William Byrd: Difference between revisions

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* {{NoCo|Although the heathen poets}} {{LLink|BYRD-ALT.pdf|BYRD-ALT.mid|BYRD-ALT.sib|Sibelius 4}}
* {{NoCo|Although the heathen poets}} {{LLink|BYRD-ALT.pdf|BYRD-ALT.mid|BYRD-ALT.sib|Sibelius 4}}
* {{NoCo|Ambitious Love}} {{LLink|BYRD-AMB.pdf|BYRD-AMB.mid|BYRD-AMB.sib|Sibelius 4}}
* {{NoCo|Ambitious Love}} {{LLink|BYRD-AMB.pdf|BYRD-AMB.mid|BYRD-AMB.sib|Sibelius 4}}
* {{NoCo|And think ye Nymphs to scorn at love - Love is a fit of pleasure}}{{LLink|BYRD-AND.pdf|BYRD-AND.mid}}
* {{NoCo|And think ye Nymphs to scorn at love - Love is a fit of pleasure}}{{LLink|BYRD-AND.pdf|BYRD-AND.mid|BYRD-AND.sib|Sibelius 4}}
* {{NoCo|As I beheld I saw a herdman wild}} {{LLink|BYRD-ASI.pdf|BYRD-ASI.mid|BYRD-ASI.sib|Sibelius 4}}
* {{NoCo|As I beheld I saw a herdman wild}} {{LLink|BYRD-ASI.pdf|BYRD-ASI.mid|BYRD-ASI.sib|Sibelius 4}}
* {{NoCo|Awake mine eyes}} {{LLink|BYRD-AWA.pdf|BYRD-AWA.mid}}
* {{NoCo|Awake mine eyes}} {{LLink|BYRD-AWA.pdf|BYRD-AWA.mid}}
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* {{NoCo|Come to me grief for ever}}   ''2 editions available''
* {{NoCo|Come to me grief for ever}}   ''2 editions available''
* {{NoCo|Come woeful Orpheus}} {{LLink|BYRD-CO4.pdf|BYRD-CO4.mid}}
* {{NoCo|Come woeful Orpheus}} {{LLink|BYRD-CO4.pdf|BYRD-CO4.mid}}
* {{NoCo|Compel the Hawk to sit}} {{LLink|BYRD-CO7.pdf|BYRD-CO7.mid}}
* {{NoCo|Compel the Hawk to sit}} {{LLink|BYRD-CO7.pdf|BYRD-CO7.mid|BYRD-CO7.sib|Sibelius 4}}
* {{NoCo|Constant Penelope}}   ''2 editions available''
* {{NoCo|Constant Penelope}}   ''2 editions available''
* {{NoCo|Crowned with flowers}} {{LLink|BYRD-CRO.pdf|BYRD-CRO.mid}}
* {{NoCo|Crowned with flowers}} {{LLink|BYRD-CRO.pdf|BYRD-CRO.mid}}
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* {{NoCo|Farewell false Love}} {{LLink|BYRD-FAR.pdf|BYRD-FAR.mid|BYRD-FAR.sib|Sibelius 4}}
* {{NoCo|Farewell false Love}} {{LLink|BYRD-FAR.pdf|BYRD-FAR.mid|BYRD-FAR.sib|Sibelius 4}}
* {{NoCo|A feigned friend}} {{LLink|BYRD-FEI.pdf|BYRD-FEI.mid}}
* {{NoCo|A feigned friend}} {{LLink|BYRD-FEI.pdf|BYRD-FEI.mid}}
* {{NoCo|From Citheron the warlike boy is fled - There careless thoughts are freed - If Love be just}} {{LLink|BYRD-FR2.pdf|BYRD-FR2.mid}}
* {{NoCo|From Citheron the warlike boy is fled - There careless thoughts are freed - If Love be just}} {{LLink|BYRD-FR2.pdf|BYRD-FR2.mid|BYRD-FR2.sib|Sibelius 4}}
* {{NoCo|The greedy Hawk}} {{LLink|BYRD-GRE.pdf|BYRD-GRE.mid}}
* {{NoCo|The greedy Hawk}} {{LLink|BYRD-GRE.pdf|BYRD-GRE.mid|BYRD-GRE.sib|Sibelius 4}}
* {{NoCo|I joy not in no earthly bliss}} {{LLink|BYRD-IJO.pdf|BYRD-IJO.mid}}
* {{NoCo|I joy not in no earthly bliss}} {{LLink|BYRD-IJO.pdf|BYRD-IJO.mid}}
* {{NoCo|I thought that Love had been a boy}} {{LLink|BYRD-ITH.pdf|BYRD-ITH.mid}}
* {{NoCo|I thought that Love had been a boy}} {{LLink|BYRD-ITH.pdf|BYRD-ITH.mid|BYRD-ITH.sib|Sibelius 4}}
* {{NoCo|If in thine heart}} {{LLink|BYRD-IFI.pdf|BYRD-IFI.mid}}
* {{NoCo|If in thine heart}} {{LLink|BYRD-IFI.pdf|BYRD-IFI.mid}}
* {{NoCo|If that a sinner's sighs}} {{LLink|BYRD-IFT.pdf|BYRD-IFT.mid|BYRD-IFT.sib|Sibelius 4}}
* {{NoCo|If that a sinner's sighs}} {{LLink|BYRD-IFT.pdf|BYRD-IFT.mid|BYRD-IFT.sib|Sibelius 4}}
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* {{NoCo|The match that's made}} {{LLink|BYRD-MAT.pdf|BYRD-MAT.mid|BYRD-MAT.sib|Sibelius 4}}
* {{NoCo|The match that's made}} {{LLink|BYRD-MAT.pdf|BYRD-MAT.mid|BYRD-MAT.sib|Sibelius 4}}
* {{NoCo|My Mind to me a Kingdom is}} {{LLink|BYRD-MYM.pdf|BYRD-MYM.mid|BYRD-MYM.sib|Sibelius 4}}
* {{NoCo|My Mind to me a Kingdom is}} {{LLink|BYRD-MYM.pdf|BYRD-MYM.mid|BYRD-MYM.sib|Sibelius 4}}
* {{NoCo|The Nightingale}} {{LLink|BYRD-NIG.pdf|BYRD-NIG.mid}}
* {{NoCo|The Nightingale}} {{LLink|BYRD-NIG.pdf|BYRD-NIG.mid|BYRD-NIG.sib|Sibelius 4}}


</td><td valign="top">
</td><td valign="top">
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* {{NoCo|O you that hear this voice}} {{LLink|BYRD-OYO.pdf|BYRD-OYO.mid|BYRD-OYO.sib|Sibelius 4}}
* {{NoCo|O you that hear this voice}} {{LLink|BYRD-OYO.pdf|BYRD-OYO.mid|BYRD-OYO.sib|Sibelius 4}}
* {{NoCo|Of flattering speech}} &nbsp; ''2 editions available''
* {{NoCo|Of flattering speech}} &nbsp; ''2 editions available''
* {{NoCo|Of gold all burnished - Her breath is more sweet}} {{LLink|BYRD-OFG.pdf|BYRD-OFG.mid}}
* {{NoCo|Of gold all burnished - Her breath is more sweet}} {{LLink|BYRD-OFG.pdf|BYRD-OFG.mid|BYRD-OFG.sib|Sibelius 4}}
* {{NoCo|Penelope that longed for the sight}}{{LLink|BYRD-PEN.pdf|BYRD-PEN.mid}}
* {{NoCo|Penelope that longed for the sight}}{{LLink|BYRD-PEN.pdf|BYRD-PEN.mid|BYRD-PEN.sib|Sibelius 4}}
* {{NoCo|Retire my soul}} {{LLink|BYRD-RET.pdf|BYRD-RET.mid}}
* {{NoCo|Retire my soul}} {{LLink|BYRD-RET.pdf|BYRD-RET.mid}}
* {{NoCo|See those sweet eyes - Love would discharge}}{{LLink|BYRD-SEE.pdf|BYRD-SEE.mid}}
* {{NoCo|See those sweet eyes - Love would discharge}}{{LLink|BYRD-SEE.pdf|BYRD-SEE.mid|BYRD-SEE.sib|Sibelius 4}}
* {{NoCo|Sellenger's Round}} {{Link|blowthyhorn.com/choralMusiceditions/sellinger/sellinger.pdf {{extpdf}}|blowthyhorn.com/choralMusiceditions/sellinger/sellinger.mid {{extmid}}|blowthyhorn.com/choralMusiceditions/sellinger/sellinger.ly LilyPond}}
* {{NoCo|Sellenger's Round}} {{Link|blowthyhorn.com/choralMusiceditions/sellinger/sellinger.pdf {{extpdf}}|blowthyhorn.com/choralMusiceditions/sellinger/sellinger.mid {{extmid}}|blowthyhorn.com/choralMusiceditions/sellinger/sellinger.ly LilyPond}}
* {{NoCo|Susanna fair (1588)}} {{LLink|BYRD-SUS.pdf|BYRD-SUS.mid|BYRD-SUS.sib|Sibelius 4}}
* {{NoCo|Susanna fair (1588)}} {{LLink|BYRD-SUS.pdf|BYRD-SUS.mid|BYRD-SUS.sib|Sibelius 4}}
* {{NoCo|Susanna fair (1589)}} {{LLink|BYRD-SU3.pdf|BYRD-SU3.mid}}
* {{NoCo|Susanna fair (1589)}} {{LLink|BYRD-SU3.pdf|BYRD-SU3.mid|BYRD-SU3.sib|Sibelius 4}}
* {{NoCo|This sweet and merry month of May (a 4)}} {{LLink|BYRD-TH4.pdf|BYRD-TH4.mid}}
* {{NoCo|This sweet and merry month of May (a 4)}} {{LLink|BYRD-TH4.pdf|BYRD-TH4.mid}}
* {{NoComp|This Sweet and Merry Month of May|4={{sp}}''(a 6)''}} &nbsp; ''2 editions available''
* {{NoComp|This Sweet and Merry Month of May|4={{sp}}''(a 6)''}} &nbsp; ''2 editions available''
* {{NoCo|Though Amarillis Dance in Green}} &nbsp; ''3 editions available''
* {{NoCo|Though Amarillis Dance in Green}} &nbsp; ''3 editions available''
* {{NoCo|Upon a Summer's day - Then for a boat}}{{LLink|BYRD-UPO.pdf|BYRD-UPO.mid}}
* {{NoCo|Upon a Summer's day - Then for a boat}}{{LLink|BYRD-UPO.pdf|BYRD-UPO.mid|BYRD-UPO.sib|Sibelius 4}}
* {{NoCo|La Verginella}} {{LLink|BYRD-VIR.pdf|BYRD-VIR.mid|BYRD-VIR.sib|Sibelius 4}}
* {{NoCo|La Verginella}} {{LLink|BYRD-VIR.pdf|BYRD-VIR.mid|BYRD-VIR.sib|Sibelius 4}}
* {{NoCo|Wedded to will is witless}} {{LLink|BYRD-WED.pdf|BYRD-WED.mid}}
* {{NoCo|Wedded to will is witless}} {{LLink|BYRD-WED.pdf|BYRD-WED.mid}}
* {{NoCo|Weeping full sore}}{{LLink|BYRD-WEE.pdf|BYRD-WEE.mid}}
* {{NoCo|Weeping full sore}}{{LLink|BYRD-WEE.pdf|BYRD-WEE.mid|BYRD-WEE.sib|Sibelius 4}}
* {{NoCo|What is life, or worldly pleasure?}} {{LLink|BYRD-WHA.pdf|BYRD-WHA.mid}}
* {{NoCo|What is life, or worldly pleasure?}} {{LLink|BYRD-WHA.pdf|BYRD-WHA.mid}}
* {{NoCo|What pleasure have great princes}} {{LLink|BYRD-WH4.pdf|BYRD-WH4.mid|BYRD-WH4.sib|Sibelius 4}}
* {{NoCo|What pleasure have great princes}} {{LLink|BYRD-WH4.pdf|BYRD-WH4.mid|BYRD-WH4.sib|Sibelius 4}}
* {{NoCo|When first by force}} {{LLink|BYRD-WH5.pdf|BYRD-WH5.mid}}
* {{NoCo|When first by force}} {{LLink|BYRD-WH5.pdf|BYRD-WH5.mid|BYRD-WH5.sib|Sibelius 4}}
* {{NoCo|When I was otherwise}} {{LLink|BYRD-WH6.pdf|BYRD-WH6.mid}}
* {{NoCo|When I was otherwise}} {{LLink|BYRD-WH6.pdf|BYRD-WH6.mid|BYRD-WH6.sib|Sibelius 4}}
* {{NoCo|When younglings first - But when by proof}}{{LLink|BYRD-WHE.pdf|BYRD-WHE.mid}}
* {{NoCo|When younglings first - But when by proof}}{{LLink|BYRD-WHE.pdf|BYRD-WHE.mid|BYRD-WHE.sib|Sibelius 4}}
* {{NoCo|Where fancy fond}} {{LLink|BYRD-WH1.pdf|BYRD-WH1.mid|BYRD-WH1.sib|Sibelius 4}}
* {{NoCo|Where fancy fond}} {{LLink|BYRD-WH1.pdf|BYRD-WH1.mid|BYRD-WH1.sib|Sibelius 4}}
* {{NoCo|While that the Sun}} {{LLink|BYRD-WHI.pdf|BYRD-WHI.mid}}
* {{NoCo|While that the Sun}} {{LLink|BYRD-WHI.pdf|BYRD-WHI.mid|BYRD-WHI.sib|Sibelius 4}}
* {{NoCo|Who likes to love}} {{LLink|BYRD-WH2.pdf|BYRD-WH2.mid|BYRD-WH2.sib|Sibelius 4}}
* {{NoCo|Who likes to love}} {{LLink|BYRD-WH2.pdf|BYRD-WH2.mid|BYRD-WH2.sib|Sibelius 4}}
* {{NoCo|Who looks may leap}} {{LLink|BYRD-WHO.pdf|BYRD-WHO.mid}}
* {{NoCo|Who looks may leap}} {{LLink|BYRD-WHO.pdf|BYRD-WHO.mid}}

Revision as of 20:48, 8 April 2010

Aliases: If his surviving signatures are a representative sample, the composer's preferred spelling of his own name was "Byrde", although on his own publications it also appears as Bird and Byrd. His contemporaries knew him indiscriminately as Byrd(e), Bird(e) and even Burd(e).

Life

Byrd.jpg

Born: c.1540

Died: 4 July 1623

Biography:
William Byrd was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia form a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries.

View the Wikipedia article on William Byrd.


List of choral works

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Latin.png Sacred music in Latin

English.png Sacred music in English

Secular music


Click here to search for this composer on CPDL

Publications (vocal music only)

Contributions to:

External links

There is no single official Byrd website, but a variety of useful resources can be found scattered widely across the Web. Many of these sites still repeat the (almost certainly) incorrect birthdate of 1543.