Francisco Valls: Difference between revisions
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{{Aliases|Francesc Valls}} | |||
==Life== | ==Life== | ||
'''Born:''' 1665 | '''Born:''' c. 1665? 1671 has recently been proposed. | ||
'''Died:''' 03 February 1747 | '''Died:''' 03 February 1747 | ||
'''Biography:''' | '''Biography:''' Valls was first employed as a parish musician in 1688, then ''maestro de capilla'' at Gerona Cathedral in 1689, and in 1696 at S María del Mar Barcelona. He joined the Barcelona Cathedral in 1696 as substitute, interim, and finally as ''maestro'' in 1709. His retirement is given variously as 1726 or 1741 (the year he began his treatise ''Mapa armonico''). | ||
His best known work is the "Missa Scala Aretina" based on a 6 note scale first used by Guido d'Arezzo in the plainchant of "Ut Queant Laxis". Valls wrote two further masses on the Aretine Scale, which are less well known: the "Missa Regalis" dedicated to the King of Portugal, and the Missa "Ut queant laxis". | |||
Among lost works are 4 oratorios. | |||
{{WikipediaLink}} and [http://ca.wikipedia.org/wiki/Francesc_Valls extended article on Valls] including a list of his published works on the Catalonian edition of Wikipedia. | {{WikipediaLink}} and [http://ca.wikipedia.org/wiki/Francesc_Valls extended article on Valls] including a list of his published works on the Catalonian edition of Wikipedia. | ||
==List of choral works (includes all choral works from "Mapa Armónico Práctico)== | ==List of choral works (includes all choral works from "Mapa Armónico Práctico)== | ||
{{WorksListBox}} | |||
===Masses on the Aretine scale=== | |||
*{{NoCo|Missa scala aretina}} (complete) | |||
*{{NoCo|Missa ut queant laxis}} (complete) | |||
*{{NoCo|Missa regalis}} (Kyrie only) | |||
{{top}} | |||
=== | ===Antiphons=== | ||
*{{NoCo|Ave Maria}} | |||
*{{NoCo|Ave regina caelorum}} | |||
*{{NoCo|Salve regina a 6}} | |||
*{{NoCo|Salve regina a 11}} | |||
*{{NoCo|Veni electa mea}} | |||
===Arias, sacred, and other solo works=== | |||
*{{NoCo| | Soprano | ||
*{{NoCo|Ad alligandos reges}} | |||
*Gratias agimus tibi (see "mass movements" below) | |||
*{{NoCo|O quam gloriosum}} | |||
*{{NoCo| | Alto | ||
*Et in spiritum (see Missa Haec in "mass movements" below) | |||
*{{NoCo|Filii hominum}} | |||
*{{NoCo|Laudate pueri Dominum}} | |||
*{{NoCo|Super omnia ligna cedrorum}} | |||
*{{NoCo|Suscipe verbum}} | |||
*{{NoCo| | Tenor | ||
*{{NoCo|O rex gloriae}} | |||
*{{NoCo|Petrum charitas nascentem}} | |||
*{{NoCo|Tibi soli peccavi II}} | |||
===Canons and fugues, sacred, Latin text=== | ===Canons and fugues, sacred, Latin text=== | ||
*{{NoCo|Auditui meo dabis}} | |||
*{{NoCo|Beatam me dicent}} | *{{NoCo|Beatam me dicent a 4}} | ||
*{{NoCo|Benedicta tu in mulieribus}} | |||
*{{NoCo|Benedicta tu in mulieribus}} | *{{NoCo|Cor mundum}} | ||
*{{NoCo|Diffusa est gratia}} | |||
*{{NoCo|Cor mundum}} | *{{NoCo|Domine quinque talenta}} | ||
*{{NoCo|Ecce enim veritatem}} | |||
*{{NoCo|Diffusa est gratia}} | *{{NoCo|Ecce enim veritatem II}} | ||
*{{NoCo|Specie tua}} | |||
*{{NoCo|Domine quinque talenta}} | *{{NoCo|Super aspidem et basiliscum ambulabis}} | ||
*{{NoCo|Ecce enim veritatem}} | |||
*{{NoCo|Ecce enim veritatem II}} | |||
*{{NoCo|Specie tua}} | |||
*{{NoCo|Super aspidem et basiliscum ambulabis}} | |||
===Hymns, Latin text=== | ===Hymns, Latin text=== | ||
*{{NoCo|Deus tuorum militum}} | |||
*{{NoCo|O gloriosa Virginum}} | |||
*{{NoCo|O memoriale mortis}} | |||
*{{NoCo|Pange lingua}} | |||
*{{NoCo|Te Joseph Celebrent}} | |||
*{{NoCo|Te lucis ante terminum}} | |||
===Invitatories=== | |||
*{{NoCo|Ave Maria a 8 con violines}} | |||
*{{NoCo| | *{{NoCo|In honorem beatae Mariae virginis}} | ||
*{{NoCo|Venite exultemus}} | |||
*{{NoCo| | |||
*{{NoCo| | |||
*{{NoCo| | ===Lamentations=== | ||
*{{NoCo|De lamentatione Jeremiae}} | |||
=== | ===Canticles=== | ||
*{{NoCo|Magnificat a 8 tertii toni}} SSAT.SATB bc. | |||
*{{NoCo|Magnificat}} | *{{NoCo|Magnificat a 8 con violines}} | ||
*{{NoCo|Magnificat a 10}} | |||
*{{NoCo|Magnificat a 8 | *{{NoCo|Magnificat a 8 secundi toni}} | ||
*{{NoCo|Magnificat a 6 secundi toni}} | |||
*{{NoCo|Magnificat sexti toni}} | |||
*{{NoCo|Nunc dimittis a 6}} | |||
*{{NoCo|Nunc dimittis a 10}} | |||
*{{NoCo|Nunc dimittis a 15}} 4 singing choirs, 1 instrumental choir | |||
===Mass, full setting of=== | |||
*{{NoCo|Missa a 5 (hypodorian mode)}} | |||
*{{NoCo|Mass in Locrian mode}} | |||
{{middle|3}} | |||
===Mass, movements from the=== | ===Mass, movements from the=== | ||
*{{NoCo|Agnus Dei}} 6vv from ''Mapa Armónico Práctico'' | |||
*{{NoCo|Agnus Dei}} | *{{NoCo|Benedictus qui venit}} 4vv pari MAP | ||
*{{NoCo|Christe eleison (Missa Scala Aretina)}} 7vv | |||
*{{NoCo|Benedictus qui venit}} | *{{NoCo|Cum Sancto Spiritu}} 10vv 2vlni | ||
*{{NoCo|Et incarnatus est}} 8vv (canon in MAP) | |||
*{{NoCo|Christe eleison (Missa Scala Aretina)}} | *{{NoCo|Et incarnatus est II}} (from "Missa ut Queant Laxis") | ||
*{{NoCo|Et unam sanctam catholicam}} 4vv 2vlni MAP | |||
*{{NoCo|Cum Sancto Spiritu}} | *{{NoCo|Gratias agimus tibi}} S solo 2vlni (''Missa Ut queant'') | ||
*{{NoCo|Hosanna in excelsis}} 8vv MAP | |||
*{{NoCo|Et incarnatus est}} | *{{NoCo|Laudamus te}} 9vv MAP | ||
*{{NoCo|Missa a 11}} (Kyrie and Agnus Dei only) | |||
*{{NoCo|Et unam sanctam catholicam}} | *{{NoCo|Missa Haec est virgo sapiens}} (Kyrie, Et in spiritum and Benedictus only) | ||
*{{NoCo|Missa regalis}} (Kyrie only) | |||
*{{NoCo|Gratias agimus tibi}} | *{{NoCo|Patrem omnipotentem}} 8vv (breaks off at "…Dominum Jesum Christum.") MAP | ||
*{{NoCo|Hosanna in excelsis}} | |||
*{{NoCo| | |||
*{{NoCo|Patrem omnipotentem}} | |||
===Motets, choral=== | ===Motets, choral=== | ||
*{{NoCo| | *{{NoCo|Asumente non concisus}} 6vv | ||
*{{NoCo|Ave stella matutina}} 9vv | |||
*{{NoCo|Beatam me dicent | *{{NoCo|Beata Dei genitrix Maria}} 6vv | ||
*{{NoCo|Beata quae credidisti}} 12vv | |||
*{{NoCo|Crucem tuam adoramus}} | *{{NoCo|Beatam me dicent a 12}} | ||
*{{NoCo|Bone pastor}} 8vv | |||
*{{NoCo| | *{{NoCo|Crucem tuam adoramus}} 4vv + violini | ||
*{{NoCo|Dilexisti justitiam}} 8vv | |||
*{{NoCo| | *{{NoCo|Dogma datur}} 6vv | ||
*{{NoCo|Ecce panis angelorum}} 7vv | |||
*{{NoCo| | **see also ''Bone pastor'' | ||
*{{NoCo|Et misericordia}} 5vv (Magnificat fragment) | |||
*{{NoCo|Et misericordia}} | *{{NoCo|Hodie Maria Virgo}} 8vv | ||
*{{NoCo|Lauda Sion salvatorem a 8}} | |||
*{{NoCo|Hodie Maria Virgo}} | *{{NoCo|Non est alia natio}} 6vv | ||
*{{NoCo|O sacramentum pietatis}} 3vv | |||
*{{NoCo| | *{{NoCo|O sacrum convivium}} 8vv | ||
*{{NoCo|Qui manducat meam carnem}} 6vv | |||
*{{NoCo|Tota pulchra es}} 4vv | |||
*{{NoCo| | ===Psalms=== | ||
*{{NoCo|Confitebor tibi Domine}} | |||
*{{NoCo|Credidi propter quod locutus est}} | |||
*{{NoCo|Cum invocarem}} a 9 (with chirimías and sackbuts) | |||
*{{NoCo|Cum invocarem a 6}} | |||
*{{NoCo|Dixit Dominus}} | |||
*{{NoCo|Domine probasti me}} | |||
*{{NoCo|In exitu Israel}} | |||
*{{NoCo|Laetatus sum}} | |||
*{{NoCo|Laudate Dominum omnes gentes}} | |||
*''Laudate pueri Dominum'' (see "Arias" above) | |||
*{{NoCo|Memento Domine David}} | |||
{{middle|3}} | |||
===Responsories=== | |||
*{{NoCo|Angelus Domini descendit de caelo}} | |||
*{{NoCo|Domine quando veneris}} 4vv | |||
*{{NoCo|Dulce lignum}} | |||
*{{NoCo|Immolabit haedum}} | |||
*{{NoCo|Iste est qui ante Deum}} | |||
*{{NoCo|Juravit Dominus}} | |||
*{{NoCo|Justus ut palma florebit}} | |||
*{{NoCo|Magnificavit eum}} | |||
*{{NoCo|Maria Magdalena a 14}} with chirimías and sackbuts | |||
*{{NoCo|Peccantem me quotidie}} 4vv | |||
*{{NoCo|Virtute magna reddebant apostoli}} 10vv | |||
*{{NoCo| | ===Sequences=== | ||
*{{NoCo|Adest dies triumphalis}} | |||
*{{NoCo| | *{{NoCo|Lauda Sion salvatorem a 10}} | ||
*{{NoCo|Veni sancte spiritus}} | |||
*{{NoCo|Victimae paschali laudes}} | |||
*{{NoCo|Virginalis hortuli}} | |||
*{{NoCo| | |||
*{{NoCo| | |||
*{{NoCo| | |||
===Te Deum, movements from the=== | ===Te Deum, movements from the=== | ||
*{{NoCo|Fiat misericordia}} | |||
*{{NoCo|Fiat misericordia}} | *{{NoCo|Incessabili voce proclamant}} | ||
*{{NoCo|In te Domine speravi}} | |||
*{{NoCo|Incessabili voce proclamant}} | *{{NoCo|Non confundar in eternum}} | ||
*{{NoCo|In te Domine speravi}} | |||
*{{NoCo|Non confundar in eternum}} | |||
===Other sacred compositions, or fragments, in Latin=== | ===Other sacred compositions, or fragments, in Latin=== | ||
*{{NoCo|Adorare Dominum}} | |||
*{{NoCo|Adorare Dominum}} | *{{NoCo|Benedicta tu in mulieribus II}} | ||
*{{NoCo|Dies magna}} | |||
*{{NoCo|Domine vim patior}} | |||
*{{NoCo|Erravi}} | |||
*{{NoCo|Benedicta tu in mulieribus II}} | *{{NoCo|Fulcite me floribus}} | ||
*{{NoCo|Miserere}} 12vv (verse 1) | |||
*{{NoCo|Dies magna}} | **{{NoCo|Amplius lava me}} 6vv (verse 3) | ||
**{{NoCo|Tibi soli peccavi}} 6vv (verse 4) | |||
*{{NoCo|Domine vim patior}} | **''Ecce enim veritatem'' see 2 settings under "Canons" above | ||
*{{NoCo|O vos omnes}} | |||
*{{NoCo|Erravi}} | *{{NoCo|Plorans ploravit}} | ||
*{{NoCo|Fulcite me floribus}} | |||
*{{NoCo| | |||
*{{NoCo| | |||
*{{NoCo|Tibi soli peccavi}} | |||
===Sacred works in Spanish=== | ===Sacred works in Spanish=== | ||
*{{NoCo|Adoren los hombres}} | |||
*{{NoCo|Adoren los hombres}} | *{{NoCo|Al combite que Amor hoy previene}} | ||
*{{NoCo|Alegres mudanzas}} | |||
*{{NoCo|Al combite que Amor hoy previene}} | *{{NoCo|Ay de la pena}} | ||
*{{NoCo|Corta las jarcias, corta las velas}} | |||
*{{NoCo|Alegres mudanzas}} | *{{NoCo|Dios te salve}} | ||
*{{NoCo|Entre golfos de dulzuras}} | |||
*{{NoCo|Ay de la pena}} | *{{NoCo|Ode to Saint Thomas Aquinas}} | ||
*{{NoCo|No son rayos, no}} | |||
*{{NoCo|Corta las jarcias, corta las velas}} | *{{NoCo|Que cuando se engendra la perla divina}} | ||
*{{NoCo|¿Qué es lo que me niega Amor?}} | |||
*{{NoCo|Dios te salve}} | *{{NoCo|Quien será decid}} | ||
*{{NoCo|Tu en un pesebre}} | |||
*{{NoCo|Entre golfos de dulzuras}} | *{{NoCo|Y así a los serafines}} | ||
*{{NoCo|Ya el sol puede extender}} | |||
*{{NoCo|Ode to Saint Thomas Aquinas}} | |||
*{{NoCo|No son rayos, no}} | |||
*{{NoCo|Que cuando se engendra la perla divina}} | |||
*{{NoCo|¿Qué es lo que me niega Amor?}} | |||
*{{NoCo|Quien será decid}} | |||
*{{NoCo|Tu en un pesebre}} | |||
*{{NoCo|Y así a los serafines}} | |||
*{{NoCo|Ya el sol puede extender}} | |||
===Theatrical or operatic compositions in Spanish=== | ===Theatrical or operatic compositions in Spanish=== | ||
*{{NoCo|Chorus of the fates (Salid del Averno)}} | |||
*{{NoCo|Chorus of the fates (Salid del Averno)}} | *{{NoCo|Es tan violento el estrago}} | ||
*{{NoCo|Mas ay de mí}} | |||
*{{NoCo|Es tan violento el estrago}} | |||
*{{NoCo|Mas ay de mí}} | |||
===Illustration of choral techniques=== | ===Illustration of choral techniques=== | ||
*{{NoCo|Elevación o ascención, gradación y descenso}} | |||
*{{NoCo|Elevación o ascención, gradación y descenso}} | {{bottom}} | ||
{{Whatlinkshere}} | {{Whatlinkshere}} | ||
==Publications== | ==Publications== | ||
* {{NoCo|Mapa Armónico Práctico}} 1742 | |||
'''Extracts from text of "Mapa Armónico Práctico"''' | ==External links== | ||
:'''Extracts from text of "Mapa Armónico Práctico"''' | |||
*[https://digital.csic.es/handle/10261/144450 CSIC book about chapters I-XIV] | |||
*[{{website|wimascores}}valls/mapa/valls-comment.pdf Chapter XVI "On cancrizans canons"] | *[{{website|wimascores}}valls/mapa/valls-comment.pdf Chapter XVI "On cancrizans canons"] | ||
*[http://www.jgoodliffe.co.uk/scores/mapa105.pdf Chapter XIX "On accompaniment and its purpose in music"] | *[http://www.jgoodliffe.co.uk/scores/mapa105.pdf Chapter XIX "On accompaniment and its purpose in music"] | ||
*[{{website|wimascores}}valls/mapa/valls-enhcom.pdf Chapter XXVIII "On the enharmonic style"] | *[{{website|wimascores}}valls/mapa/valls-enhcom.pdf Chapter XXVIII "On the enharmonic style"] | ||
*[http://www.scalaaretina.com ScalaAretina] - Commercial publishers of some of Valls' music. | *[http://www.scalaaretina.com ScalaAretina] - Commercial publishers of some of Valls' music. |
Latest revision as of 17:53, 25 October 2022
Alias: Francesc Valls
Life
Born: c. 1665? 1671 has recently been proposed.
Died: 03 February 1747
Biography: Valls was first employed as a parish musician in 1688, then maestro de capilla at Gerona Cathedral in 1689, and in 1696 at S María del Mar Barcelona. He joined the Barcelona Cathedral in 1696 as substitute, interim, and finally as maestro in 1709. His retirement is given variously as 1726 or 1741 (the year he began his treatise Mapa armonico).
His best known work is the "Missa Scala Aretina" based on a 6 note scale first used by Guido d'Arezzo in the plainchant of "Ut Queant Laxis". Valls wrote two further masses on the Aretine Scale, which are less well known: the "Missa Regalis" dedicated to the King of Portugal, and the Missa "Ut queant laxis".
Among lost works are 4 oratorios.
View the Wikipedia article on Francisco Valls.
and extended article on Valls including a list of his published works on the Catalonian edition of Wikipedia.
List of choral works (includes all choral works from "Mapa Armónico Práctico)
- For works at CPDL sorted alphabetically by title, see Francisco Valls compositions
Masses on the Aretine scale
- Missa scala aretina (complete)
- Missa ut queant laxis (complete)
- Missa regalis (Kyrie only)
Click here to search for this composer on CPDL
Publications
External links
- Extracts from text of "Mapa Armónico Práctico"
- CSIC book about chapters I-XIV
- Chapter XVI "On cancrizans canons"
- Chapter XIX "On accompaniment and its purpose in music"
- Chapter XXVIII "On the enharmonic style"
- ScalaAretina - Commercial publishers of some of Valls' music.
- Dinsic Publicacions Musicals - Commercial publishers of some of Valls' music.
- Consejo Superior de Investigaciones Cientificas - Publishers of Mapa Armonico Practico.
- Cancrizans compositions by Valls on Werner Icking Music Archive.