Category:Keyboard reduction
This subcategory of Category:Accompaniment is for editions which have a keyboard (eg. piano, organ, electric keyboard, etc.) reduction of a choral score which is otherwise an a cappella work: i.e. those parts usually marked "for rehearsal only". This category should not be confused with Category:Keyboard version which is for 'piano reductions' of orchestral accompaniments.
The easiest way to add this category and to flag an edition as having a keyboard reduction is simply by typing {{KbdRed}} in the Edition notes field; then a sentence to that effect will appear, and the page will be listed here.
Pages in this category
The following 200 pages are in this category, out of 615 total.
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- Ab oriente (Jan Pieterszoon Sweelinck)
- Ad te levavi oculos meos (Robert White)
- Adieu! my native shore (Robert Lucas Pearsall)
- Adieu, adieu you kind and cruel (Thomas Morley)
- Adieu, ye city pris'ning towers (Thomas Tomkins)
- Adolescentulus sum ego (William Mundy)
- Adon Olam (Salamone Rossi)
- Adoramus te (Claudio Merulo)
- Adoramus te, Christe (attrib. Giovanni Pierluigi da Palestrina)
- Adoramus te, Christe (Jacobus Clemens non Papa)
- Adorna thalamum (Pandolfo Zallamella)
- Agnus Dei (Thomas Morley)
- Ah me! Can every rumour (John Wilbye)
- Ah! cruel Amarillis (John Wilbye)
- Ah, Cupid grant that I may never see (Thomas Bateson)
- Ah, dear heart, why do you rise? (Orlando Gibbons)
- Alas! what hope of speeding (George Kirbye)
- Alas, what hope of speeding (John Wilbye)
- All creatures now are merry-minded (John Bennet)
- All in the April evening (Hugh S. Roberton)
- Alleluia, Christus surrexit (Felice Anerio)
- Alleluja, laudem dicite (Hans Leo Hassler)
- Alma Redemptoris Mater a 8 (Collegio Romano ms.) (Giovanni Pierluigi da Palestrina)
- Almighty God, the fountain of all wisdom (Thomas Tomkins)
- Although soft sleep (Richard John Samuel Stevens)
- Amicus meus (Jeffrey Quick)
- Among the daffadillies (Giles Farnaby)
- An Wasserflüssen Babylon (Christoph Buel)
- And must I needs depart then? (Thomas Bateson)
- Angeli, archangeli (Andrea Gabrieli)
- Angelus ad pastores ait a 4 (Andrea Gabrieli)
- Angelus Domini descendit (Hans Leo Hassler)
- Arise and hail the sacred day (John Broderip)
- Arno's vale (Henry Holcombe)
- As fair as morn (John Wilbye)
- As matchless beauty (John Wilbye)
- As on the night (Song 46) (Orlando Gibbons)
- As torrents in summer (Edward Elgar)
- As Vesta was from Latmos hill descending (Thomas Weelkes)
- Ascendit Deus (Peter Philips)
- Ascendo ad Patrem meum (Hans Leo Hassler)
- At the round earth's imagined corners (Charles Hubert Hastings Parry)
- Audivi: Media nocte (John Taverner)
- Ave Christe (Josquin des Prez)
- Ave Maria (Lawrence Sisk)
- Ave Maria a 4 (Jacob Handl)
- Ave Regina caelorum (Cipriano de Rore)
- Ave Regina coelorum a 4 (Orlando di Lasso)
- Ave Regina, op. 140 Nr. 4 (Josef Rheinberger)
- Ave verum corpus (Giacomo Carissimi)
- Ave Virgo gloriosa (Richard Dering)
- Away, thou shalt not love me (John Wilbye)
- Ay me, poor heart! (Giles Farnaby)
B
- Baloo, my babe (Joseph Corfe)
- Be merciful unto me, Z 4 (Henry Purcell)
- Beata es, virgo Maria (Giovanni Maria Trabaci)
- Beati quorum via, Op. 38, No. 3 (Charles Villiers Stanford)
- The Beatitudes (Paul Stetsenko)
- Beatus vir qui timet Dominum (Anonymous)
- The beauty of Israel is slain (William Knapp)
- The beauty of Israel is slain (John Broderip)
- The beauty of Israel is slain (Robert Barber)
- Because there is one bread (Charles H. Giffen)
- Behold, how good and joyful (Samuel Wesley)
- Behold, I bring you glad tidings (John Broderip)
- Behold, now praise the Lord (Benjamin Rogers)
- Benedetto sia 'l giorno (Patrick O'Shea)
- Benedicta et venerabilis (John David Eaton)
- Blessed are all they that fear the Lord (John Bishop)
- Blessed are the dead which die in the Lord (Charles Villiers Stanford)
- Blind Love was shooting (Giles Farnaby)
- Blow, blow thou winter wind (Richard John Samuel Stevens)
- Blow, blow thou winter wind (Thomas Arne)
- The Blue Bird (Charles Villiers Stanford)
- Breathe soft ye winds (William Paxton)
- Burial Service (William Croft)
- Burial Service in E Minor (William Boyce)
C
- Canite tuba (Curtio Valcampi)
- Canite tuba (Hans Leo Hassler)
- Cantate Domino (Giovanni Croce)
- Cantate Domino (Simone Molinaro)
- Canto de la sibila (Cristóbal de Morales)
- Caro mea vere (Ruggiero Giovannelli)
- Carters, now cast down your whips (Giles Farnaby)
- Christ has no body now on earth but ours (Kathryn Rose)
- Christ our Paschal Lamb (Adrian Batten)
- Christ rising again (John Amner)
- Christ rising again (John Sheppard)
- Christe qui lux es et dies (Michael Praetorius)
- Christmas Carols from Poland (Douglas Brooks-Davies)
- Cloris, whenas I woo (Thomas Tomkins)
- Coelos ascendit hodie, Op. 38, No. 2 (Charles Villiers Stanford)
- Cold winter's ice is fled and gone (Thomas Weelkes)
- Come away, sweet love (Thomas Greaves)
- Come Holy Ghost (Orlando Gibbons)
- Come shepherds, follow me (John Bennet)
- Come, let us a-maying go (Luffman Atterbury)
- Come, let's rejoice (John Amner)
- Come, shepherds, sing with me (Thomas Tomkins)
- Comme la tourterelle (Philippe de Monte)
- Communion Service in C minor (Charles Wood)
- Compare me to the child (John Farmer)
- Confirma hoc, Deus (Gregor Aichinger)
- Construe my meaning (Giles Farnaby)
- Credo a otto voci (Luigi Cherubini)
- The Cross of snow (Tim Risher)
- A cruel fate hangs threat'ning (Theodore Aylward)
- The curtain drawn (Giles Farnaby)
D
- Dainty white pearl (Michael East)
- Dame Venus hence to Paphos go (Thomas Bateson)
- Daphne on the rainbow riding (Giles Farnaby)
- The dayspring from on high with lustre bright (Matthew Cooke)
- Dear pity, how? (John Wilbye)
- Dear, why do you joy? (Michael East)
- Decantabat populus (Giovanni Matteo Asola)
- Deliver us, O Lord our God (Adrian Batten)
- Descendi in hortum meum (Cipriano de Rore)
- Deus noster refugium (Hans Leo Hassler)
- Deus, Deus meus (Hans Leo Hassler)
- Domine, Dominus noster (Orlando di Lasso)
- Domine, Dominus noster a 5 (Hans Leo Hassler)
- Domine, labia mea aperies (Orlando di Lasso)
- Down from above (Thomas Bateson)
- Down the hills Corinna trips (Thomas Bateson)
- Draw on, sweet night (John Wilbye)
- Drop, drop, slow tears (Walter Wells)
- Dum transisset Sabbatum (Christian Erbach)
E
- Ecce vicit Leo (Peter Philips)
- Ecce vidimus eum (Jeffrey Quick)
- The Elves Dance (John Bennet)
- Epitaph on a Dormouse (Benjamin Cooke)
- Epitaph on Henry Purcell (Mary Hudson)
- Epitaph on Sir Charles Sanders (Lord Mornington)
- Epitaph on Sir John Calf (John Wall Callcott)
- Epitaph on the gravestone of Dr Willm. Child (Robert Hudson)
- Eram quasi agnus innocens (Jeffrey Quick)
- Estote fortes in bello (Tomás Luis de Victoria)
- Evening Service (Thomas Causton)
- Evening Service in F minor (Alan Gray)
- Expurgate vetus fermentum (Hans Leo Hassler)
- Exultate Deo (Alessandro Scarlatti)
- Exultate Deo (Giovanni Pierluigi da Palestrina)
- Exultate Deo (Hans Leo Hassler)
- Exultavit cor meum (Hans Leo Hassler)
F
- Factum est silentium (Richard Dering)
- Factus est repente (Gregor Aichinger)
- Fair nymphs, I heard one telling (John Farmer)
- Farewell unkind farewell (John Dowland)
- Farewell, dear love (Robert Jones)
- Farewell, false love (Michael East)
- Farewell, my love (George Kirbye)
- The Fauns and Satyrs tripping (Thomas Tomkins)
- Fie on this faining, is love without desire (John Dowland)
- Fierce was the wild billow, Op. 8, No. 5 (T. Tertius Noble)
- The five lesser joys of Mary (Peter Warlock)
- Fly Love aloft (John Wilbye)
- Fly not so swift my dear (John Wilbye)
- Follow me, sweet love and soul's delight (Michael East)
- Fond youth is a bubble (Thomas Tallis)
- Free at last (Traditional)
- From the depth I called on thee, O Lord (Christopher Tye)
- Fuerunt mihi lacrimae (Alfonso Ferrabosco II)
- Fusca, in thy starry eyes (Thomas Tomkins)
- Fyer, fyer (Thomas Morley)
G
- Genitori Genitoque (Tomás Luis de Victoria)
- Gently touch the warbling lyre (Francesco Geminiani)
- Give almes of thy goods (Christopher Tye)
- Gloria in excelsis Deo (Thomas Weelkes)
- Gloria laus (Christopher Tye)
- Glorious and powerful God, Op. 135, No. 3 (Charles Villiers Stanford)
- Go tell it (on the mountain) (Heather Soderling)
- Go to dark Gethsemane (T. Tertius Noble)
- Go to the ant (Henry Harington)
- God and the Universe (Charles Villiers Stanford)
- God rest you merry, gentlemen (Traditional)
- God so loved the world (John Goss)
- God so loved the world (John Stainer)
- Grant, we beseech thee (Horatio W. Parker)
- Grant, we beseech thee (John Okeover)
- Grates nunc omnes (Blasius Ammon)
- Great Lord of Lords (Charles Wood)
- Gustate et videte (Giovanni Matteo Asola)
H
- Haec dies (Jacques Arcadelt)
- Haec dies (Thomas Morley)
- Hail, Gladdening Light (Charles Wood)
- Hail, smiling morn (Reginald Spofforth)
- Happy, Oh happy he (John Wilbye)
- Hark, hear you not? (Oriana's Epitaph) (Thomas Bateson)
- Haste Thee, O God (Adrian Batten)
- The Haven (Charles Villiers Stanford)
- He humbled himself (Giovanni Pierluigi da Palestrina)
- Hear my prayer, O God (Adrian Batten)
- Hear my prayer, O Lord (Robert Barber)
- Heaven and Earth (Nebo i Zeml'a) (Traditional)
- Hei mihi, Domine (Baldassare Donato)
- Hence, stars too dim of light (Michael East)
- Hic vir despiciens mundum (Tomás Luis de Victoria)
- Hirtenlied, Op. 88, No. 3 (Felix Mendelssohn)
- Hodie beata Virgo Maria (Claudio Merulo)
- Hodie beata virgo Maria (Jacques Arcadelt)