William Byrd: Difference between revisions
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* {{NoCo|O that most rare breast}} {{LLink|BYRD-OTH.pdf|BYRD-OTH.mid|BYRD-OTH.sib|Sibelius 4}} | * {{NoCo|O that most rare breast}} {{LLink|BYRD-OTH.pdf|BYRD-OTH.mid|BYRD-OTH.sib|Sibelius 4}} | ||
* {{NoCo|O Dear Life}} {{LLink|BYRD-ODE.pdf|BYRD-ODE.mid|BYRD-ODE.sib|Sibelius 4}} | * {{NoCo|O Dear Life}} {{LLink|BYRD-ODE.pdf|BYRD-ODE.mid|BYRD-ODE.sib|Sibelius 4}} | ||
* {{NoCo|O Sweet Deceit}} {{ | * {{NoCo|O Sweet Deceit}} {{Editions|2}} | ||
* {{NoCo|O you that hear this voice}} {{LLink|BYRD-OYO.pdf|BYRD-OYO.mid|BYRD-OYO.sib|Sibelius 4}} | * {{NoCo|O you that hear this voice}} {{LLink|BYRD-OYO.pdf|BYRD-OYO.mid|BYRD-OYO.sib|Sibelius 4}} | ||
* {{NoCo|Of flattering speech}} | * {{NoCo|Of flattering speech}} {{Editions|2}} | ||
* {{NoCo|Of gold all burnished - Her breath is more sweet}} {{LLink|BYRD-OFG.pdf|BYRD-OFG.mid|BYRD-OFG.sib|Sibelius 4}} | * {{NoCo|Of gold all burnished - Her breath is more sweet}} {{LLink|BYRD-OFG.pdf|BYRD-OFG.mid|BYRD-OFG.sib|Sibelius 4}} | ||
* {{NoCo|Penelope that longed for the sight}}{{LLink|BYRD-PEN.pdf|BYRD-PEN.mid|BYRD-PEN.sib|Sibelius 4}} | * {{NoCo|Penelope that longed for the sight}}{{LLink|BYRD-PEN.pdf|BYRD-PEN.mid|BYRD-PEN.sib|Sibelius 4}} | ||
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* {{NoCo|Susanna fair (1589)}} {{LLink|BYRD-SU3.pdf|BYRD-SU3.mid|BYRD-SU3.sib|Sibelius 4}} | * {{NoCo|Susanna fair (1589)}} {{LLink|BYRD-SU3.pdf|BYRD-SU3.mid|BYRD-SU3.sib|Sibelius 4}} | ||
* {{NoCo|This sweet and merry month of May (a 4)}} {{LLink|BYRD-TH4.pdf|BYRD-TH4.mid|BYRD-TH4.sib|Sibelius 4}} | * {{NoCo|This sweet and merry month of May (a 4)}} {{LLink|BYRD-TH4.pdf|BYRD-TH4.mid|BYRD-TH4.sib|Sibelius 4}} | ||
* {{NoComp|This Sweet and Merry Month of May|4={{sp}}''(a 6)''}} | * {{NoComp|This Sweet and Merry Month of May|4={{sp}}''(a 6)''}} {{Editions|2}} | ||
* {{NoCo|Though Amarillis Dance in Green}} | * {{NoCo|Though Amarillis Dance in Green}} {{Editions|3}} | ||
* {{NoCo|Upon a Summer's day - Then for a boat}}{{LLink|BYRD-UPO.pdf|BYRD-UPO.mid|BYRD-UPO.sib|Sibelius 4}} | * {{NoCo|Upon a Summer's day - Then for a boat}}{{LLink|BYRD-UPO.pdf|BYRD-UPO.mid|BYRD-UPO.sib|Sibelius 4}} | ||
* {{NoCo|La Verginella}} {{LLink|BYRD-VIR.pdf|BYRD-VIR.mid|BYRD-VIR.sib|Sibelius 4}} | * {{NoCo|La Verginella}} {{LLink|BYRD-VIR.pdf|BYRD-VIR.mid|BYRD-VIR.sib|Sibelius 4}} | ||
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* {{NoCo|Who likes to love}} {{LLink|BYRD-WH2.pdf|BYRD-WH2.mid|BYRD-WH2.sib|Sibelius 4}} | * {{NoCo|Who likes to love}} {{LLink|BYRD-WH2.pdf|BYRD-WH2.mid|BYRD-WH2.sib|Sibelius 4}} | ||
* {{NoCo|Who looks may leap}} {{LLink|BYRD-WHO.pdf|BYRD-WHO.mid|BYRD-WHO.sib|Sibelius 4}} | * {{NoCo|Who looks may leap}} {{LLink|BYRD-WHO.pdf|BYRD-WHO.mid|BYRD-WHO.sib|Sibelius 4}} | ||
* {{NoCo|Who made thee, Hob, forsake the Plough}} | * {{NoCo|Who made thee, Hob, forsake the Plough}} {{Editions|2}} | ||
* {{NoCo|Why do I use my paper, ink and pen?}} {{LLink|BYRD-WHY.pdf|BYRD-WHY.mid|BYRD-WHY.sib|Sibelius 4}} | * {{NoCo|Why do I use my paper, ink and pen?}} {{LLink|BYRD-WHY.pdf|BYRD-WHY.mid|BYRD-WHY.sib|Sibelius 4}} | ||
* {{NoCo|Wounded I am - Yet of us twain}} | * {{NoCo|Wounded I am - Yet of us twain}} {{Editions|2}} | ||
* {{NoCo|Ye sacred muses}} | * {{NoCo|Ye sacred muses}} {{Editions|2}} | ||
</td></tr></table> | </td></tr></table> | ||
Revision as of 15:41, 29 March 2011
Aliases: If his surviving signatures are a representative sample, the composer's preferred spelling of his own name was "Byrde", although on his own publications it also appears as Bird and Byrd. His contemporaries knew him indiscriminately as Byrd(e), Bird(e) and even Burd(e).
Life
Born: c.1540
Died: 4 July 1623
Biography:
William Byrd was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia form a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries.
View the Wikipedia article on William Byrd.
List of choral works
- For works at CPDL sorted alphabetically by title, see William Byrd compositions
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Sacred music in Latin
Sacred music in English
Secular music
Click here to search for this composer on CPDL
Publications (vocal music only)
- Cantiones, quae ab argumento sacrae vocantur (1575)
- Psalmes, Sonnets and Songs of sadnes and pietie (1588)
- Cantiones Sacrae I (1589)
- Songs of sundrie natures (1589)
- Cantiones Sacrae II (1591)
- Masses for 3, 4 & 5 voices (1592-95)
- Gradualia I (1605)
- Gradualia II (1607)
- Psalmes, Songs, and Sonnets... (1611)
Contributions to:
- Musica Transalpina (1588)
- The first sett, of Italian madrigalls Englished (1590)
- The teares or lamentacions of a sorrowfull soule (1614)
External links
There is no single official Byrd website, but a variety of useful resources can be found scattered widely across the Web. Many of these sites still repeat the (almost certainly) incorrect birthdate of 1543.
- Classical.net article - Brief biography and long out-of-date discography.
- Stainer & Bell's Byrd Home Page - Complete list of works, plus links to the Byrd Edition.
- John Sankey's keyboard page - Includes midi files of the complete keyboard works.
- Midiworld - Basically a duplicate of John Sankey's site, plus some midi files of non-keyboard works.
- Byrd on HOASM - Includes useful links and some facsimiles of printed editions.
- Goldberg Web
- Includes an essay by Byrd scholar David Skinner and a partial discography.