges Tharsis a 4}} | ||
*{{NoCo| | *{{NoCo|Reges Tharsis a 5}} | ||
*{{NoCo| | *{{NoCo|Regina coeli laetare}} 3vv | ||
*{{NoCo| | *{{NoCo|Responsum accepit Simeon}} 5vv | ||
*{{NoCo| | *{{NoCo|Resurrexi}} 5vv | ||
*{{NoCo| | *{{NoCo|Rorate caeli desuper}} 5vv | ||
*{{NoCo| | *{{NoCo|Sacerdotes Domini}} 4vv | ||
*{{NoCo| | *{{NoCo|Sacris solemniis}} 5vv | ||
*{{NoCo| | *{{NoCo|Salve Regina - Et Jesum benedictum}} (1591) 5vv | ||
*{{NoCo| | *{{NoCo|Salve Regina (1605)}} 4vv | ||
*{{NoCo| | *{{NoCo|Salve sancta parens}} 5vv | ||
*{{NoCo|Salve sola Dei genitrix}} 4vv | |||
*{{NoCo| | *{{NoCo|Senex puerum portabat a 4}} | ||
*{{NoCo| | {{mdl|4}} | ||
*{{NoCo| | *{{NoCo|Senex puerum portabat (a 5)}} | ||
*{{NoCo| | *{{NoCo|Siderum rector}} 5vv | ||
*{{NoCo| | *{{NoCo|Solve jubente Deo}} 6vv | ||
*{{NoCo| | *{{NoCo|Speciosus forma}} 5vv | ||
*{{NoCo| | *{{NoCo|Spiritus Domini}} 5vv | ||
*{{NoCo| | *{{NoCo|Surge, illuminare, Jerusalem}} 4vv | ||
*{{NoCo| | *{{NoCo|Suscepimus Deus - Justitia - Magnus Dominus}} 5vv | ||
*{{NoCo| | *{{NoCo|Suscepimus Deus - Sicut audivimus}} 5vv | ||
*{{NoCo| | *{{NoCo|Terra tremuit}} 5vv | ||
*{{NoCo| | *{{NoCo|Timete Dominum}} 5vv | ||
*{{NoCo| | *{{NoCo|Tollite portas}} 5vv | ||
* | *{{NoCo|Tribue Domine - Te deprecor - Gloria Patri}} 6vv | ||
*{{NoCo| | *{{NoCo|Tribulatio proxima est - Contumelias et terrores}} 5vv | ||
*{{NoCo| | *{{NoCo|Tribulationes civitatum - Timor et hebetudo - Nos enim pro peccatis}} 5vv | ||
*{{NoCo| | *{{NoCo|Tristitia et anxietas - Sed tu Domine}} 5vv | ||
*{{NoCo| | {{mdl|4}} | ||
*{{NoCo| | *{{NoCo|Tu es pastor ovium}} 6vv | ||
*{{NoCo| | *{{NoCo|Tu es Petrus}} 6vv | ||
*{{NoCo| | *{{NoCo|Tui sunt coeli}} 4vv | ||
*{{NoCo| | *{{NoCo|Unam petii a Domino}} 5vv | ||
*''[[Veni sancte Spiritus (Antiphon) (William Byrd)|Veni Sancte Spiritus, Reple tuorum corda fidelium (Antiphon)]]'' 5vv | |||
{{ | *''[[Veni Sancte Spiritus (William Byrd)|Veni Sancte Spiritus, et emitte coelitus]]'' 5vv | ||
*{{NoCo|Venite exultemus Domino}} 6vv | |||
*{{NoCo|Victimae paschali laudes}} 5vv | |||
*{{NoCo|Vide Domine afflictionem - Sed veni Domine}} 5vv | |||
*{{NoCo|Viderunt omnes (Communion)}} 4vv | |||
*{{NoCo|Viderunt omnes (Gradual)}} 4vv | |||
*{{NoCo|Vidimus stellam}} 4vv | |||
*{{NoCo|Vigilate}} 5vv | |||
*{{NoCo|Virgo Dei genitrix}} 5vv | |||
*{{NoCo|Viri Galilaei}} 5vv | |||
*{{NoCo|Visita quaesumus}} 4vv | |||
*{{NoCo|Vultum tuum}} 5vv | |||
{{btm}} | |||
===[[Image: | ===[[Image:England.png]] English Anthems=== | ||
{{Top}} | {{Top}} | ||
*{{NoCo| | *{{NoCo|Alack when I look back}} Alto verse, SAATB | ||
*{{NoCo|Arise Lord into thy rest}} | |||
*{{NoCo|Arise, O Lord}} | |||
*{{NoCo|Attend mine humble prayer}} | |||
*{{NoCo|Be unto me}} | |||
*{{NoCo|Behold how good a thing - And as the pleasant morning dew}} | |||
*{{NoCo|Behold O God the sad and heavy case}} AA verse, SAATB | |||
*{{NoCo|Blessed is he that fears the Lord}} | |||
*{{NoCo|Bow thine ear, O Lord}} | |||
*{{NoCo|Christ rising again - Christ is risen again}} SS verse, SATTB | |||
*{{NoCo|Come help O God}} | |||
*{{NoCo|Come let us rejoice unto our Lord}} | |||
*{{NoCo|An earthly tree a heavenly fruit - Cast off all doubtful care}} | |||
*{{NoCo| | *{{NoCo|Even from the depth}} | ||
*{{NoCo| | *{{NoCo|Exalt thyself O God}} SSAATB | ||
*{{NoCo|From depth of sin}} | |||
*{{NoCo|From Virgin's womb - Rejoice rejoice}} | |||
*{{NoCo|Have mercy upon me}} | |||
*{{NoCo|Hear my prayer O Lord}} Sop. verse, SAATB | |||
*{{NoCo|Help, Lord, for wasted are those men}} | |||
*{{NoCo|Help us, O God of our salvation}} (2nd part of Arise O Lord) | |||
*{{NoCo|How long shall mine enemies}} SAATB ''All editions withdrawn'' | |||
*{{NoCo|How shall a young man}} | |||
{{mdl|3}} | |||
*{{NoCo|How vain the toils}} | |||
*{{NoCo|I have been young}} | |||
*{{NoCo|I have longed for thy saving health}} | |||
*{{NoCo|I laid me down}} | |||
*{{NoCo|Look down O Lord}} | |||
*{{NoCo|Lord hear my prayer instantly}} | |||
*{{NoCo|Lord in thy rage}} | |||
*{{NoCo|Lord in thy wrath correct me not}} | |||
*{{NoCo|Lord in thy wrath reprove me not}} | |||
*{{NoCo|Lord, make me to know thy ways}} | |||
*{{NoCo|Lulla, lullaby, my sweet little baby}} | |||
*{{NoCo|Make ye joy to God}} | |||
*{{NoCo|Mine eyes with fervency}} | |||
*{{NoCo|My soul oppressed with care}} | |||
*{{NoCo|O God give ear}} | |||
*{{NoCo|O God that guides the cheerful sun}} | |||
*{{NoCo|O God, the proud are risen}} SSAATB | |||
*{{NoCo|O God which art most merciful}} | |||
*{{NoCo|O God, whom our offences}} SAATB | |||
*{{NoCo|O Lord, make thy servant Elizabeth}} | |||
{{mdl|3}} | |||
*{{NoCo|O Lord my God}} | |||
*{{NoCo|O Lord, how long wilt thou forget}} | |||
*{{NoCo|O Lord rebuke me not}} Sop. verse, SATTB | |||
*{{NoCo|O Lord, turn thy wrath away}} | |||
*{{NoCo|O Lord, who in thy sacred tent}} | |||
*{{NoCo|Out of the deep}} SSAATB | |||
*{{NoCo|Praise our Lord all ye Gentiles}} | |||
*{{NoCo|Attend mine humble prayer | |||
*{{NoCo|Be unto me | |||
*{{NoCo|Behold how good a thing - And as the pleasant morning dew}} {{ | |||
*{{NoCo|Blessed is he that fears the Lord | |||
*{{NoCo|Bow thine ear, O Lord | |||
*{{NoCo|Christ rising again - Christ is risen again}} | |||
*{{NoCo|Come help O God | |||
*{{NoCo|Come let us rejoice unto our Lord | |||
*{{NoCo|An earthly tree a heavenly fruit - Cast off all doubtful care | |||
*{{NoCo|Even from the depth}} {{ | |||
*{{NoCo|From depth of sin | |||
*{{NoCo|From Virgin's womb - Rejoice rejoice}} | |||
*{{NoCo|Have mercy upon me}} {{ | |||
*{{NoCo|Help, Lord, for wasted are those men}} {{ | |||
*{{NoCo|How long shall mine enemies}} | |||
*{{NoCo|How shall a young man}} {{ | |||
*{{NoCo|How vain the toils | |||
*{{NoCo|I have been young | |||
*{{NoCo|I have longed for thy saving health | |||
*{{NoCo|I laid me down | |||
*{{NoCo|Look down O Lord | |||
*{{NoCo|Lord hear my prayer instantly | |||
*{{NoCo|Lord in thy rage | |||
*{{NoCo|Lord in thy wrath correct me not | |||
*{{NoCo|Lord in thy wrath reprove me not | |||
*{{NoCo|Lord, make me to know thy ways | |||
*{{NoCo| | |||
*{{NoCo|Make ye joy to God | |||
*{{NoCo|Mine eyes with fervency | |||
*{{NoCo|My soul oppressed with care | |||
*{{NoCo|O God give ear | |||
*{{NoCo|O God that guides the cheerful sun}} {{ | |||
*{{NoCo|O God which art most merciful}} {{ | |||
*{{NoCo|O Lord, make thy servant Elizabeth}} | |||
*{{NoCo|O Lord my God | |||
*{{NoCo|O Lord, how long wilt thou forget}} {{ | |||
* | |||
*{{NoCo|O Lord, who in thy sacred tent}} {{ | |||
*{{NoCo|Praise our Lord all ye Gentiles | |||
*''Preces and Responses'' | *''Preces and Responses'' | ||
**{{NoCo|First Preces}} | **{{NoCo|First Preces}} ''All editions withdrawn'' | ||
**{{NoCo|Second Preces I}} | **{{NoCo|Second Preces I}} ''All editions withdrawn'' | ||
**''Second Preces II'' | **''Second Preces II'' | ||
**{{NoCo|Preces and Responses|(Third) Preces and Responses}} | **{{NoCo|Preces and Responses|(Third) Preces and Responses}} | ||
*{{NoCo| | *{{NoCo|Prevent us, O Lord}} SAATB | ||
*{{NoCo| | *{{NoCo|Prostrate O Lord I lie}} | ||
*{{NoCo| | *{{NoCo|Right blest are they}} | ||
*{{NoCo|Save me, O God}} Ps. 54 SSATB | |||
*{{NoCo|Sing joyfully}} SSAATB | |||
*{{NoCo|Sing we merrily unto God}} | |||
*{{NoCo|Sing ye to our Lord}} | |||
*{{NoCo|Teach me, O Lord}} | |||
*{{NoCo|This day Christ was born}} | |||
*{{NoCo|Thou God that guid'st}} Sop. verse SAATB | |||
*{{NoCo|Turn our captivity}} | |||
*{{NoCo|Unto the hills mine eyes I lift}} | |||
*{{NoCo|When Israel came out of Egypt}} | |||
{{btm}} | |||
===Services=== | |||
{{top}} | |||
*{{NoCo|Second Service}} | *{{NoCo|Second Service}} | ||
* | *{{NoCo|Short Evening Service}} | ||
* | *{{NoCo|Te Deum in D minor}} | ||
*{{NoCo| | *{{NoCo|Benedictus in D minor}} | ||
*{{NoCo| | *{{NoCo|Nicene Creed in D minor}} | ||
*{{NoCo| | *{{NoCo|Kyrie in D minor}} | ||
*{{NoCo| | *{{NoCo|Third Service}} ''All editions withdrawn'' | ||
*{{NoCo| | *{{NoCo|Lord, have mercy upon us}} | ||
*{{NoCo| | {{mdl}} | ||
*{{NoCo| | *{{NoCo|The Great Service}} | ||
* | **''[[Venite (Great Service) (William Byrd)|Venite]]'' | ||
* | **''[[Te Deum from the Great Service (William Byrd)|Te Deum]]'' | ||
*{{NoCo| | **''[[Benedictus (Great Service) (William Byrd)|Benedictus]]'' | ||
{{ | **{{NoCo|Kyrie}} | ||
**''Creed'' | |||
**''[[Great Service Magnificat and Nunc Dimittis (William Byrd)|Magnificat]]'' | |||
**''[[Great Service Magnificat and Nunc Dimittis (William Byrd)|Nunc Dimittis]]'' | |||
*{{NoCo|Magnificat and Nunc Dimittis}} - Tones and Fauxbourdons | |||
{{btm}} | |||
==Secular music== | |||
{{Top}} | {{Top}} | ||
*{{NoCo|Ah silly Soul}} | *{{NoCo|Ah silly Soul}} Alto & 5 viols | ||
*{{NoCo|All as a sea}} | *{{NoCo|All as a sea}} 5vv | ||
*{{NoCo|Although the heathen poets}} | *{{NoCo|Although the heathen poets}} 5vv | ||
*{{NoCo|Ambitious love}} | *{{NoCo|Ambitious love}} 5vv | ||
*{{NoCo|And think ye Nymphs to scorn at love - Love is a fit of pleasure}} | *{{NoCo|And think ye Nymphs to scorn at love - Love is a fit of pleasure}} 5/6vv | ||
*{{NoCo|As I beheld I saw a herdman wild | *{{NoCo|As I beheld I saw a herdman wild}} | ||
*{{NoCo|Awake mine eyes | *{{NoCo|Awake mine eyes}} | ||
*{{NoCo|Care for thy soul | *{{NoCo|Care for thy soul}} | ||
*{{NoCo|Come jolly Swains | *{{NoCo|Come jolly Swains}} | ||
*{{NoCo|Come to me grief for ever | *{{NoCo|Come to me grief for ever}} | ||
*{{NoCo|Come woeful Orpheus | *{{NoCo|Come woeful Orpheus}} | ||
*{{NoCo|Compel the hawk to sit | *{{NoCo|Compel the hawk to sit}} | ||
*{{NoCo|Constant Penelope | *{{NoCo|Constant Penelope}} | ||
*{{NoCo|Crowned with flowers | *{{NoCo|Crowned with flowers}} | ||
*{{NoCo|The Eagle's force | *{{NoCo|The Eagle's force}} | ||
*{{NoCo|The fair young virgin - But not so soon | *{{NoCo|The fair young virgin - But not so soon}} | ||
*{{NoCo|Farewell false Love | *{{NoCo|Farewell false Love}} | ||
*{{NoCo|A feigned friend | *{{NoCo|A feigned friend}} | ||
*{{NoCo|From Citheron the warlike boy is fled - There careless thoughts are freed - If Love be just | *{{NoCo|From Citheron the warlike boy is fled - There careless thoughts are freed - If Love be just}} | ||
*{{NoCo|The greedy Hawk | *{{NoCo|The greedy Hawk}} | ||
*{{NoCo|I joy not in no earthly bliss}} {{ | *{{NoCo|I joy not in no earthly bliss}} | ||
*{{NoCo|I thought that Love had been a boy | {{mdl|3}} | ||
*{{NoCo|If in thine heart | *{{NoCo|I thought that Love had been a boy}} | ||
*{{NoCo|If that a sinner's sighs | *{{NoCo|If in thine heart}} | ||
*{{NoCo|If women could be fair | *{{NoCo|If that a sinner's sighs}} | ||
*{{NoCo|In crystal towers | *{{NoCo|If women could be fair}} | ||
*{{NoCo|In fields abroad | *{{NoCo|In crystal towers}} | ||
*{{NoCo|In Winter cold - Whereat an ant | *{{NoCo|In fields abroad}} | ||
*{{NoCo|Is Love a boy? - Boy pity me | *{{NoCo|In Winter cold - Whereat an ant}} | ||
*{{NoCo|Let not the sluggish sleep | *{{NoCo|Is Love a boy? - Boy pity me}} | ||
*{{NoCo|The match that's made | *{{NoCo|Let not the sluggish sleep}} | ||
*{{NoCo|My | *{{NoCo|The match that's made}} | ||
*{{NoCo|My mind to me a kingdom is}} | |||
*{{NoCo|The | *{{NoCo|The nightingale}} | ||
*{{NoCo|O | *{{NoCo|O dear life}} | ||
*{{NoCo|O | *{{NoCo|O mistress mine}} | ||
*{{NoCo|O | *{{NoCo|O sweet deceit}} | ||
*{{NoCo|O you that hear this voice | *{{NoCo|O that most rare breast}} | ||
*{{NoCo|Of flattering speech | *{{NoCo|O you that hear this voice}} | ||
*{{NoCo|Of gold all burnished - Her breath is more sweet | *{{NoCo|Of flattering speech}} | ||
*{{NoCo|Penelope that longed for the sight | *{{NoCo|Of gold all burnished - Her breath is more sweet}} | ||
*{{NoCo|Retire my soul | *{{NoCo|Penelope that longed for the sight}} | ||
*{{NoCo|See those sweet eyes - Love would discharge | *{{NoCo|Retire my soul}} | ||
*{{NoCo|Sellenger's Round}} {{ | *{{NoCo|See those sweet eyes - Love would discharge}} | ||
*{{NoCo|Susanna fair (1588)}} | *{{NoCo|Sellenger's Round}} | ||
*{{NoCo|Susanna fair (1589)}} | {{mdl|3}} | ||
*{{NoCo|This sweet and merry month of May (a 4) | *{{NoCo|Susanna fair (1588)}} 5vv | ||
*{{NoCo|This | *{{NoCo|Susanna fair (1589)}} 3vv | ||
*{{NoCo|Though Amarillis | *{{NoCo|This sweet and merry month of May (a 4)}} | ||
*{{NoCo|Upon a Summer's day - Then for a boat | *{{NoCo|This sweet and merry month of May (a 6)}} | ||
*{{NoCo|La | *{{NoCo|Though Amarillis dance in green}} | ||
*{{NoCo|Wedded to will is witless | *{{NoCo|Upon a Summer's day - Then for a boat}} | ||
*{{NoCo|Weeping full sore | *{{NoCo|La Virginella}} | ||
*{{NoCo|What is life, or worldly pleasure? | *{{NoCo|Wedded to will is witless}} | ||
*{{NoCo|What pleasure have great princes | *{{NoCo|Weeping full sore}} | ||
*{{NoCo|When first by force | *{{NoCo|What is life, or worldly pleasure?}} | ||
*{{NoCo|When I was otherwise | *{{NoCo|What pleasure have great princes}} | ||
*{{NoCo|When younglings first - But when by proof | *{{NoCo|When first by force}} | ||
*{{NoCo|Where fancy fond | *{{NoCo|When I was otherwise}} | ||
*{{NoCo|While that the Sun | *{{NoCo|When younglings first - But when by proof}} | ||
*{{NoCo|Who likes to love | *{{NoCo|Where fancy fond}} | ||
*{{NoCo|Who looks may leap | *{{NoCo|While that the Sun}} | ||
*{{NoCo|Who made thee, Hob, forsake the Plough | *{{NoCo|Who likes to love}} | ||
*{{NoCo|Why do I use my paper, ink and pen? | *{{NoCo|Who looks may leap}} | ||
*{{NoCo|Wounded I am - Yet of us twain | *{{NoCo|Who made thee, Hob, forsake the Plough}} | ||
*{{NoCo|Ye sacred muses}} | *{{NoCo|Why do I use my paper, ink and pen?}} | ||
{{ | *{{NoCo|Wounded I am - Yet of us twain}} | ||
*{{NoCo|Ye sacred muses}} | |||
{{btm}} | |||
{{CheckMissing}} | |||
{{Whatlinkshere}} | {{Whatlinkshere}} | ||
==Publications (vocal music only)== | ==Publications (vocal music only)== | ||
* | *''[[Cantiones quae ab argumento sacrae vocantur]]'' (1575), jointly with [[Thomas Tallis]] | ||
*{{NoComp|Psalmes, Sonnets and Songs|4={{sp}}''of sadnes and pietie''}} (1588) | *{{NoComp|Psalmes, Sonnets and Songs|4={{sp}}''of sadnes and pietie''}} (1588) | ||
*{{NoCo|Cantiones Sacrae I}} (1589) | *{{NoCo|Cantiones Sacrae I}} (1589) | ||
*{{NoCo|Songs of sundrie natures}} (1589) | *{{NoCo|Songs of sundrie natures}} (1589) | ||
*{{NoCo|Cantiones Sacrae II}} (1591) | *{{NoCo|Cantiones Sacrae II}} (1591) | ||
*{{NoCo|Masses for 3 | *{{NoCo|Masses for 3-5 voices}} (1592-95) | ||
*{{NoCo|Gradualia I}} (1605) | *{{NoCo|Gradualia I}} (1605) | ||
*{{NoCo|Gradualia II}} (1607) | *{{NoCo|Gradualia II}} (1607) | ||
*{{NoComp|Psalmes, Songs, and Sonnets|4= | *{{NoComp|Psalmes, Songs, and Sonnets|4=…}} (1611) | ||
Contributions to: | Contributions to: | ||
Line 373: | Line 425: | ||
There is no single official Byrd website, but a variety of useful resources can be found scattered widely across the Web. Many of these sites still repeat the (almost certainly) incorrect birthdate of 1543. | There is no single official Byrd website, but a variety of useful resources can be found scattered widely across the Web. Many of these sites still repeat the (almost certainly) incorrect birthdate of 1543. | ||
*{{IMSLP}} | |||
*[http://www.classical.net/music/comp.lst/byrd.html Classical.net article] - Brief biography and long out-of-date discography. | *[http://www.classical.net/music/comp.lst/byrd.html Classical.net article] - Brief biography and long out-of-date discography. | ||
*[http://www.stainer.co.uk/byrd.html Stainer & Bell's Byrd Home Page] - Complete list of works, plus links to the Byrd Edition. | *[http://www.stainer.co.uk/byrd.html Stainer & Bell's Byrd Home Page] - Complete list of works, plus links to the Byrd Edition. | ||
Line 378: | Line 431: | ||
*[http://www.midiworld.com/mw_byrd.htm Midiworld] - Basically a duplicate of John Sankey's site, plus some midi files of non-keyboard works. | *[http://www.midiworld.com/mw_byrd.htm Midiworld] - Basically a duplicate of John Sankey's site, plus some midi files of non-keyboard works. | ||
*[http://www.hoasm.org/IVM/WilliamByrd.html Byrd on HOASM] - Includes useful links and some facsimiles of printed editions. | *[http://www.hoasm.org/IVM/WilliamByrd.html Byrd on HOASM] - Includes useful links and some facsimiles of printed editions. | ||
{{DEFAULTSORT:Byrd, William}} | {{DEFAULTSORT:Byrd, William}} |
Latest revision as of 01:47, 15 March 2024
Aliases: William Byrde; William Bird; William Birde; William Burde; William Burd – If his surviving signatures are a representative sample, the composer's preferred spelling of his own name was "Byrde", although on his own publications it also appears as Bird and Byrd. His contemporaries knew him indiscriminately as Byrd(e), Bird(e) and even Burd(e).
Life
Born: 1539 or 1540?
Died: 4 July 1623
Biography:
Byrd's will, dated November 1622, declares that he is ‘in the 80th yeare of myne age’, but since a deposition of October 1598 gives his age as ‘58 yeares or ther abouts’ it seems likely the will had been drafted some time before being dated.
William Byrd was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia form a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries.
The entry in Cathedral Music, Volume 2 (William Boyce) reads:
William Bird, was admitted a Gentleman of the Chapel Royal in 1569. He, in conjunction with Thomas Tallis, published in 1575 a collection of their own compositions in Latin, entitled, Sacred Songs: and in the Years 1589, 1591, and 1605, he printed three other collections of his own Productions in the same Language, all of which had the same Title with the first conjoint Publication.
His works were, in his own time, in great Repute, both at Home and Abroad, and are still held in general Estimation: His Canon of Non nobis Domine, will, in particular, remain a perpetual Monument to his Memory.--- He died in 1623.
View the Wikipedia article on William Byrd.
- Note. This page is only partially automated. For an automated version, see /Automated.
List of choral works
- For works at CPDL sorted alphabetically by title, see William Byrd compositions
Sacred music
in Latin (A-D)
in Latin (E-O)
in Latin (P-Z)
English Anthems
Services
|
Secular music
Other works not listed above (See Template:CheckMissing for possible reasons and solutions)
Click here to search for this composer on CPDL
Publications (vocal music only)
- Cantiones quae ab argumento sacrae vocantur (1575), jointly with Thomas Tallis
- Psalmes, Sonnets and Songs of sadnes and pietie (1588)
- Cantiones Sacrae I (1589)
- Songs of sundrie natures (1589)
- Cantiones Sacrae II (1591)
- Masses for 3-5 voices (1592-95)
- Gradualia I (1605)
- Gradualia II (1607)
- Psalmes, Songs, and Sonnets… (1611)
Contributions to:
- Musica Transalpina (1588)
- The first sett, of Italian madrigalls Englished (1590)
- The teares or lamentacions of a sorrowfull soule (1614)
External links
There is no single official Byrd website, but a variety of useful resources can be found scattered widely across the Web. Many of these sites still repeat the (almost certainly) incorrect birthdate of 1543.
- Works by William Byrd in the Petrucci Music Library (IMSLP)
- Classical.net article - Brief biography and long out-of-date discography.
- Stainer & Bell's Byrd Home Page - Complete list of works, plus links to the Byrd Edition.
- John Sankey's keyboard page - Includes midi files of the complete keyboard works.
- Midiworld - Basically a duplicate of John Sankey's site, plus some midi files of non-keyboard works.
- Byrd on HOASM - Includes useful links and some facsimiles of printed editions.